The Last Vendée; or, the She-Wolves of Machecoul. Alexandre Dumas

The Last Vendée; or, the She-Wolves of Machecoul - Alexandre Dumas


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the most difficult, or rather the most hazardous part of his enterprise. He had to find some window left unfastened by a careless servant, by which he could enter the house and slip back to his own apartment unperceived.

      The château de la Logerie consists of a large, square building, flanked at the corners with four towers of the same shape. The kitchens and offices were underground, the reception-rooms on the ground-floor, those of the baroness on the next floor, those of her son above her. Michel examined the house on three sides, trying gently but persistently every door and window, keeping close to the walls, stepping with precaution, and even holding his breath. Neither doors nor windows yielded.

      There was still the front of the house to be examined. This was much the most dangerous side, for the windows of the baroness commanded it, and there were no shrubs to cast a protecting shadow. Here he found a window open. True, it was that of his mother's bedroom; but Michel, now desperate, reflected that if he had to be scolded he would rather it were without than within the house, and he resolved on making the attempt.

      He was cautiously advancing round the corner tower when he saw a shadow moving on the lawn. A shadow of course meant a body. Michel stopped and gave all his attention to the new arrival. He saw it was a man, and the man was following the path he himself would have taken had he gone, in the first instance, straight to the house. The young baron now made a few steps backward and crouched in the heavy shadow projected by the tower.

      The man came nearer. He was not more than fifty yards from the house when Michel heard the harsh voice of his mother speaking from her window. He congratulated himself on not having crossed the lawn and taken the path the man was on.

      "Is that you, Michel?" asked the baroness.

      "No, madame, no," replied a voice, which the young baron recognized, with amazement not unmingled with fear, as that of Courtin, "you do me too much honor in taking me for Monsieur le baron."

      "Good heavens!" cried the baroness, "what brings you here at this hour?"

      "Ah! you may well suppose it is something important, Madame la baronne."

      "Has any harm happened to my son?"

      The tone of agony in which his mother said these words touched the young man so deeply that he was about to rush out and reassure her when Courtin's answer, which came immediately, paralyzed this good intention.

      "Oh! no, no, madame; I have just seen the young gars, if I may so call Monsieur le baron, and he is quite well,--up to the present moment at least."

      "Present moment!" said the baroness. "Is he in any danger?"

      "Well, yes," said Courtin; "he may get into trouble if he persists in running after those female Satans,--and may hell clutch them! It is to prevent such a misfortune that I've taken the liberty to come to you at this time of night, feeling sure that as Monsieur Michel is so late in getting home you would surely be sitting up for him."

      "You did right, Courtin. Where is he now,--do you know?"

      Courtin looked about him.

      "I am surprised he has not come in. I took the county road so as to leave him the wood-path clear, and that's a good half-mile shorter than the road."

      "But tell me at once, where has he been; where is he coming from; what has he done; why is he roaming the country at two in the morning, without considering my anxiety or reflecting that he is injuring my health as well as his own?"

      "Madame la baronne, I cannot answer those questions in the open air." Then, lowering his voice, he added, "What I have to tell madame is so important that she had better hear it in her own room. Besides, as the young master is not yet in, he may be here at any moment," said the farmer, looking uneasily about him, "and I wouldn't for all the world have him suspect that I keep a watch upon him, though it is for his own good, and to do you a service."

      "Come in, then; you are right," said the baroness. "Come in, at once."

      "Beg pardon, madame, but how, if you please?"

      "True," said the baroness, "the door is locked."

      "If madame will throw me the key--"

      "It is inside the door."

      "Oh, bother it!"

      "I sent the servants to bed, not wishing them to know of my son's misconduct. Wait; I will ring for my maid."

      "Oh, madame, no!" exclaimed Courtin, "it is better not to let any one into our secrets; it seems to me the matter is so important that madame might disregard appearances. I know madame was not born to open the door to a poor farmer like me; but once in a way it wouldn't signify. If everybody is asleep in the château, so much the better; we shall be safe from curiosity."

      "Really, Courtin, you alarm me," said the baroness, who was in fact prevented from opening the door by a petty pride, which had not escaped the farmer's observation. "I will hesitate no longer."

      The baroness withdrew from the window, and a moment later Michel heard the grinding of the key and the bolts of the front door. He listened at first in an agony of apprehension; then he became aware that the door, which opened with difficulty, had not been relocked or bolted,--no doubt because his mother and Courtin were so pre-occupied in mind. He waited a few seconds till he was sure they had reached the upper floor. Then, gliding along the wall, he mounted the portico, pushed open the door, which turned noiselessly on its hinges, and entered the vestibule.

      His original intention had been, of course, to regain his room and await events, while pretending to be asleep. In that case the exact hour of his return home would not be known, and he might still have a chance to get out of the scrape by a fib. But matters were much changed since he formed that intention. Courtin had followed him; Courtin had seen him. Courtin must know that the Comte de Bonneville and his companion had taken refuge in the château de Souday. For a moment Michel forgot himself to think of his friend, whom the farmer, with his violent political opinions, might greatly injure.

      Instead of going up to his own floor, he slipped, like a wolf, along his mother's corridor. Just as he reached her door he heard her say:--

      "So you really think, Courtin, that my son has been enticed by one of those miserable women?"

      "Yes, madame, I am sure of it; and they've got him so fast that I am afraid you'll have a deal of trouble to get him away from them."

      "Girls without a penny!"

      "As for that, they come of the oldest blood in the country, madame," said Courtin, wishing to sound his way; "and for nobles like you that's something, at any rate."

      "Faugh!" exclaimed the baroness; "bastards!"

      "But pretty; one is like an angel, the other like a demon."

      "Michel may amuse himself with them, as so many others, they say, have done; that's possible; but you can't suppose that he ever dreamed of marrying one of them? Nonsense! he knows me too well to think that I would ever consent to such a marriage."

      "Barring the respect I owe to him, Madame la baronne, my opinion is that Monsieur Michel has never reflected at all about it, and doesn't yet know what he feels for the wolves; but one thing I'm sure of, and that is he is getting himself into another kind of trouble, which may compromise him seriously."

      "What do you mean, Courtin?"

      "Well, confound it!" exclaimed the farmer, seeming to hesitate, "do you know, madame, that it would be very painful to me, who love and respect you, if my duty compelled me to arrest my young master?"

      Michel trembled where he stood; and yet it was the baroness to whom the shock was most severe.

      "Arrest Michel!" she exclaimed, drawing herself up; "I think you forget yourself, Courtin."

      "No, madame, I do not."

      "But--"

      "I am your farmer, it is true," continued Courtin, making the baroness a sign with his hand to control herself. "I


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