Japanese Mythology. F. Hadland Davis

Japanese Mythology - F. Hadland Davis


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unnamed, through want of space, whose works have assisted me in the preparation of this volume.

      INTRODUCTION

       Table of Contents

      Pierre Loti in Madame Chrysanthème, Gilbert and Sullivan in The Mikado, and Sir Edwin Arnold in Seas and Lands, gave us the impression that Japan was a real fairyland in the Far East. We were delighted with the prettiness and quaintness of that country, and still more with the prettiness and quaintness of the Japanese people. We laughed at their topsy-turvy ways, regarded the Japanese woman, in her rich-coloured kimono, as altogether charming and fascinating, and had a vague notion that the principal features of Nippon were the tea-houses, cherry-blossom, and geisha. Twenty years ago we did not take Japan very seriously. We still listen to the melodious music of The Mikado, but now we no longer regard Japan as a sort of glorified willow-pattern plate. The Land of the Rising Sun has become the Land of the Risen Sun, for we have learnt that her quaintness and prettiness, her fairy-like manners and customs, were but the outer signs of a great and progressive nation. To-day we recognise Japan as a power in the East, and her victory over the Russian has made her army and navy famous throughout the world.

      The Japanese have always been an imitative nation, quick to absorb and utilise the religion, art, and social life of China, and, having set their own national seal upon what they have borrowed from the Celestial Kingdom, to look elsewhere for material that should strengthen and advance their position. This imitative quality is one of Japan's most marked characteristics. She has ever been loath to impart information to others, but ready at all times to gain access to any form of knowledge likely to make for her advancement. In the fourteenth century Kenkō wrote in his Tsure-dzure-gusa: "Nothing opens one's eyes so much as travel, no matter where," and the twentieth-century Japanese has put this excellent advice into practice. He has travelled far and wide, and has made good use of his varied observations. Japan's power of imitation amounts to genius. East and West have contributed to her greatness, and it is a matter of surprise to many of us that a country so long isolated and for so many years bound by feudalism should, within a comparatively short space of time, master our Western system of warfare, as well as many of our ethical and social ideas, and become a great world-power. But Japan's success has not been due entirely to clever imitation, neither has her place among the foremost nations been accomplished with such meteor-like rapidity as some would have us suppose.

      We hear a good deal about the New Japan to-day, and are too prone to forget the significance of the Old upon which the present régime has been founded. Japan learnt from England, Germany and America all the tactics of modern warfare. She established an efficient army and navy on Western lines; but it must be remembered that Japan's great heroes of to-day, Togo and Oyama, still have in their veins something of the old samurai spirit, still reflect through their modernity something of the meaning of Bushido. The Japanese character is still Japanese and not Western. Her greatness is to be found in her patriotism, in her loyalty and whole-hearted love of her country. Shintōism has taught her to revere the mighty dead; Buddhism, besides adding to her religious ideals, has contributed to her literature and art, and Christianity has had its effect in introducing all manner of beneficent social reforms.

      The Chinese called Japan Jih-pén, "the place the sun comes from," because the archipelago was situated on the east of their own kingdom, and our word Japan and Nippon are corruptions of Jih-pén. Marco Polo called the country Zipangu, and one ancient name describes it as "The-Luxuriant-Reed-Plains-the-land-of-Fresh -Rice-Ears-of-a-Thousand-Autumns-of-Long-Five-Hundred-Autumns." We are not surprised to find that such a very lengthy and descriptive title is not used by the Japanese to-day; but it is of interest to know that the old word for Japan, Yamato, is still frequently employed, Yamato Damashii signifying "The Spirit of Unconquerable Japan." Then, again, we still hear Japan referred to as The Island of the Dragon-fly. We are told in the old Japanese Chronicles that the Emperor, in 630 B.C., ascended a hill called Waki Kamu no Hatsuma, from which he was able to view the land on all sides. He was much impressed by the beauty of the country, and said that it resembled "a dragon-fly licking its hinder parts," and the Island received the name of Akitsu-Shima ("Island of the Dragon-fly").

      The Kojiki and the Nihongi are the sources from which we learn the early myths and legends of Japan. In their pages we are introduced to Izanagi and Izanami, Ama-terasu, Susa-no-o, and numerous other divinities, and these august beings provide us with stories that are quaint, beautiful, quasi-humorous, and sometimes a little horrible. What could be more naïve than the love-making of Izanagi and Izanami, who conceived the idea of marrying each other after seeing the mating of two wagtails? In this ancient myth we trace the ascendency of the male over the female, an ascendency maintained in Japan until recent times, fostered, no doubt, by Kaibara's Onna Daigaku, "The Greater Learning for Women." But in the protracted quarrel between the Sun Goddess and her brother, the Impetuous Male, the old chroniclers lay emphasis upon the villainy of Susa-no-o; and Ama-terasu, a curious mingling of the divine and the feminine, is portrayed as an ideal type of Goddess. She is revealed preparing for warfare, making fortifications by stamping upon the ground, and she is also depicted peeping out of her rock-cavern and gazing in the Sacred Mirror. Ama-terasu


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