The Essential Works of Walt Whitman. Walt Whitman
(America! I do not vaunt my love for you,
I have what I have.)
The axe leaps!
The solid forest gives fluid utterances,
They tumble forth, they rise and form,
Hut, tent, landing, survey,
Flail, plough, pick, crowbar, spade,
Shingle, rail, prop, wainscot, lamb, lath, panel, gable,
Citadel, ceiling, saloon, academy, organ, exhibition-house, library,
Cornice, trellis, pilaster, balcony, window, turret, porch,
Hoe, rake, pitchfork, pencil, wagon, staff, saw, jack-plane, mallet,
wedge, rounce,
Chair, tub, hoop, table, wicket, vane, sash, floor,
Work-box, chest, string’d instrument, boat, frame, and what not,
Capitols of States, and capitol of the nation of States,
Long stately rows in avenues, hospitals for orphans or for the poor or sick,
Manhattan steamboats and clippers taking the measure of all seas.
The shapes arise!
Shapes of the using of axes anyhow, and the users and all that
neighbors them,
Cutters down of wood and haulers of it to the Penobscot or Kenebec,
Dwellers in cabins among the Californian mountains or by the little
lakes, or on the Columbia,
Dwellers south on the banks of the Gila or Rio Grande, friendly
gatherings, the characters and fun,
Dwellers along the St. Lawrence, or north in Kanada, or down by the
Yellowstone, dwellers on coasts and off coasts,
Seal-fishers, whalers, arctic seamen breaking passages through the ice.
The shapes arise!
Shapes of factories, arsenals, foundries, markets,
Shapes of the two-threaded tracks of railroads,
Shapes of the sleepers of bridges, vast frameworks, girders, arches,
Shapes of the fleets of barges, tows, lake and canal craft, river craft,
Ship-yards and dry-docks along the Eastern and Western seas, and in
many a bay and by-place,
The live-oak kelsons, the pine planks, the spars, the
hackmatack-roots for knees,
The ships themselves on their ways, the tiers of scaffolds, the
workmen busy outside and inside,
The tools lying around, the great auger and little auger, the adze,
bolt, line, square, gouge, and bead-plane.
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The shapes arise!
The shape measur’d, saw’d, jack’d, join’d, stain’d,
The coffin-shape for the dead to lie within in his shroud,
The shape got out in posts, in the bedstead posts, in the posts of
the bride’s bed,
The shape of the little trough, the shape of the rockers beneath,
the shape of the babe’s cradle,
The shape of the floor-planks, the floor-planks for dancers’ feet,
The shape of the planks of the family home, the home of the friendly
parents and children,
The shape of the roof of the home of the happy young man and
woman, the roof over the well-married young man and woman,
The roof over the supper joyously cook’d by the chaste wife, and joyously
eaten by the chaste husband, content after his day’s work.
The shapes arise!
The shape of the prisoner’s place in the court-room, and of him or
her seated in the place,
The shape of the liquor-bar lean’d against by the young rum-drinker
and the old rum-drinker,
The shape of the shamed and angry stairs trod by sneaking foot- steps,
The shape of the sly settee, and the adulterous unwholesome couple,
The shape of the gambling-board with its devilish winnings and losings,
The shape of the step-ladder for the convicted and sentenced
murderer, the murderer with haggard face and pinion’d arms,
The sheriff at hand with his deputies, the silent and white-lipp’d
crowd, the dangling of the rope.
The shapes arise!
Shapes of doors giving many exits and entrances,
The door passing the dissever’d friend flush’d and in haste,
The door that admits good news and bad news,
The door whence the son left home confident and puff’d up,
The door he enter’d again from a long and scandalous absence,
diseas’d, broken down, without innocence, without means.
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Her shape arises,
She less guarded than ever, yet more guarded than ever,
The gross and soil’d she moves among do not make her gross and soil’d,
She knows the thoughts as she passes, nothing is conceal’d from her,
She is none the less considerate or friendly therefor,
She is the best belov’d, it is without exception, she has no reason
to fear and she does not fear,
Oaths, quarrels, hiccupp’d songs, smutty expressions, are idle to
her as she passes,
She is silent, she is possess’d of herself, they do not offend her,
She receives them as the laws of Nature receive them, she is strong,
She too is a law of Nature — there is no law stronger than she is.
12
The main shapes arise!
Shapes of Democracy total, result of centuries,
Shapes ever projecting other shapes,
Shapes of turbulent manly cities,
Shapes of the friends and home-givers of the whole earth,
Shapes bracing the earth and braced with the whole earth.
BOOK XIII
Song of the Exposition
1
(Ah little recks the laborer,
How near his work is holding him to God,
The loving Laborer through space and time.)
After all not to create only, or found only,
But to bring perhaps from afar what is already founded,