A Review of Edwards's "Inquiry into the Freedom of the Will". Henry Philip Tappan
the mind in such a way as to seem most pleasing to the mind; it is at the moment, and in the immediate relation, the greatest apparent good. The man thus never chooses what is disagreeable, but always what is agreeable to him.
Proper use of the term most agreeable, in relation to the Will.
“I have chosen rather to express myself thus, that the will always is as the greatest apparent good, or as what appears most agreeable, than to say the will is determined by the greatest apparent good, or by what seems most agreeable; because an appearing most agreeable to the mind, and the mind’s preferring, seem scarcely distinct. If strict propriety of speech be insisted on, it may more properly be said, that the voluntary action, which is the immediate consequence of the mind’s choice, is determined by that which appears most agreeable, than the choice itself.” (p. 21, 22.) Here the perception or sense of the most agreeable is identified in express terms with volition or choice. “The will is as the most agreeable,”—that is, the determination of will, which means its actual choice, as a fact of the consciousness is embraced in the sense of the most agreeable; and as the voluntary action, or the action, or change, or effect, following volition, in any part of our being—as to walk, or talk, or read, or think—has its cause in the volition, or the “mind’s choice,”—so it is entirely proper to say, either that this voluntary action is determined by the volition or that it is determined by the sense of the most agreeable. Edwards’s meaning plainly is, that the terms are convertible: volition may be called the cause of voluntary action, or the sense of the most agreeable may be called the cause. This is still a carrying out of the position, that the will is as the desire. “The greatest apparent good” being identical with “the most agreeable,” and this again being identical with the most desirable, it must follow, that whenever, in relation to any object, the mind is affected with the sense of the most agreeable, it presents the phenomenon of “volition” or “choice;” and still farther, that which is chosen is the most agreeable object; and is known to be such by the simple fact that it is chosen; for its being chosen, means nothing more than that it affects the mind with the sense of the most agreeable—and the most agreeable is that which is chosen, and cannot be otherwise than chosen; for its being most agreeable, means nothing more than that it is the object of the mind’s choice or sense of the most agreeable. The object, and the mind regarded as a sensitive or willing power, are correlatives, and choice is the unition of both: so that if we regard choice as characterizing the object, then the object is affirmed to be the most agreeable; and if, on the other side, we regard choice as characterizing the mind, then the mind is affirmed to be affected with the sense of the most agreeable.
Cause of Choice, or of the sense of the most agreeable.
“Volition itself is always determined by that in or about the mind’s view of the object, which causes it to appear most agreeable. I say in or about the mind’s view of the object; because what has influence to render an object in view agreeable, is not only what appears in the object viewed, but also the manner of the view, and the state and circumstances of the mind that views.” (p. 22.)
Choice being the unition of the mind’s sensitivity and the object—that is, being an affection of the sensitivity, by reason of its perfect agreement and correlation with the object, and of course of the perfect agreement and correlation of the object with the sensitivity, in determining the cause of choice, we must necessarily look both to the mind and the object. Edwards accordingly gives several particulars in relation to each.
I. In relation to the object, the sense of the most agreeable, or choice, will depend upon—
1. The beauty of the object, “viewing it as it is in itself,” independently of circumstances.
2. “The apparent degree of pleasure or trouble attending the object, or the consequence of it,” or the object taken with its “concomitants” and consequences.
3. “The apparent state of the pleasure or trouble that appears with respect to distance of time. It is a thing in itself agreeable to the mind, to have pleasure speedily; and disagreeable to have it delayed.” (p. 22.)
II. In relation to mind, the sense of agreeableness will depend, first, upon the manner of the mind’s view; secondly, upon the state of mind. Edwards, under the first, speaks of the object as connected with future pleasure. Here the manner of the mind’s view will have influence in two respects:
1. The certainty or uncertainty which the mind judges to attach to the pleasure;
2. The liveliness of the sense, or of the imagination, which the mind has of it.
Now these may be in different degrees, compounded with different degrees of pleasure, considered in itself; and “the agreeableness of a proposed object of choice will be in a degree some way compounded of the degree of good supposed by the judgement, the degree of apparent probability or certainty of that good, and the degree of liveliness of the idea the mind has of that good.” (p. 23.)
Secondly: In reference to objects generally, whether connected with present or future pleasure, the sense of agreeableness will depend also upon “the state of the mind which views a proposed object of choice.” (p. 24.) Here we have to consider “the particular temper which the mind has by nature, or that has been introduced or established by education, example, custom, or some other means; or the frame or state that the mind is in on a particular occasion.” (ibid.)
Edwards here suggests, that it may be unnecessary to consider the state of the mind as a ground of agreeableness distinct from the two already mentioned: viz.—the nature and circumstances of the object, and the manner of the view. “Perhaps, if we strictly consider the matter,” he remarks, “the different temper and state of the mind makes no alteration as to the agreeableness of objects in any other way, than as it makes the objects themselves appear differently; beautiful or deformed, having apparent pleasure or pain attending them; and as it occasions the manner of the view to be different, causes the idea of beauty or deformity, pleasure or uneasiness, to be more or less lively.” (ibid.) In this remark, Edwards shows plainly how completely he makes mind and object to run together in choice, or how perfect a unition of the two, choice is. The state of the mind is manifested only in relation to the nature and circumstances of the object; and the sense of agreeableness being in the correlation of the two, the sense of the most agreeable or choice is such a perfect unition of the two, that, having described the object in its nature and circumstances in relation to the most agreeable, we have comprehended in this the state of mind. On the other hand, the nature and circumstances of the object, in relation to the most agreeable, can be known only by the state of mind produced by the presence of the object and its circumstances. To give an example—let a rose be the object. When I describe the beauty and agreeableness of this object, I describe the state of mind in relation to it; for its beauty and agreeableness are identical with the sensations and emotions which I experience, hence, in philosophical language, called the secondary qualities of the object: and so, on the other hand, if I describe my sensations and emotions in the presence of the rose, I do in fact describe its beauty and agreeableness. The mind and object are thus united in the sense of agreeableness. I could not have this sense of agreeableness without an object; but when the object is presented to my mind, they are so made for each other, that they seem to melt together in the pleasurable emotion. The sense of the most agreeable or choice may be illustrated in the same way. The only difference between the agreeable simply and the most agreeable is this: the agreeable refers merely to an emotion awakened on the immediate presentation of an object, without any comparison or competition. The most agreeable takes place where there is comparison and competition. Thus, to prefer or choose a rose above a violet is a sense of the most agreeable of the two. In some cases, however, that which is refused is positively disagreeable. The choice, in strictness of speech, in these cases, is only a sense of the agreeable. As, however, in every instance of choosing, there are two terms formed by contemplating the act of choosing itself in the contrast of positive and negative, the phrase most agreeable or greatest apparent good is convenient for general use, and sufficiently precise to express