A Short Biographical Dictionary of English Literature. John W. Cousin
the parties, and serious provocations on the part of B., proved unhappy, and was in 1816 dissolved by a formal deed of separation. The only fruit of it was a dau., Augusta Ada. After this break-up of his domestic life, followed as it was by the severe censure of society, and by pressure on the part of his creditors, which led to the sale of his library, B. again left England, as it turned out, for ever, and, passing through Belgium and up the Rhine, went to Geneva, afterwards travelling with Shelley through Switzerland, when he wrote the third canto of Childe Harold. He wintered in Venice, where he formed a connection with Jane Clairmont, the dau. of W. Godwin's second wife (q.v.). In 1817 he was in Rome, whence returning to Venice he wrote the fourth canto of Childe Harold. In the same year he sold his ancestral seat of Newstead, and about the same time pub. Manfred, Cain, and The Deformed Transformed. The first five cantos of Don Juan were written between 1818 and 1820, during which period he made the acquaintance of the Countess Guiccioli, whom he persuaded to leave her husband. It was about this time that he received a visit from Moore, to whom he confided his MS. autobiography, which Moore, in the exercise of the discretion left to him, burned in 1824. His next move was to Ravenna, where he wrote much, chiefly dramas, including Marino Faliero. In 1821–22 he finished Don Juan at Pisa, and in the same year he joined with Leigh Hunt in starting a short-lived newspaper, The Liberal, in the first number of which appeared The Vision of Judgment. His last Italian home was Genoa, where he was still accompanied by the Countess, and where he lived until 1823, when he offered himself as an ally to the Greek insurgents. In July of that year he started for Greece, spent some months in Cephalonia waiting for the Greeks to form some definite plans. In January, 1824, he landed at Missolonghi, but caught a malarial fever, of which he d. on April 19, 1824.
The final position of B. in English literature is probably not yet settled. It is at present undoubtedly lower than it was in his own generation. Yet his energy, passion, and power of vivid and richly-coloured description, together with the interest attaching to his wayward and unhappy career, must always make him loom large in the assembly of English writers. He exercised a marked influence on Continental literature, and his reputation as poet is higher in some foreign countries than in his own.
Among ed. of the works of B. may be mentioned Murray's (13 vols. 1898–1904). Moore's Life (1830), Lady Blessington's Conversations with Lord Byron (1834, new, 1894).
SUMMARY.—B. 1788, spent childhood in Aberdeen, ed. Harrow and Camb., pub. English Bards etc., 1809, Childe Harold first two cantos 1812, married 1815, separated 1816, owing to this and financial difficulties leaves England, meets Shelley, pub. third canto of Childe Harold 1816, fourth canto 1817, writes Don Juan cantos 1–4 1818–20, lives at various places in Italy 1816–24 with Countess Guiccioli, finished Don Juan 1822, goes to Greece 1823 to assist insurgents, d. 1824.
BYRON, HENRY JAMES (1834–1884).—Dramatist, b. at Manchester, entered the Middle Temple, but soon took to writing for the stage, and produced many popular burlesques and extravaganzas. He also wrote for periodicals, and was the first editor of Fun. Among his best dramatic pieces are Cyril's Success (1868), Our Boys (1875), and The Upper Crust.
CÆDMON (d. 1680).—The first English poet of whom we have any knowledge. Originally employed as cowherd at the Abbey of Whitby, he became a singer when somewhat advanced in life. The story of how the gift of song came to him is given by Bede, how having fallen asleep in the stable he dreamed that one came to him desiring a song, and on his asking "What shall I sing?" replied "Sing to me of the beginning of created things." Therefore he began to sing and, on awaking, remembered his song and added to it. Thereafter he told what had befallen him to the bailiff who was over him, who repeated the tale to the Abbess Hilda. She having called together certain learned and pious persons, C. was brought before them, told his story, and recited his verses. A part of Scripture was read to him, which he was asked to turn into verse; and this being done he was received into the Abbey where, for the rest of his life, he lived as a monk, and continued to make his holy songs. Much that was formerly attributed to C. is now held to be of later date. All that is known to be his is a Northumbrian version of Bede's Latin paraphrases of C.'s first song: although by some the authorship of "The Dream of the Holy Rood," and of a fragment on "The Temptation and Fall of Man" is claimed for him.
English Literature from Beginning to Norman Conquest, Stopford Brooke (1898), and History of Early English Literature, by the same (1892).
CAIRD, EDWARD (1835–1908).—Philosopher, younger brother of John C. (q.v.), was b. at Greenock, and ed. at Glasgow and Oxf., where he became Fellow and Tutor of Merton Coll. In 1866 he was appointed to the Chair of Moral Philosophy at Glasgow, which he held until 1893, when he became Master of Balliol Coll., from which he retired in 1907. He has written Critical Philosophy of Kant (1877), Hegel (1883), Evolution of Religion, Social Philosophy and Religion of Comte (1885), Evolution of Theology in the Greek Philosophers (1904).
CAIRD, JOHN (1820–1898).—Theologian, b., at Greenock, and ed. at Glasgow, entered the Church of Scotland, of which he became one of the most eloquent preachers. After being a minister in the country and in Edinburgh, he was translated to Glasgow, becoming in 1862 Prof. of Divinity in the Univ. of that city, and in 1873 Principal. A sermon on Religion in Common Life, preached before Queen Victoria, made him known throughout the Protestant world. He wrote an Introduction to the Philosophy of Religion (1880), and a vol. on Spinoza (1888).
CALAMY, EDMUND (1600–1666).—Puritan Divine, b. in London, and ed. at Camb., was one of the principal authors of a famous controversial work bearing the title Smectymnuus, made up of the initials of the various writers, and pub. in 1641 in reply to Bishop Hall's Divine Right of Episcopacy. His other chief work is The Godly Man's Ark. A Presbyterian, he was a supporter of monarchy, and favoured the Restoration, after which he was offered, but declined, the see of Coventry and Lichfield. He was a member of the Savoy Conference. The passing of the Act of Uniformity led to his retiring from ministerial work. He is said to have d. of melancholy caused by the great fire of London.
CALDERWOOD, DAVID (1575–1650).—Scottish Church historian, belonged to a good family, and about 1604 became minister of Crailing, Roxburghshire. Opposing the designs of James VI. for setting up Episcopacy, he was imprisoned 1617, and afterwards had to betake himself to Holland, where his controversial work, Altare Damascenum, against Episcopacy, was pub. In 1625 he returned to Scotland, and began his great work, The Historie of the Kirk of Scotland, which was pub. in an abridged form (1646). The complete work was printed (1841–49) for the Woodrow Society. C. became minister of Pencaitland, East Lothian, about 1640, and was one of those appointed to draw up The Directory for Public Worship in Scotland.
CALVERLEY, CHARLES STUART (1831–1884).—Poet and translator, s. of the Rev. H. Blayds (who assumed the name of Calverley), was ed. at Harrow, Oxf., and Camb. He was called to the Bar in 1865, and appeared to have a brilliant career before him, when a fall on the ice in 1866 changed him from a distinguished athlete to a life-long invalid. Brilliant as a scholar, a musician, and a talker, he is perhaps best known as one of the greatest of parodists. He pub. Verses and Translations (1862), and Fly-leaves (1872). He also translated Theocritus (1869).
CAMDEN, WILLIAM (1551–1623).—Antiquary and historian, b. in London, and ed. at Christ's Hospital, St. Paul's School, and Oxf., was in 1575 appointed Second Master in Westminster School, and Head Master in 1593, and spent his vacations in travelling over England collecting antiquarian information. His great work, Britannia, was pub. in 1586, and at once brought him fame both at home and abroad. It is a work of vast labour and erudition, written in elegant Latin. In 1597 C. was made Clarencieux King-at-Arms which, setting him free from his academic duties, enabled him to