The Heavenly Twins (Victorian Feminist Novel). Grand Sarah

The Heavenly Twins (Victorian Feminist Novel) - Grand Sarah


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She had no need to weary her fresh young brain with an irritating pursuit of what she wanted; she had only to wait, and it would recur to her. And presently it came. Her countenance brightened. She bent over the book and wrote a few lines, read them when she had blotted them, and was satisfied.

      "I have it," she wrote. "Shelley = genius of the nineteenth century—'Beautiful and ineffectual angel, beating in the void his luminous wings in vain.'—Matthew Arnold."

      When she had done this she took up a book, went to the fire, settled herself in an easy-chair, and began to read. The book was "Ruth," by Mrs. Gaskell, and she was just finishing it. When she had done so she went back to the table, and copied out the following paragraph:

      "The daily life into which people are born, and into which they are absorbed before they are aware, forms chains which only one in a hundred has moral strength enough to despise, and to break when the right time comes—when an inward necessity for independent action arises, which is superior to all outward conventionalities."

      She stopped here, and pushed the volume away from her. It was the only passage in it which she cared to remember.

      She had lost the confidence of the child by this time, and become humbly doubtful of her own opinion; and instead of summing up "Ruth" boldly, as she would have done the year before, she paused now a moment to reflect before she wrote with diffidence:

      "The principal impression this book has made upon me is that Mrs. Gaskell must have been a very lovable woman."

      [Footnote: George Eliot thought so too, years before Evadne was born, and expressed the thought in a letter in which she also prophesied that "Ruth" would not live through a generation. The impression the book made upon Evadne is another proof of prescience in the great writer.]

      "The story seems to me long drawn out, and of small significance. It is full of food for the heart, but the head goes empty away, and both should be satisfied by a work of fiction, I think. But perhaps it is my own mood that is at fault. At another time I might have found gems in it which now in my dulness I have failed to perceive."

      Somebody knocked at the door as she blotted the words.

      "Come in, auntie," she said, as if in answer to an accustomed signal; and Mrs. Orton Beg entered in a long, loose, voluminously draped white wrapper.

      Evadne drew an easy-chair to the fire for her.

      "Sit down, auntie," she said, "and be cosey. You are late to-night. I was afraid you were not coming."

      Mrs. Orton Beg was in the habit of coming to Evadne's room every evening when she was at Fraylingay, to chat, or sit silently sociable over the fire with her before saying goodnight.

      "Do I ever fail you?" she asked, smiling.

      "No. But I have been afraid of the fatal fascination of that great fat foreign prince. He singled you out for special attention, and I have been jealous."

      "Well, you need not have been, for he singled me out in order to talk about you. He thinks you are a nice child. You interest him."

      "Defend me!" said Evadne. "But you mistake me, dear aunt. It was not of him I was jealous, but of you. The fat prince is nothing to me, and you are a very great deal."

      Mrs. Orton Beg's face brightened at the words, but she continued to look into the fire silently for some seconds after Evadne had spoken, and made no other visible sign of having heard them.

      "I don't think I ought to encourage you to sit up so late," she said presently. "Lady Adeline has just been asking me who it is that burns the midnight oil up here so regularly."

      "Lady Adeline must be up very late herself to see it," said Evadne. "I suppose those precious twins disturb her. I wish she would let me take entire charge of them when she is here. It would be a relief, I should think!"

      "It would be an imposition," said Mrs. Orton Beg. "But you are a brave girl, Evadne. I would not venture."

      "Oh, they delight me," Evadne answered. "And I know them well enough now to forestall them."

      "When I told Lady Adeline that these were your rooms," her aunt pursued, "she said something about a lily maid high in her chamber up a tower to the east guarding the sacred shield of Lancelot."

      "Singularly inappropriate," said Evadne. "For my tower is south and west, thank Heaven."

      "And there isn't a symptom of Lancelot," her aunt concluded.

      "Young ladies don't guard sacred shields nowadays," said Evadne.

      "No," answered her aunt, glancing over her shoulder at the open book on the table. "They have substituted the sacred 'Commonplace Book'—full of thought, I fancy."

      "You speak regretfully, auntie; but isn't it better to think and be happy, than to die of atrophy for a sentiment?"

      "I don't think it better to extinguish all sentiment. Life without sentiment would be so bald."

      "But life with that kind of sentiment doesn't last, it seems, and nobody is benefited by it. It is extreme misery to the girl herself, and she dies young, leaving a legacy of lifelong regret and bitterness to her friends. I should think it small comfort to become the subject for a poem or a picture at such a price. And surely, auntie, sentiments which are silly or dangerous would be better extinguished?"

      Mrs. Orton Beg smiled at the fire enigmatically.

      "But the poem or the picture may become a lasting benefit to mankind," she suggested presently.

      "Humph!" said Evadne.

      "You doubt it?"

      "Well, you see, auntie, there are two ways of looking at it. When you first come across the poem or the picture which perpetuates the sentiment that slew the girl, and beautifies it, you feel a glow all over, and fancy you would like to imitate her, and think that you would deserve great credit for it if you did. But when you come to consider, there is nothing very noble, after all, in a hopeless passion for an elderly man of the world who is past being benefited by it, even if he could reciprocate it. Elaine should have married a man of her own age, and made him happy. She would have done some good in her time so, and been saved from setting us a bad example. I think it a sin to make unwholesome sentiments attractive."

      "Then Lancelot does not charm you?"

      "No," said Evadne thoughtfully. "I should have preferred the king."

      "Ah, yes. Because he was the nobler, the more ideal man?"

      "No, not exactly," Evadne answered. "But because he was the more wholesome."

      "My dear child, are you speaking literally?"

      "Yes, auntie."

      "Good Heavens!" Mrs. Orton Beg ejaculated softly. "The times have changed."

      "Yes, we know more now," Evadne answered tranquilly.

      "You are fulfilling the promise of your youth, Evadne," her aunt remarked after a thoughtful pause. "I remember reading a fairy tale of Jean Ingelow's aloud to you children in the nursery long ago. I forget the name of it, but it was the one into which 'One morning, oh, so early,' comes; and you started a controversy as to whether, speaking of the dove, when the lark said 'Give us glory,' she should have made answer, 'Give us peace' or 'peas.' The latter, you maintained, as being the more natural, and the most sensible."

      "I must have been a horrid little prig in those days," said Evadne, smiling. "But, auntie, there can be no peace without plenty. And I think I would rather be a sensible realist than a foolish idealist. You mean that you think me too much of a utilitarian, do you not?"

      "You are in danger, I think."

      "Utilitarianism is Bentham's greatest happiness principle, is it not?" Evadne asked.

      "Yes—greatest human happiness," her aunt replied.

      "Well, I don't know how that can be dangerous in principle. But,


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