The Witchcraft in New England. Calef Robert

The Witchcraft in New England - Calef Robert


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that to be the most accurate, as the Copy from which it was printed was doubtless furnished by the Author.

       Very few Copies of the original Edition are known to be in Existence. I have never owned one, and am indebted to my Friend, George Brinley, Esq., for the Use of his (rather imperfect) Copy. While this Preface was in the Hands of the Printer, my Publisher, Mr. Woodward, has had the rare Fortune to obtain a very good one.

      At this Period the Press literally swarmed with Works upon Witchcraft. Dunton printed in rapid Succession all the Works from New England, and other Publishers were equally busy. It would be a Matter of no little Curiosity if some one would collect the Titles of the Works on this Subject, and publish them in Book Form, with, or even without Abstracts of their Contents. In a unique Volume now before me, belonging to Harvard College Library—for the Loan of which I am indebted to the Kindness of Mr. Sibley, the Librarian—there are several Tracts, the Titles of which are quite as singular as any of the Mathers. One or two I will here extract. "The Lancashire Levite Rebuk'd: or, a Vindication of the Dissenters from Popery, Superstition, Ignorance, and Knavery, unjustly Charged on them by Mr. Zachary Taylor in his Book, entitled, "The Surry Impostor." Another runs thus: "The Devil turn'd Casuist or the Cheats of Rome laid open, in the Exorcism of a Despairing Devil, at the House of Thomas Pennington in Orrel in the Parish of Wigan in the County of Lancaster. By Zachary Taylor, M. A. Chaplin to the right reverend Father in God, Nicholas [Strafford] Lord Bishop of Chester, and Rector of Wigan."

      Witch Books, as they were called, of the Father Land, must have been common among the People of New England, as will be seen by a Comparison of the Trials of Witches in both Countries. This Comparison shows that the accused in this Country were well acquainted with the ridiculous Nonsense of what had been and was passing at Witch Trials in England. The same Cant and Incoherency are visible at every Step. Insomuch, that the Frivolity, Shallow-mindedness and Falsity were so apparent, that they remind one of the childish Nursery Tales of Youth, and excite the most profound Wonder how they could have ever been viewed as Matter for serious Consideration by any Persons having any Pretensions to common Sense.

      The original Records of the Court Proceedings against those accused of Witchcraft were never fully given to the Public, until about two Years ago, Mr. W. Elliot Woodward, of Roxbury, caused a complete Transcript to be made of the whole, and printed them in two Volumes, small Quarto, uniform with this Undertaking. Those, with the present Volumes, will put the Student of New England History in Possession of nearly all the Materials existing upon this deeply interesting, though humiliating, and in some respects, revolting Subject.

      INTRODUCTORY.

       Table of Contents

      AS a Belief in Witchcraft is not entirely exploded, it may be interesting to examine a few of the early Definitions of it.

      One of the earliest Lexicographers, or Expounders of English Words, was Edward Phillips, the Nephew of John Milton. It is said that Phillips made up his Work from Milton's Preparation in the same Line. However that might be, it is quite clear that many of his Definitions have that Clearness and Precision for which Milton is so remarkable. Phillips's third (and I believe his last) Edition of "The New World of Words" was printed in 1671. In that we find Witchcraft thus defined: "A certain evill Art, whereby with the Assistance of the Devil, or evill Spirits, some Wonders may be wrought, which exceed the common Apprehension of Men: It cometh from the Dutch Word Wiechelen, that is, to divine, or guesse; it is called in Latin Veneficium, in Greek Pharmaceia, i.e. the Art of making Poisons."

      In 1706, John Kersey published the sixth Edition of Philips's Work, greatly augmented; though the Definition of Witchcraft is cut down to a few Words, thus: "The Black Art, whereby with the Assistance of the Devil, or evil Spirits, some Wonders may be wrought, which exceed the common Apprehensions of Men."

      Phillips does not define a Witch, but he says a "Wizard is a Witch, a cunning Man, one that telleth where things are that were lost. Some think it comes from the Saxon Word Witega, i.e. a Prophet."

      Kersey defines a Witch, an old Hag, or Woman that deals with Familiar Spirits; and a Wizard "a Sorceror, or Inchanter; a Cunning Man," &c., as before.

      In 1674, Thomas Blount published the fourth Edition of his "Glossographia, or Dictionary of hard Words." He says, "Witch is derived from the Dutch Witchelen, or Wiichelen, which properly signifies whinnyng and neighing like a Horse; also to foretell or prophecy; and Wiichelen, signifies a Soothsayer; for that the Germans (from whom our Ancestors the Saxons usually descended) did principally (as Tacitus tells us) divine and foretel Things to come by the whinnying and neighing of their Horses; Hinitus and Trenitus are his Words."

      As we approach a later Age, Lexicographers are pretty careful in their Definitions of Witchcraft. Bailey, in his folio Dictionary of 1730, says it is "the Art of bewitching, enchanting, divining, &c."

       Johnson, though a Believer in Witchcraft, shirks the Definition of it thus: "The Practice of Witches. Bacon. Power, more than natural. Sidney."

       Dr. Ogilvie closes his Definition with one Extract from Shakespeare:

      "He hath a Witchcraft

      Over the King in's Tongue."


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