A Girl of the Limberlost & Freckles (2 Romance Classics). Stratton-Porter Gene
until her children came clustering around her. Then, brawny, big Scotswoman though she was, she quietly keeled over again. The children added their wailing to Freckles' panic.
This time he was so close the cabin that he could carry her into the house and lay her on the bed. He sent the oldest boy scudding down the corduroy for the nearest neighbor, and between them they undressed Mrs. Duncan and discovered that she was not bitten. They bathed and bound the bleeding wrist and coaxed her back to consciousness. She lay sobbing and shuddering. The first intelligent word she said was: “Freckles, look at that jar on the kitchen table and see if my yeast is no running ower.”
Several days passed before she could give Duncan and Freckles any detailed account of what had happened to her, even then she could not do it without crying as the least of her babies. Freckles was almost heartbroken, and nursed her as well as any woman could have done; while big Duncan, with a heart full for them both, worked early and late to chink every crack of the cabin and examine every spot that possibly could harbor a snake. The effects of her morning on the trail kept her shivering half the time. She could not rest until she sent for McLean and begged him to save Freckles from further risk, in that place of horrors. The Boss went to the swamp with his mind fully determined to do so.
Freckles stood and laughed at him. “Why, Mr. McLean, don't you let a woman's nervous system set you worrying about me,” he said. “I'm not denying how she felt, because I've been through it meself, but that's all over and gone. It's the height of me glory to fight it out with the old swamp, and all that's in it, or will be coming to it, and then to turn it over to you as I promised you and meself I'd do, sir. You couldn't break the heart of me entire quicker than to be taking it from me now, when I'm just on the home-stretch. It won't be over three or four weeks yet, and when I've gone it almost a year, why, what's that to me, sir? You mustn't let a woman get mixed up with business, for I've always heard about how it's bringing trouble.”
McLean smiled. “What about that last tree?” he said.
Freckles blushed and grinned appreciatively.
“Angels and Bird Women don't count in the common run, sir,” he affirmed shamelessly.
McLean sat in the saddle and laughed.
CHAPTER X
Wherein Freckles Strives Mightily and the Swamp Angel Rewards Him
The Bird Woman and the Angel did not seem to count in the common run, for they arrived on time for the third of the series and found McLean on the line talking to Freckles. The Boss was filled with enthusiasm over a marsh article of the Bird Woman's that he just had read. He begged to be allowed to accompany her into the swamp and watch the method by which she secured an illustration in such a location.
The Bird Woman explained to him that it was an easy matter with the subject she then had in hand; and as Little Chicken was too small to be frightened by him, and big enough to be growing troublesome, she was glad for his company. They went to the chicken log together, leaving to the happy Freckles the care of the Angel, who had brought her banjo and a roll of songs that she wanted to hear him sing. The Bird Woman told them that they might practice in Freckles' room until she finished with Little Chicken, and then she and McLean would come to the concert.
It was almost three hours before they finished and came down the west trail for their rest and lunch. McLean walked ahead, keeping sharp watch on the trail and clearing it of fallen limbs from overhanging trees. He sent a big piece of bark flying into the swale, and then stopped short and stared at the trail.
The Bird Woman bent forward. Together they studied that imprint of the Angel's foot. At last their eyes met, the Bird Woman's filled with astonishment, and McLean's humid with pity. Neither said a word, but they knew. McLean entered the swale and hunted up the bark. He replaced it, and the Bird Woman carefully stepped over. As they reached the bushes at the entrance, the voice of the Angel stopped them, for it was commanding and filled with much impatience.
“Freckles James Ross McLean!” she was saying. “You fill me with dark-blue despair! You're singing as if your voice were glass and might break at any minute. Why don't you sing as you did a week ago? Answer me that, please.”
Freckles smiled confusedly at the Angel, who sat on one of his fancy seats, playing his accompaniment on her banjo.
“You are a fraud,” she said. “Here you went last week and led me to think that there was the making of a great singer in you, and now you are singing—do you know how badly you are singing?”
“Yis,” said Freckles meekly. “I'm thinking I'm too happy to be singing well today. The music don't come right only when I'm lonesome and sad. The world's for being all sunshine at prisint, for among you and Mr. McLean and the Bird Woman I'm after being THAT happy that I can't keep me thoughts on me notes. It's more than sorry I am to be disappointing you. Play it over, and I'll be beginning again, and this time I'll hold hard.”
“Well,” said the Angel disgustedly, “it seems to me that if I had all the things to be proud of that you have, I'd lift up my head and sing!”
“And what is it I've to be proud of, ma'am?” politely inquired Freckles.
“Why, a whole worldful of things,” cried the Angel explosively. “For one thing, you can be good and proud over the way you've kept the timber thieves out of this lease, and the trust your father has in you. You can be proud that you've never even once disappointed him or failed in what he believed you could do. You can be proud over the way everyone speaks of you with trust and honor, and about how brave of heart and strong of body you are I heard a big man say a few days ago that the Limberlost was full of disagreeable things—positive dangers, unhealthful as it could be, and that since the memory of the first settlers it has been a rendezvous for runaways, thieves, and murderers. This swamp is named for a man that was lost here and wandered around 'til he starved. That man I was talking with said he wouldn't take your job for a thousand dollars a month—in fact, he said he wouldn't have it for any money, and you've never missed a day or lost a tree. Proud! Why, I should think you would just parade around about proper over that!
“And you can always be proud that you are born an Irishman. My father is Irish, and if you want to see him get up and strut give him a teeny opening to enlarge on his race. He says that if the Irish had decent territory they'd lead the world. He says they've always been handicapped by lack of space and of fertile soil. He says if Ireland had been as big and fertile as Indiana, why, England wouldn't ever have had the upper hand. She'd only be an appendage. Fancy England an appendage! He says Ireland has the finest orators and the keenest statesmen in Europe today, and when England wants to fight, with whom does she fill her trenches? Irishmen, of course! Ireland has the greenest grass and trees, the finest stones and lakes, and they've jaunting-cars. I don't know just exactly what they are, but Ireland has all there are, anyway. They've a lot of great actors, and a few singers, and there never was a sweeter poet than one of theirs. You should hear my father recite 'Dear Harp of My Country.' He does it this way.”
The Angel arose, made an elaborate old-time bow, and holding up the banjo, recited in clipping feet and meter, with rhythmic swing and a touch of brogue that was simply irresistible:
“Dear harp of my country” (The Angel ardently clasped the banjo),
“In darkness I found thee” (She held it to the light),
“The cold chain of silence had hung o'er thee long” (She muted the strings with her rosy palm);
“Then proudly, my own Irish harp, I unbound thee” (She threw up her head and swept a ringing harmony);
“And gave all thy chords to light, freedom, and song” (She crashed into the notes of the accompaniment she had been playing for Freckles).
“That's what you want to be thinking of!” she cried. “Not darkness, and lonesomeness, and sadness, but 'light, freedom, and song.' I can't begin to think offhand of all the big, splendid