The Essential Works of L. Frank Baum. L. Frank Baum
of the row of plants seized the beast even as he ran and instantly he disappeared from sight.
The boy had no chance to escape. Half a dozen of the great leaves were bending toward him from different directions and as he stood hesitating one of them clutched him in its embrace. In a flash he was in the dark. Then he felt himself gently lifted until he was swaying in the air, with the folds of the leaf hugging him on all sides.
At first he struggled hard to escape, crying out in anger: “Let me go! Let me go!” But neither struggles nor protests had any effect whatever. The leaf held him firmly and he was a prisoner.
Then Ojo quieted himself and tried to think. Despair fell upon him when he remembered that all his little party had been captured, even as he was, and there was none to save them.
“I might have expected it,” he sobbed, miserably. “I’m Ojo the Unlucky, and something dreadful was sure to happen to me.”
He pushed against the leaf that held him and found it to be soft, but thick and firm. It was like a great bandage all around him and he found it difficult to move his body or limbs in order to change their position.
The minutes passed and became hours. Ojo wondered how long one could live in such a condition and if the leaf would gradually sap his strength and even his life, in order to feed itself. The little Munchkin boy had never heard of any person dying in the Land of Oz, but he knew one could suffer a great deal of pain. His greatest fear at this time was that he would always remain imprisoned in the beautiful leaf and never see the light of day again.
No sound came to him through the leaf; all around was intense silence. Ojo wondered if Scraps had stopped screaming, or if the folds of the leaf prevented his hearing her. By and by he thought he heard a whistle, as of some one whistling a tune. Yes; it really must be some one whistling, he decided, for he could follow the strains of a pretty Munchkin melody that Unc Nunkie used to sing to him. The sounds were low and sweet and, although they reached Ojo’s ears very faintly, they were clear and harmonious.
Could the leaf whistle, Ojo wondered? Nearer and nearer came the sounds and then they seemed to be just the other side of the leaf that was hugging him.
Suddenly the whole leaf toppled and fell, carrying the boy with it, and while he sprawled at full length the folds slowly relaxed and set him free. He scrambled quickly to his feet and found that a strange man was standing before him—a man so curious in appearance that the boy stared with round eyes.
He was a big man, with shaggy whiskers, shaggy eyebrows, shaggy hair—but kindly blue eyes that were gentle as those of a cow. On his head was a green velvet hat with a jeweled band, which was all shaggy around the brim. Rich but shaggy laces were at his throat; a coat with shaggy edges was decorated with diamond buttons; the velvet breeches had jeweled buckles at the knees and shags all around the bottoms. On his breast hung a medallion bearing a picture of Princess Dorothy of Oz, and in his hand, as he stood looking at Ojo, was a sharp knife shaped like a dagger.
“Oh!” exclaimed Ojo, greatly astonished at the sight of this stranger; and then he added: “Who has saved me, sir?”
“Can’t you see?” replied the other, with a smile; “I’m the Shaggy Man.”
“Yes; I can see that,” said the boy, nodding. “Was it you who rescued me from the leaf?”
“None other, you may be sure. But take care, or I shall have to rescue you again.”
Ojo gave a jump, for he saw several broad leaves leaning toward him; but the Shaggy Man began to whistle again, and at the sound the leaves all straightened up on their stems and kept still.
The man now took Ojo’s arm and led him up the road, past the last of the great plants, and not till he was safely beyond their reach did he cease his whistling.
“You see, the music charms ‘em,” said he. “Singing or whistling—it doesn’t matter which—makes ‘em behave, and nothing else will. I always whistle as I go by ‘em and so they always let me alone. To-day as I went by, whistling, I saw a leaf curled and knew there must be something inside it. I cut down the leaf with my knife and—out you popped. Lucky I passed by, wasn’t it?”
“You were very kind,” said Ojo, “and I thank you. Will you please rescue my companions, also?”
“What companions?” asked the Shaggy Man.
“The leaves grabbed them all,” said the boy. “There’s a Patchwork Girl and”
“A what?”
“A girl made of patchwork, you know. She’s alive and her name is Scraps. And there’s a Glass Cat—”
“Glass?” asked the Shaggy Man.
“All glass.”
“And alive?”
“Yes,” said Ojo; “she has pink brains. And there’s a Woozy—”
“What’s a Woozy?” inquired the Shaggy Man.
“Why, I—I—can’t describe it,” answered the boy, greatly perplexed. “But it’s a queer animal with three hairs on the tip of its tail that won’t come out and—”
“What won’t come out?” asked the Shaggy Man; “the tail?”
“The hairs won’t come out. But you’ll see the Woozy, if you’ll please rescue it, and then you’ll know just what it is.”
“Of course,” said the Shaggy Man, nodding his shaggy head. And then he walked back among the plants, still whistling, and found the three leaves which were curled around Ojo’s traveling companions. The first leaf he cut down released Scraps, and on seeing her the Shaggy Man threw back his shaggy head, opened wide his mouth and laughed so shaggily and yet so merrily that Scraps liked him at once. Then he took off his hat and made her a low bow, saying:
“My dear, you’re a wonder. I must introduce you to my friend the Scarecrow.”
When he cut down the second leaf he rescued the Glass Cat, and Bungle was so frightened that she scampered away like a streak and soon had joined Ojo, when she sat beside him panting and trembling. The last plant of all the row had captured the Woozy, and a big bunch in the center of the curled leaf showed plainly where he was. With his sharp knife the Shaggy Man sliced off the stem of the leaf and as it fell and unfolded out trotted the Woozy and escaped beyond the reach of any more of the dangerous plants.
11. A Good Friend
Soon the entire party was gathered on the road of yellow bricks, quite beyond the reach of the beautiful but treacherous plants. The Shaggy Man, staring first at one and then at the other, seemed greatly pleased and interested.
“I’ve seen queer things since I came to the Land of Oz,” said he, “but never anything queerer than this band of adventurers. Let us sit down a while, and have a talk and get acquainted.”
“Haven’t you always lived in the Land of Oz?” asked the Munchkin boy.
“No; I used to live in the big, outside world. But I came here once with Dorothy, and Ozma let me stay.”
“How do you like Oz?” asked Scraps. “Isn’t the country and the climate grand?”
“It’s the finest country in all the world, even if it is a fairyland, and I’m happy every minute I live in it,” said the Shaggy Man. “But tell me something about yourselves.”
So Ojo related the story of his visit to the house of the Crooked Magician, and how he met there the Glass Cat, and how the Patchwork Girl was brought to life and of the terrible accident to Unc Nunkie and Margolotte. Then he told how he had set out to find the five different things which the Magician needed to make a charm that would restore the marble figures to life, one requirement being