The Essential Works of Robert G. Ingersoll. Robert Green Ingersoll
it purifies and ennobles.
These spiritual people have been known as prophets, apostles, augurs, hermits, monks, priests, popes, bishops and parsons. They are devout and useless. They do not cultivate the soil. They produce nothing. They live on the labor of others. They are pious and parasitic. They pray for others, if the others will work for them. They claim to have been selected by the Infinite to instruct and govern mankind. They are "meek" and arrogant, "long-suffering" and revengeful.
They ever have been, now are, and always will be the enemies of liberty, of investigation and science. They are believers in the supernatural, the miraculous and the absurd. They have filled the world with hatred, bigotry and fear. In defence of their creeds they have committed every crime and practiced every cruelty.
They denounce as worldly and sensual those who are gross enough to love wives and children, to build homes, to fell the forests, to navigate the seas, to cultivate the earth, to chisel statues, to paint pictures and fill the world with love and art.
They have denounced and maligned the thinkers, the poets, the dramatists, the composers, the actors, the orators, the workers—those who have conquered the world for man.
According to them this world is only the vestibule of the next, a kind of school, an ordeal, a place of probation. They have always insisted that this life should be spent in preparing for the next; that those who supported and obeyed the "spiritual guides"—the shepherds, would be rewarded with an eternity of joy, and that all others would suffer eternal pain.
These spiritual people have always hated labor. They have added nothing to the wealth of the world. They have always lived on alms—on the labor of others. They have always been the enemies of innocent pleasure, and of human love.
These spiritual people have produced a literature. The books they have written are called sacred. Our sacred books are called the Bible. The Hindoos have the Vedas and many others, the Persians the Zend Avesta—the Egyptians had the Book of the Dead—the Aztecs the Popol Vuh, and the Mohammedans have the Koran.
These books, for the most part, treat of the unknowable. They describe gods and winged phantoms of the air. They give accounts of the origin of the universe, the creation of man and the worlds beyond this. They contain nothing of value. Millions and millions of people have wasted their lives studying these absurd and ignorant books.
The "spiritual people" in each country claimed that their books had been written by inspired men—that God was the real author, and that all men and women who denied this would be, after death, tormented forever.
And yet, the worldly people, the uninspired, the wicked, have produced a far greater literature than the spiritual and the inspired.
Not all the sacred books of the world equal Shakespeare's "volume of the brain." A purer philosophy, grander, nobler, fell from the lips of Shakespeare's clowns than the Old Testament, or the New, contains.
The Declaration of Independence is nobler far than all the utterances from Sinai's cloud and flame. "A Man's a Man for a' That," by Robert Burns, is better than anything the sacred books contain. For my part, I would rather hear Beethoven's Sixth Symphony than to read the five books of Moses. Give me the Sixth Symphony—this sound-wrought picture of the fields and woods, of flowering hedge and happy home, where thrushes build and swallows fly, and mothers sing to babes; this echo of the babbled lullaby of brooks that, dallying, wind and fall where meadows bare their daisied bosoms to the sun; this joyous mimicry of summer rain, the laugh of children, and the rhythmic rustle of the whispering leaves; this strophe of peasant life; this perfect poem of content and love.
I would rather listen to Tristan and Isolde—that Mississippi of melody—where the great notes, winged like eagles, lift the soul above the cares and griefs of this weary world—than to all the orthodox sermons ever preached. I would rather look at the Venus de Milo than to read the Presbyterian creed.
The spiritual have endeavored to civilize the world through fear and faith—by the promise of reward and the threat of pain in other worlds. They taught men to hate and persecute their fellow-men. In all ages they have appealed to force. During all the years they have practiced fraud. They have pretended to have influence with the gods—that their prayers gave rain, sunshine and harvest—that their curses brought pestilence and famine, and that their blessings filled the world with plenty. They have subsisted on the fears their falsehoods created. Like poisonous vines, they have lived on the oak of labor. They have praised charity, but they never gave. They have denounced revenge, but they never forgave.
Whenever the spiritual have had power, art has died, learning has languished, science has been despised, liberty destroyed, the thinkers have been imprisoned, the intelligent and honest have been outcasts, and the brave have been murdered.
The "spiritual" have been, are, and always will be the enemies of the human race.
For all the blessings that we now enjoy—for progress in every form, for science and art—for all that has lengthened life, that has conquered disease, that has lessened pain, for raiment, roof and food, for music in its highest forms—for the poetry that has ennobled and enriched our lives—for the marvellous machines now working for the world—for all this we are indebted to the worldly—to those who turned their attention to the affairs of this life. They have been the only benefactors of our race.
II.
AND yet all of these religions—these "sacred books," these priests, have been naturally produced. From the dens and caves of savagery to the palaces of civilization men have traveled by the necessary paths and roads. Back of every step has been the efficient cause. In the history of the world there has been no chance, no interference from without, nothing miraculous. Everything in accordance with and produced by the facts in nature.
We need not blame the hypocritical and cruel. They thought and acted as they were compelled to think and act.
In all ages man has tried to account for himself and his surroundings. He did the best he could. He wondered why the water ran, why the trees grew, why the clouds floated, why the stars shone, why the sun and moon journeyed through the heavens. He was troubled about life and death, about darkness and dreams. The seas, the volcanoes, the lightning and thunder, the earthquake and cyclone, filled him with fear. Behind all life and growth and motion, and even inanimate things, he placed a spirit—an intelligent being—a fetich, a person, something like himself—a god, controlled by love and hate. To him causes and effects became gods—supernatural beings. The Dawn was a maiden, wondrously fair, the Sun, a warrior and lover; the Night, a serpent, a wolf—the Wind, a musician; Winter, a wild beast; Autumn, Proserpine gathering flowers.
Poets were the makers of these myths. They were the first to account for what they saw and felt. The great multitude mistook these fancies for facts. Myths strangely alike, were produced by most nations, and gradually took possession of the world.
The Sleeping Beauty, a myth of the year, has been found among most peoples. In this myth, the Earth was a maiden—the Sun was her lover, She had fallen asleep in winter. Her blood was still and her breath had gone. In the Spring the lover came, clasped her in his arms, covered her lips and cheeks with kisses. She was thrilled, her heart began to beat, she breathed, her blood flowed, and she awoke to love and joy. This myth has made the circuit of the globe.
So, Red Riding-Hood is the history of a day. Little Red Riding-Hood—the morning, touched with red, goes to visit her kindred, a day that is past. She is attacked by the wolf of night and is rescued by the hunter, Apollo, who pierces the heart of the beast with an arrow of light.
The beautiful myth of Orpheus and Eurydice is the story of the year. Eurydice has been captured and carried to the infernal world. Orpheus, playing upon his harp, goes after her. Such is the effect of his music when he reaches the realm of Pluto, the laughterless, that Tantalus ceases his efforts to slake his thirst. He listens and forgets his withered lips, the daughters of the Danaides cease their