Poetry. John Skelton

Poetry - John Skelton


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of Skelton’s Works, 1736. See the present edition, vol. i. 190, 191.

      “Monstrante fonteis vate Laurigero sacros.”

      “It is probable,” says Granger, “that if that great and good man [Erasmus] had read and perfectly understood his [Skelton’s] ‘pithy, pleasaunt, and profitable works,’ as they were lately reprinted, he would have spoken of him in less honourable terms.” Biog. Hist. of Engl. i. 102. ed. 1775. The remark is sufficiently foolish: in Skelton’s works there are not a few passages which Erasmus, himself a writer of admirable wit, must have relished and admired; and it was not without reason that he and our poet have been classed together as satirists, in the following passage; “By what meanes could Skelton that laureat poet, or Erasmus that great and learned clarke, have vttered their mindes so well at large, as thorowe their clokes of mery conceytes in wryting of toyes and foolish theames: as Skelton did by Speake parrot, Ware the hauke, the Tunning of Elynour Rumming, Why come ye not to the Courte? Philip Sparrowe, and such like: yet what greater sense or better matter can be, than is in this ragged ryme contayned? Or who would haue hearde his fault so playnely tolde him, if not in such gibyng sorte? Also Erasmus, vnder his prayse of Folly, what matters hath he touched therein?” &c. The Golden Aphroditis, &c. by John Grange, 1577 (I quote from Censura Liter. vol. i. 382. ed. 1815).


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