The Lancashire Traditions. John Roby
balcony projected from it, concealing the musician. Isabella threw a light mantle around her, and rousing one of her maidens, she opened the window. The rich melody came upon her senses through the balmy odour of myrtle boughs and leaves of honeysuckle. The chords were touched with a skilful hand, and the prelude, a wild and extempore commentary on the ballad, was succeeded by the following ditty:—
"My ladye love, my ladye love,
The moon through the lift is breaking;
The sky is bright, and through the night
The queen of love is waking.
Yon little star that twinkleth so,
Fluttering her bright eyes to and fro,
How doth she chide,
That thou shouldest hide,
All joyance thus forsaking.
My ladye love, my ladye love,
The moon through the lift is breaking;
The sky is bright, and through the night
The queen of love is waking."
The singer withdrew; and Isabella was convinced, or her eyes were befooled by her fancy, that, as he emerged from his concealment, his form could be none other than the one her imagination was too familiar with to mistake. He, too, had caught a glance of the listeners, for presently a folded paper was thrown over the balusters, and the minstrel departed. The first light that came through the long low casements revealed all that her hopes anticipated. The billet was from Sir John Stanley, whose regrets, mingled with vows and protestations of love, were to this purport, that he must needs be away before daybreak, on urgent business from the king. He sent a sigh and a love-token, commending himself to her best thoughts, until he should gain his acquittance so far as to visit Lathom.
Passing over the departure, the bustle, and the weariness of a twelve days' journey, let us behold the maiden once more in her pretty bower at Lathom. How changed! The whole assumed a fresh aspect, thus viewed from a different state of the mind. Her favourite spaniel licked her hand, but she did not notice his caresses; all about her was as if the wand of the enchanter had been there, changing its image, each object calling forth a train of sensations heretofore unknown. Even the hangings and figured draperies wore a grim and perturbed expression; and Jephtha's daughter and the Queen of Sheba looked more dismal and profuse than ever from the dusky arras.
She strayed out, as beforetime, into the woods; but their gloom was more intense, and the very birds seemed to grow sad with her melancholy musings. Their song, that used to be so sprightly, was now subdued and mournful, and all their gay and bubbling hilarity was gone. If she wandered forth towards evening, the owl hooted in her path, and the raven croaked above her. She heard not the light matin of the lark. Fancy, stimulated alone by gloomy impressions, laid hold on them only, failing to recognise aught but its own image.
Sir Oskatell and her father had often taken counsel together since his return. Shortly afterwards, Isabella received a summons to attend Sir Thomas in private. What was the precise nature of that interview does not appear, save that the lady withdrew to her chamber, and the brow of Sir Thomas was for a long space moody and disturbed. Sir John Stanley, though of gentle descent, was not endowed with an adequate inheritance, at least for the heiress of Lathom, whose extensive possessions, though shared by Oskatell, were deemed by Sir Thomas of sufficient magnitude to command a connection of higher rank and importance. As a younger brother he could have slight pretensions to patrimony, and save the manors, then but a slender endowment, just granted by King Edward, his profession as a soldier supplied his chief revenue. His exclusive notice of the Lady Isabella at the tournament was quickly conveyed to the ear of Sir Thomas; and, it was said, the latter had vowed that no portion of wealth should descend to his daughter if wedded to Sir John, but that the whole should be settled on Sir Oskatell. "The course of true love never did run smooth." That Sir John Stanley had a watchful eye at the time to the fortune as well as to the person of Isabella, is by some rather freely hinted. This, however, turns out to be an unfounded calumny, as the events hereafter unfolded will abundantly demonstrate.
Sir John, after vainly endeavouring to avert this cruel purpose, and to win the old man's favour, entered into the service of the king. He hoped that some lucky adventure would enable him to appear with more certainty of success the next time he played the suitor at Lathom.
Isabella, though sorely importuned to the contrary, remained true to her first and only attachment; and Sir Oskatell was likely, in the end, to gather to himself the whole of these vast possessions. A disposition to this effect she had for some time suspected. His conduct, too, was less kindly of late, and he took upon himself an authority more direct and unconditional. Indeed, it seemed but too evident that Sir Oskatell was looked upon as the ultimate possessor. The maiden pined sorely at her lot, and lack of perpetuity in the inheritance. But woman's wits have compassed a sea of impossibilities, and will ever continue irresistible until their beautiful forms shall no longer irradiate these dull mortalities with their presence.
One day an aged minstrel craved admission. Sir Thomas had just retired from the banquet. Isabella and the lady of Lathom were at their usual employment in their private chamber, plying the needle in "Antres vast," and wildernesses of embroidery, along with the maids. The request was granted; soon after which an old man, bending apparently under an accumulation of years and infirmities, entered the apartment. There was a keen scrutinising restlessness of the eye, stealing through the silvery locks about his brow, that but ill accorded with his apparent decrepitude.
After a very profound obeisance, which the lady-mother scarcely recognised, he addressed himself to his vocation. A mighty indifferent prelude succeeded the arrangement of the strings, then a sort of jig, accented by the toe and head of the performer. Afterwards he broke into a wild and singular extempore, which gradually shaped itself into measure and rhythm, at times beautifully varied, and accompanied by the voice. We shall attempt a more modern and intelligible version of the sentiments he expressed:—
Song.
1.
"Rich round thy brow are the clusters bright,
And thy tresses are like the plume—
The plume of the raven, glossy with light,
Or the ray on the spirit's deep gloom.
2.
"As I gaze, the dim echoes of years that are past
Bring their joys to my bosom in vain;
For the chords, which their spell once o'er memory cast,
Ne'er shall waken to gladness again!"
"I hold these minstrels now no better than the croaking of your carrion crow," said the elder lady: "these are not like the songs we used to hear in hall and bower at Dunham Massey. Then "—the old lady forgetting that her own ears had played her false, and her relish for these dainties had departed—"Then," raising her voice and gazing round, as past scenes recurred to her fancy, "how my young heart would leap at the sound of their ditties! and how I long to hear again 'Sir Armoric' and the 'Golden-Legend,' and all about the lady with the swine's snout and the silver trough!"
But Isabella heard not her mother's reminiscences. The minstrel engrossed her attention, absorbing her whole thoughts, it might seem, with the display of his cunning. Her cheek was flushed, and her lip trembled. Some mysterious faculty there was either in the song or the performer.
Again he poured forth a strain more touching, and of ravishing sweetness:—
Song.
1.
"Smile on, my love; that sunny smile
Is light and life and joy to thee;
But, oh, its glance of witchery the while,
Is maddening, hopeless misery to me.
2.
"Another bosom thou mayest bless,
Whose chords shall wake with ecstasy;
On mine, each thrilling thought thy looks impress