The Story of a Whim (Musaicum Romance Classics). Grace Livingston Hill

The Story of a Whim (Musaicum Romance Classics) - Grace Livingston Hill


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realize what had come to him.

      More puzzled than ever, he stood back with his arms folded, and whistled. He saw the key attached to a card, and, unlocking the organ, touched gently one of the ivory keys with his rough finger, as one might touch a being from another world.

      “HE STOOD BACK WITH HIS ARMS FOLDED, AND WHISTLED"

      Then he glanced about to see where he should put it; and suddenly, even in the dull, smoky lamplight, the utter gloom and neglect of the place burst upon him. Without more ado he selected the freest side of the room, and shoved everything out of the way.

      Then he brought a broom and swept it clean. After that he set the organ against the wall, and stood back to survey the effect. The disorderly table and the rusty stove were behind him, and the organ gave the spot a strange, cleared-up appearance.

      He did not feel at home. He turned to the confusion behind him. Something must be done before he opened anything more. He felt somehow as if the organ was a visitor, and must not see his poor housekeeping.

      He seized the frying-pan, scraped the contents into the yard, and called the dog. The dishes he put into a wooden tub outside the door, and pumped water over them. Then the mass of papers and boxes on table and chairs he piled into the darkest corner on the floor, straightened the row of boots and shoes, and, having done all that he could, he came back to the roll and box still unopened.

      The roll came first. He undid the strings with awkward fingers, and stood back in admiration once more when he brought to light a thick, bright rug and a Japanese screen.

      He spread the rug down, and puzzled sometime over the screen, as to its use, but finally stood it up in front of the worst end of the room and began on his box.

      There, at last, on the top was a letter in a fine, unknown hand. He opened it slowly, the blood mounting into his face, he knew not why, and read:

      "Dear Christie:—You see I am so sure you are a girl of my own age that I have concluded to begin my letter informally, and wish you a very merry Christmas and a glad, bright New Year. Of course you may be an old lady or a nice, comfortable, middle-aged one; and then perhaps you will think we are very silly; but we hope and believe you are a girl like ourselves, and so our hearts have opened to you, and we are sending you some things for Christmas."

      There followed an account of the afternoon at the freight-station, written in Hazel's most winning way, in which the words and ways and almost the voices and faces of Victoria Landis and Ruth and Esther and Marion and all the rest were shadowed forth.

      The color on the young man's face deepened as he read, and he glanced up uneasily at his few poor chairs and miserable couch; then before he read further he went and pulled the screen along to hide more of the confusion.

      He read the letter through, his heart waking up to the world and to longings he had never known he possessed before,—to the world in which Christmas has a place and in which young, bright life gives forth glad impulses; read to the end even, where Hazel inscribed her bit of a sermon full of good wishes and a little tender prayer that the spirit of Christmas might reign in that home and that the organ might be a help and a blessing to all around.

      There was a pitiful look of almost helpless misery on the young man's face when he had finished. The good old times when God had been a reality were suddenly brought into his reckless, isolated life, and he knew that God was God, even though he had neglected Him so long, and that to-morrow was Christmas Day.

      As a refuge from his own thoughts he turned back to the brimming box.

      The first article he took out was a pair of dainty knit lavender bedroom slippers with black and white ermine edges and delicate satin bows. Emily Whitten's aunt had knit them for her to take to college with her; and, Emily's feet being many sizes smaller than her aunt supposed, she had never worn them, and had tucked them in at the last minute to make a safe resting-place for a delicate glass vase, which she said would be lovely to hold flowers, on the organ, Sundays.

      They had written their nonsense thoughts on bits of labels all over the things, these gay young girls; and the young man read and smiled, and finally laughed aloud. He felt like a little boy just opening his first Christmas stocking.

      He unpinned the paper on the couch-cover, and read in Victoria's large, stylish, angular hand full directions for putting it on the couch. He glanced with a twinge of shame at the old lounge, and realized that these gay girls had seen all his shabby belongings and pitied him, and he half-resented the whole thing, until the delight of being pitied and cared for overcame his bitterness, and he laughed again.

      Green, soft and restful, had been chosen for the couch-cover; and it could not have fitted better if Victoria Landis had secretly had a tape-measure in her pocket and measured the couch, which perhaps she did on her second trip to the freight-house.

      Ruth Summers had made the pillows—there were two of them, and they were large and comfortable and sensible, of harmonizing greens and browns and a gleam of gold here and there.

      With careful attention to the directions, the new owner arrayed his old lounge, and placed the pillows as directed, "with a throw and a pat, not laid stiffly," from a postscript in Ruth's clear feminine hand. Then he stood back in awe that a thing so familiar and so ugly could suddenly assume such an air of ease and elegance. Would he ever be able to bring the rest of the room up to the same standard?

      But the box invited further investigation. There was a bureau set of dainty blue and white, a cover for the top and a pincushion to match. There were also a few yards of the material and a rough sketch with directions for a possible dressing-table, to be made of a wooden box in case Christie had no bureau.

      It was from Emily Whitten, and she said she could not remember seeing a bureau among the things, but she was sure any girl would know how to fix one up, and perhaps be glad of some new fixings for it.

      At these things the young man looked helplessly, and finally went out into the moon light, and hunted up an old box which he brushed off with the broom and brought inside, where he clumsily spread out the blue and white frills over its splintery top, and then solemnly tried to stick a pin into the cushion, fumbling in the lapel of his coat for one.

      He was growing more and more bewildered with his new possessions, and as each came to light he began to wonder how he was going to be able to entertain and keep up to such a lot of fineries.

      Mother Winship had put in a gay knit afghan which looked well over the couch, and next came a layer of Sunday-school singing-books, a Bible, and some lesson leaves. A card said that Esther Wakefield had sent these and she hoped they would be a help in the new Sunday-school.

      The followed a roll of blackboard doth, a large cloth map of Palestine, and a box of chalk; and the young man grew more and more helpless. This was worse than the bureau set and the slippers. What was he to do with them all? He start a Sunday-school! He would be much more likely to start children in the opposite way from heaven if he went on as he had been going the last two years.

      His face hardened, and he was almost ready to sweep the whole lot back into the box, nail them up, and send them back where they came from. What did he want of a lot of trash with a set of such burdensome obligations attached?"

      But curiosity made him go back to see what there was left in the box, and a glance around his room made him unwilling to give up all this luxury.

      He looked curiously at the box of fluffy lace things with Marion Halstead's card lying atop. He could only guess that they were some girl's fixings, and he wondered vaguely what he should do with them. Then he unwrapped a photograph of the six girls which had been hurriedly taken and was inscribed, "Guess which is which," with a list of their names written on a circle of paper like spokes to a wheel.

      He studied each face with interest, and somehow it was for the writer of the letter that he sought, Hazel Winship. And he thought he should know her at once.

      This was going to be very interesting. It would while away some of the long hours


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