The House with the Green Shutters. George Douglas Brown

      CHAPTER I.

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      The frowsy chambermaid of the "Red Lion" had just finished washing the front door steps. She rose from her stooping posture and, being of slovenly habit, flung the water from her pail straight out, without moving from where she stood. The smooth round arch of the falling water glistened for a moment in mid-air. John Gourlay, standing in front of his new house at the head of the brae, could hear the swash of it when it fell. The morning was of perfect stillness.

      The hands of the clock across "the Square" were pointing to the hour of eight. They were yellow in the sun.

      Blowsalinda, of the Red Lion, picked up the big bass that usually lay within the porch, and carrying it clumsily against her breast, moved off round the corner of the public-house, her petticoat gaping behind. Halfway she met the hostler, with whom she stopped in amorous dalliance. He said something to her, and she laughed loudly and vacantly. The silly tee-hee echoed up the street.

      A moment later a cloud of dust drifting round the corner, and floating white in the still air, showed that she was pounding the bass against the end of the house. All over the little town the women of Barbie were equally busy with their steps and door-mats. There was scarce a man to be seen either in the Square, at the top of which Gourlay stood, or in the long street descending from its near corner. The men were at work; the children had not yet appeared; the women were busy with their household cares.

      The freshness of the air, the smoke rising thin and far above the red chimneys, the sunshine glistering on the roofs and gables, the rosy clearness of everything beneath the dawn—above all, the quietness and peace—made Barbie, usually so poor to see, a very pleasant place to look down at on a summer morning. At this hour there was an unfamiliar delicacy in the familiar scene, a freshness and purity of aspect—almost an unearthliness—as though you viewed it through a crystal dream. But it was not the beauty of the hour that kept Gourlay musing at his gate. He was dead to the fairness of the scene, even while the fact of its presence there before him wove most subtly with his mood. He smoked in silent enjoyment because on a morning such as this everything he saw was a delicate flattery to his pride. At the beginning of a new day, to look down on the petty burgh in which he was the greatest man filled all his being with a consciousness of importance. His sense of prosperity was soothing and pervasive; he felt it all round him like the pleasant air, as real as that and as subtle; bathing him, caressing. It was the most secret and intimate joy of his life to go out and smoke on summer mornings by his big gate, musing over Barbie ere he possessed it with his merchandise.

      He had growled at the quarry carters for being late in setting out this morning (for, like most resolute dullards, he was sternly methodical), but in his heart he was secretly pleased. The needs of his business were so various that his men could rarely start at the same hour and in the same direction. To-day, however, because of the delay, all his carts would go streaming through the town together, and that brave pomp would be a slap in the face to his enemies. "I'll show them," he thought proudly. "Them" was the town-folk, and what he would show them was what a big man he was. For, like most scorners of the world's opinion, Gourlay was its slave, and showed his subjection to the popular estimate by his anxiety to flout it. He was not great enough for the carelessness of perfect scorn.

      Through the big green gate behind him came the sound of carts being loaded for the day. A horse, weary of standing idle between the shafts, kicked ceaselessly and steadily against the ground with one impatient hinder foot, clink, clink, clink upon the paved yard. "Easy, damn ye; ye'll smash the bricks!" came a voice. Then there was the smart slap of an open hand