Showell's Dictionary of Birmingham. Walter Showell
Arms of the Borough.—The Town Council, on the 6th day of August, 1867, did resolve and declare that the Arms of the Borough should be blazoned as follows: "1st and 4th azure, a bend lozengy or; 2nd and 3rd, parti per pale or and gules."—(See cover).
Art and Artists.—An "Academy of Arts" was organised in 1814, and an exhibition of paintings took place in Union Passage that year, but the experiment was not repeated. A School of Design, or "Society of Arts," was started Feb. 7, 1821; Sir Robert Lawley (the first Lord Wenlock) presenting a valuable collection of casts from Grecian sculpture. The first exhibition was held in 1826, at The Panorama, an erection then standing on the site of the present building in New Street, the opening being inaugurated by a conversazione on September 10. In 1858, the School of Design was removed to the Midland Institute. The "Society of Artists" may be said to have commenced in 1826, when several gentlemen withdrew from the School of Design. Their number greatly increased by 1842, when they took possession of the Athenæum, in which building their exhibitions were annually held until 1858. In that year they returned to New Street, acquiring the title of "Royal" in 1864. The Art Students' Literary Association was formed in September, 1869.
Art Gallery and School of Art.—In connection with the Central Free Library a small gallery of pictures, works of Art, &c., loaned or presented to the town, was opened to the public August 1, 1867, and from time to time was further enriched. Fortunately they were all removed previous to the disastrous fire of Jan. 11, 1879. A portion of the new Reference Library is at present devoted to the same purpose, pending the completion of the handsome edifice being erected by the Gas Committee at the back of the Municipal Buildings, and of which it will form a part, extending from Congreve Street along Edmund Street to Eden Place. The whole of the upper portion of the building will be devoted to the purposes of a Museum and Art Gallery, and already there has been gathered the nucleus of what promises to be one of the finest collections in the kingdom, more particularly in respect to works of Art relating more or less to some of the principal manufactures of Birmingham. There are a large number of valuable paintings, including many good specimens of David Cox and other local artists; quite a gallery of portraits of gentlemen connected with the town, and other worthies; a choice collection of gems and precious stones of all kinds; a number of rare specimens of Japanese and Chinese cloisonné enamels; nearly a complete set of the celebrated Soho coins and medals, with many additions of a general character; many cases of ancient Roman, Greek, and Byzantine coins; more than an hundred almost priceless examples of old Italian carvings, in marble and stone, with some dozens of ancient articles of decorative furniture; reproductions of delicately-wrought articles of Persian Art work, plate belonging to the old City Companies, the Universities, and from Amsterdam and the Hague; a collection of Wedgwood and other ceramic ware, the gift of Messrs. R. and G. Tangye, with thousands of other rare, costly, and beautiful things. In connection with the Art Gallery is the "Public Picture Gallery Fund," the founder of which was the late Mr. Clarkson Osler, who gave £3,000 towards it. From this fund, which at present amounts to about £450 per year, choice pictures are purchased as occasion offers, many others being presented by friends to the town, notably the works of David Cox, which were given by the late Mr. Joseph Nettlefold.—The School of Art, which is being built in Edmund Street, close to the Art Gallery, is so intimately connected therewith that it may well be noticed with it. The ground, about 1,000 square yards, has been given by Mr. Cregoe Colmore, the cost of election being paid out of £10,000 given by Miss Ryland, and £10,000 contributed by Messrs. Tangye. The latter firm have also given £5,000 towards the Art Gallery; Mr. Joseph Chamberlain has contributed liberally in paintings and in cash; other friends have subscribed about £8,000; Mr. Nettlefold's gift was valued at £14,000, and altogether not less than £40,000 has been presented to the town in connection with the Art Gallery, in addition to the whole cost of the School of Art.
Art Union.—The first Ballot for pictures to be chosen from the Annual Exhibition of Local Artists took place in 1835, the Rev. Hugh Hutton having the honour of originating it. The tickets were 21s. each, subscribers receiving an engraving.
Ash, John, M.D.—Born in 1723, was an eminent physician who practised in Birmingham for some years, but afterwards removed to London. He devoted much attention to the analysis of mineral waters, delivered the Harveian oration in 1790, and was president of a club which numbered among its members some of the most learned and eminent men of the time. Died in 1798.
Ashford, Mary.—Sensational trials for murder have of late years been numerous enough, indeed, though few of them have had much local interest, if we except that of the poisoner Palmer. The death of the unfortunate Mary Ashford, however, with the peculiar circumstance attending the trial of the supposed murderer, and the latter's appeal to the right then existing under an old English law of a criminal's claim to a "Trial of Battel," invested the case with an interest which even at this date can hardly be said to have ceased. Few people can be found to give credence to the possibility of the innocence of Abraham Thornton, yet a careful perusal of a history of the world-known but last "Wager of Battel" case, as written by the late Mr. Toulmin Smith, must lead to the belief that the poor fellow was as much sinned against as sinning, local prejudices and indignant misrepresentations notwithstanding. So far from the appeal to the "Wager of Battel" being the desperate remedy of a convicted felon to escape the doom justly imposed upon him for such heinous offence as the murder of an innocent girl, it was simply the attempt of a clever attorney to remove the stigma attached to an unfortunate and much-maligned client. The dead body of Mary Ashford was found in a pit of water in Sutton Coldfield, on the 27th of May, 1817, she having been seen alive on the morning of the same day. Circumstances instantly, and most naturally, fastened suspicion of foul play upon Abraham Thornton. He was tried at Warwick, at the Autumn Assizes of the same year, and acquitted. The trial was a very remarkable one. Facts were proved with unusual clearness and precision, which put it beyond the bounds of physical possibility that he could have murdered Mary Ashford. Those facts hinged on the time shown by several different clocks, compared with the standard time kept at Birmingham. But the public feeling on the matter was intense. An engraving of the scene of the alleged murder, with a stimulating letter-press description, was published at the time, and the general sense undoubtedly was, that the perpetrator of a very foul murder had escaped his just doom. Hoping to do away with this impression, a well-known local lawyer bethought himself of the long-forgotten "Appeal of Murder," trusting that by a second acquittal Thornton's innocence would be acknowledged by all. Though the condition of all the parties was but humble, friends soon came forward with funds and good advice, so that within the year and a day which the law allowed, proceedings were taken in the name of William Ashford (Mary's brother, who, as next heir, according to the old law, had the sole power of pardon in such a case) for an "Appeal of Murder" against Abraham Thornton. What followed is here given in Mr. Toulmin Smith's own words:—"I have seen it stated,