The Heir of Redclyffe (Historical Novel). Charlotte M. Yonge
Guy on the difficulties of dancing.’
‘Can’t you dance?’ said Lady Eveleen, looking at him with compassion.
‘Such is my melancholy ignorance,’ said Guy.
‘We have been talking of teaching him,’ said Laura.
‘Talk! will that do it?’ cried Lady Eveleen, springing up. ‘We will begin this moment. Come out on the lawn. Here, Charles,’ wheeling him along, ‘No, thank you, I like it,’ as Guy was going to help her. ‘There, Charles, be fiddler go on, tum-tum, tee! that’ll do. Amy, Laura, be ladies. I’m the other gentleman,’ and she stuck on her hat in military style, giving it a cock. She actually set them quadrilling in spite of adverse circumstances, dancing better, in her habit, than most people without one, till Lord Kilcoran arrived.
While he was making his visit, she walked a little apart, arm-in-arm with Laura. ‘I like him very much,’ she said; ‘he looks up to anything. I had heard so much of his steadiness, that it is a great relief to my mind to see him so unlike his cousin.’
‘Eveleen!’
‘No disparagement to the captain, only I am so dreadfully afraid of him. I am sure he thinks me such an unmitigated goose. Now, doesn’t he?’
‘If you would but take the right way to make him think otherwise, dear Eva, and show the sense you really have.’
‘That is just what my fear of him won’t let me do. I would not for the world let him guess it, so there is nothing for it but sauciness to cover one’s weakness. I can’t be sensible with those that won’t give me credit for it. But you’ll mind and teach Sir Guy to dance; he has so much spring in him, he deserves to be an Irishman.’
In compliance with this injunction, there used to be a clearance every evening; Charles turned into the bay window out of the way, Mrs. Edmonstone at the piano, and the rest figuring away, the partnerless one, called ‘puss in the corner’, being generally Amabel, while Charlotte, disdaining them all the time, used to try to make them imitate her dancing-master’s graces, causing her father to perform such caricatures of them, as to overpower all with laughing.
Mr. Edmonstone was half Irish. His mother, Lady Mabel Edmonstone, had never thoroughly taken root in England, and on his marriage, had gone with her daughter to live near her old home in Ireland. The present Earl of Kilcoran was her nephew, and a very close intercourse had always been kept up between the families, Mr. and Mrs. Edmonstone being adopted by their younger cousins as uncle and aunt, and always so called.
The house at Allonby was in such confusion, that the family there expected to dine nowhere on the day of the ball, and the Hollywell party thought it prudent to secure their dinner at home, with Philip and Mary Ross, who were to go with them.
By special desire, Philip wore his uniform; and while the sisters were dressing Charlotte gave him a thorough examination, which led to a talk between him and Mary on accoutrements and weapons in general; but while deep in some points of chivalrous armour, Mary’s waist was pinched by two mischievous hands, and a little fluttering white figure danced around her.
‘O Amy! what do you want with me?’
‘Come and be trimmed up,’ said Amy.
‘I thought you told me I was to have no trouble. I am dressed,’ said Mary, looking complacently at her full folds of white muslin.
‘No more you shall; but you promised to do as you were told.’ And Amy fluttered away with her.
‘Do you remember,’ said Philip, ‘the comparison of Rose Flammock dragging off her father, to a little carved cherub trying to uplift a solid monumental hero?’
‘O, I must tell Mary!’ cried Charlotte; but Philip stopped her, with orders not to be a silly child.
‘It is a pity Amy should not have her share,’ said Charles.
‘The comparison to a Dutch cherub?’ asked Guy.
‘She is more after the pattern of the little things on little wings, in your blotting-book,’ said Charles; ‘certain lines in the predicament of the cherubs of painters—heads “et proeterea nihil”.’
‘O Guy, do you write verses? cried Charlotte.
‘Some nonsense,’ muttered Guy, out of countenance; ‘I thought I had made away with that rubbish; where is it?’
‘In the blotting-book in my room,’ said Charles. ‘I must explain that the book is my property, and was put into your room when mamma was beautifying it for you, as new and strange company. On its return to me, at your departure, I discovered a great accession of blots and sailing vessels, beside the aforesaid little things.’
‘I shall resume my own property,’ said Guy, departing in haste.
Charlotte ran after him, to beg for a sight of it; and Philip asked Charles what it was like.
‘A romantic incident,’ said Charles, ‘just fit for a novel. A Petrarch leaving his poems about in blotting-books.’
Charles used the word Petrarch to stand for a poet, not thinking what lady’s name he suggested; and he was surprised at the severity of Philip’s tone as he inquired, ‘Do you mean anything, or do you not?’
Perceiving with delight that he had perplexed and teased, he rejoiced in keeping up the mystery:
‘Eh? is it a tender subject with you, too?’
Philip rose, and standing over him, said, in a low but impressive tone:
‘I cannot tell whether you are trifling or not; but you are no boy now, and can surely see that this is no subject to be played with. If you are concealing anything you have discovered, you have a great deal to answer for. I can hardly imagine anything more unfortunate than that he should become attached to either of your sisters.’
‘Et pourquoi?’ asked Charles, coolly.
‘I see,’ said Philip, retreating to his chair, and speaking with great composure, ‘I did you injustice by speaking seriously.’ Then, as his uncle came into the room, he asked some indifferent question, without betraying a shade of annoyance.
Charles meanwhile congratulated himself on his valour in keeping his counsel, in spite of so tall a man in scarlet; but he was much nettled at the last speech, for if a real attachment to his sister had been in question, he would never have trifled about it. Keenly alive to his cousin’s injustice, he rejoiced in having provoked and mystified the impassable, though he little knew the storm he had raised beneath that serene exterior of perfect self-command.
The carriages were announced, and Mr. Edmonstone began to call the ladies, adding tenfold to the confusion in the dressing-room. There was Laura being completed by the lady’s maid, Amabel embellishing Mary, Mrs. Edmonstone with her arm loaded with shawls, Charlotte flourishing about. Poor Mary—it was much against her will—but she had no heart to refuse the wreath of geraniums that Amy’s own hands had woven for her; and there she sat, passive as a doll, though in despair at their all waiting for her. For Laura’s toilette was finished, and every one began dressing her at once; while Charlotte, to make it better, screamed over the balusters that all were ready but Mary. Sir Guy was heard playing the ‘Harmonious Blacksmith,’ and Captain Morville’s step was heard, fast and firm. At last, when a long chain was put round her neck, she cried out, ‘I have submitted to everything so far; I can bear no more!’ jumped up, caught hold of her shawl, and was putting it on, when there was a general outcry that they must exhibit themselves to Charles.
They all ran down, and Amy, flying up to her brother, made a splendid sweeping curtsey, and twirled round in a pirouette.
‘Got up, regardless of expense!’ cried Charles; ‘display yourselves.’
The young ladies ranged themselves in imitation of the book of fashions. The sisters were in white, with wreaths of starry jessamine. It was particularly becoming to