Life in South Africa. Lady Barker

Life in South Africa - Lady Barker


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are four small rooms, two on either side of a narrow passage which runs from one end to the other. By a happy afterthought, a kitchen has been added beyond this extremely simple ground-plan, and on the opposite side a corresponding projection which closely resembles a packing-case, and which has been painted a bright blue inside and out. This is the dining-room, and evidently requires to be severely handled before its present crude and glaring tints can be at all toned down. At a little distance stands the stable, saddle-room, etc., and a good bedroom for English servants, and beyond that, again, among large clumps of rose-bushes, a native hut. It came up here half built—that is, the frame was partly put together elsewhere—and it resembled a huge crinoline more than anything else in its original state. Since that, however, it has been made more secure by extra pales of bamboo, each tied in its place with infinite trouble and patience by a knot every inch or two. The final stage consisted of careful thatching with thick bundles of grass laid on the framework, and secured by long ropes of grass binding the whole together. The door is the very smallest opening imaginable, and inside it is of course pitch dark. All this labor was performed by stalwart Kafir women, one of whom, a fearfully repulsive female, informed my cook that she had just been bought back by her original husband. Stress of circumstances had obliged him to sell her, and she had been bought by three other husband-masters since then, but was now resold, a bargain, to her first owner, whom, she declared, she preferred to any of the others. But few as are these rooms, they yet are watertight—which is a great point out here—and the house, being built of large, awkward blocks of stone, is cool and shady. When I have arranged things a little, it will be quite comfortable and pretty; and I defy any one to wish for a more exquisite view than can be seen from any corner of the verandah. We are on the brow of a hill which slopes gently down to the hollow wherein nestles the picturesque little town, or rather village, of Maritzburg. The intervening distance of a mile or so conceals the real ugliness and monotony of its straight streets, and hides all architectural shortcomings. The clock-tower, for instance, is quite a feature in the landscape, and from here one cannot perceive that the clock does not go. Nothing can be prettier than the effect of the red-tiled roofs and white walls peeping out from among thick clumps of trees, whilst beyond the ground rises again to low hills with deep purple fissures and clefts in their green sides. It is only a couple of years since this little house was built and the garden laid out, and yet the shrubs and trees are as big as if half a dozen years had passed over their leafy heads. As for the roses, I never saw anything like the way they flourish at their own sweet will. Scarcely a leaf is to be seen on the ugly straggling tree—nothing but masses of roses of every tint and kind and old-fashioned variety. The utmost I can do in the way of gathering daily basketsful appears only in the light of judicious pruning, and next day a dozen blossoms have burst forth to supply the place of each theft of mine. And there is such a variety of trees! Oaks and bamboos, blue gums and deodars, seem to flourish equally well within a yard or two of each other, and the more distant flower-beds are filled with an odd mixture of dahlias and daturas, white fleur-de-lis and bushy geraniums, scarlet euphorbias and verbenas. But the weeds! They are a chronic eyesore and grief to every gardener. On path and grass-plat, flower-bed and border, they flaunt and flourish. “Jack,” the Zulu refugee, wages a feeble and totally inadequate warfare against them with a crooked hoe, but he is only a quarter in earnest, and stops to groan and take snuff so often that the result is that our garden is precisely in the condition of the garden of the sluggard, gate and all. This hingeless condition of the gate, however, is, I must in fairness state, neither Jack’s nor our fault. It is a new gate, but no one will come out from the town to hang it. That is my standing grievance. Because we live about a mile from the town it is next to impossible to get anything done. The town itself is one of the shabbiest assemblages of dwellings I have ever seen in a colony. It is not to be named on the same day with Christchurch, the capital of Canterbury, New Zealand, which ten years ago was decently paved and well lighted by gas. Poor sleepy Maritzburg consists now, at more than forty years of age (Christchurch is not twenty-five yet), of a few straight, wide, grass-grown streets, which are only picturesque at a little distance on account of their having trees on each side. On particularly dark nights a dozen oil-lamps standing at long intervals apart are lighted, but when it is even moderately starlight these aids to finding one’s way about are prudently dispensed with. There is not a single handsome and hardly a decent building in the whole place. The streets, as I saw them after rain, are veritable sloughs of despond, but they are capable of being changed by dry weather into deserts of dust. It is true, I have only been as yet twice down to the town, but on both visits it reminded me more of the sleepy villages in Washington Irving’s stories than of a smart, modern, go-ahead colonial “city.” There are some fairly good shops, but they make no show outside, and within the prices of most of the articles sold are nearly double the same things would bring either at Melbourne or at Christchurch. As D’Urban is barely a month away from London in point of communication, and New Zealand (when I knew it) nearly treble the distance and time, this is a great puzzle to me.

      A certain air of quaint interest and life is given to the otherwise desolate streets by the groups of Kafirs and the teams of wagons which bring fuel and forage into the town every day. Twenty bullocks drag these ponderous contrivances—bullocks so lean that one wonders how they have strength to carry their wide-spreading horns aloft; bullocks of a stupidity and obstinacy unparalleled in the natural history of horned beasts. At their head walks a Kafir lad called a “forelooper,” who tugs at a rope fastened to the horns of the leading oxen, and in moments of general confusion invariably seems to pull the wrong string and get the whole team into an inextricable tangle of horns and yokes. Sometimes of a quiet Sunday morning these teams and wagons I see “out-spanned” on the green slopes around Maritzburg, making a picturesque addition to the sylvan scenery. Near each wagon a light wreath of smoke steals up into the summer air, marking where some preparation of “mealies” is on foot, and the groups of grazing oxen—“spans,” as each team is called—give the animation of animal life which I miss so sadly at every turn in this part of the world.

      In Maritzburg itself I only noticed two buildings which made the least effect. One is the government house, standing in a nice garden and boasting of a rather pretty porch, but otherwise reminding one—except for the sentinel on duty—of a quiet country rectory: the other is a small block comprising the public offices. The original idea of this square building must have come from a model dairy. But the crowning absurdity of the place is the office of the colonial secretary, which stands nearly opposite. I am told that inside it is tolerably comfortable, being the remains of an old Dutch building: outside, it can only be compared to a dilapidated barn on a bankrupt farm, and when it was first pointed out to me I had great difficulty, remembering similar buildings in other colonies, in believing it was a public office.

      The native police look very smart and shiny in their white suits, and must be objects of envy to their black brethren on account of their “knobkerries,” the knobbed sticks which they alone are permitted to carry officially in their hands. The native loves a stick, and as he is forbidden to carry either an assegai—which is a very formidable weapon indeed—or even a knobkerry, only one degree less dangerous, he consoles himself with a wand or switch in case of coming across a snake. You never see a Kafir without something of the sort in his hand: if he is not twirling a light stick, then he has a sort of rude reed pipe from which he extracts sharp and tuneless sounds. As a race, the Kafirs make the effect of possessing a fine physique: they walk with an erect bearing and a light step, but in true leisurely savage fashion. I have seen the black race in four different quarters of the globe, and I never saw one single individual move quickly of his own free will. We must bear in mind, however, that it is a new and altogether revolutionary idea to a Kafir that he should do any work at all. Work is for women—war or idleness for men; consequently, their fixed idea is to do as little as they can; and no Kafir will work after he has earned money enough to buy a sufficient number of wives who will work for him. “Charlie,” our groom—who is, by the way, a very fine gentleman and speaks “Ingeliss” after a strange fashion of his own—only condescends to work until he can purchase a wife. Unfortunately, the damsel whom he prefers is a costly article, and her parents demand a cow, a kettle and a native hut as the price of her hand—or hands, rather—so Charlie grunts and groans through about as much daily work as an English boy of twelve years old could manage easily. He is a very amusing character, being exceedingly proud, and will only obey his own master, whom he calls his great inkosi or chief.


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