Stephen Crane - Ultimate Collection: 200+ Novels, Short Stories & Poems. Stephen Crane
lay in a chair. His nerveless arms allowed his fingers to sweep the floor. He became so that he could not hear the chatter from the bed, but he was always conscious of the ticking of the little clock out on the kitchen shelf.
When he aroused, the pale-faced but plump young clergyman was before him.
‘My poor lad!’ began this latter.
The little old woman lay still with her eyes closed. On the table at the head of the bed was a glass containing a water-like medicine. The reflected lights made a silver star on its side. The two men sat side by side, waiting. Out in the kitchen Mrs. Calahan had taken a chair by the stove and was waiting.
Kelcey began to stare at the wall-paper. The pattern was clusters of brown roses. He felt them like hideous crabs crawling upon his brain.
Through the doorway he saw the oilcloth covering of the table catching a glimmer from the warm afternoon sun. The window disclosed a fair, soft sky, like blue enamel, and a fringe of chimneys and roofs, resplendent here and there. An endless roar, the eternal trample of the marching city, came mingled with vague cries. At intervals the woman out by the stove moved restlessly and coughed.
Over the transom from the hall-way came two voices.
‘Johnnie!’
‘Wot!’
‘You come right here t’ me! I want yehs t’ go t’ d’ store fer me!’
‘Ah, ma, send Sally!’
‘No, I will not! You come right here!’
‘All right, in a minnet!’
‘Johnnie!’
‘In a minnet, I tell yeh!’
‘Johnnie—’ There was the sound of a heavy tread, and later a boy squealed. Suddenly the clergyman started to his feet. He rushed forward and peered. The little old woman was dead.
The Third Violet
CHAPTER I.
The engine bellowed its way up the slanting, winding valley. Grey crags, and trees with roots fastened cleverly to the steeps looked down at the struggles of the black monster.
When the train finally released its passengers they burst forth with the enthusiasm of escaping convicts. A great bustle ensued on the platform of the little mountain station. The idlers and philosophers from the village were present to examine the consignment of people from the city. These latter, loaded with bundles and children, thronged at the stage drivers. The stage drivers thronged at the people from the city.
Hawker, with his clothes case, his paint-box, his easel, climbed awkwardly down the steps of the car. The easel swung uncontrolled and knocked against the head of a little boy who was disembarking backward with fine caution. "Hello, little man," said Hawker, "did it hurt?" The child regarded him in silence and with sudden interest, as if Hawker had called his attention to a phenomenon. The young painter was politely waiting until the little boy should conclude his examination, but a voice behind him cried, "Roger, go on down!" A nursemaid was conducting a little girl where she would probably be struck by the other end of the easel. The boy resumed his cautious descent.
The stage drivers made such great noise as a collection that as individuals their identities were lost. With a highly important air, as a man proud of being so busy, the baggageman of the train was thundering trunks at the other employees on the platform. Hawker, prowling through the crowd, heard