Beyond the Point of Unknown (Space Travel & Alien Contact Novels). Ray Cummings
Miko stood in the center of the radio room, triumphantly reading the little indicator. Its beam swung on the scale, which chanced to be almost directly over Anita's head. I saw Miko's expression change.... A look of surprise, amazement, came over him.
"Why—"
He gasped. He stood staring. Almost stupidly staring, for an instant. And as I regarded him with fascinated horror, there came upon his heavy gray face a look of dawning comprehension. And I heard Snap's startled intake of breath. He moved to the spectro, where the zed-ray connections were still humming.
But, with a leap, Miko flung him away. "Off with you! Moa, watch him! Haljan, don't move!"
Again Miko stood staring. I saw now that he was staring at Anita!
"Why, George Prince! How strange you look!"
Anita did not move. She was stricken with horror; she shrank back against the wall, huddled in her cloak. Miko's sardonic voice came again:
"How strange you look, Prince!" He took a step forward. He was grim and calm. Horribly calm. Deliberate. Gloating like a great gray monster in human form toying with a fascinated, imprisoned bird.
"Move just a little, Prince. Let the zed-ray light fall more fully."
Anita's head was bare. That pale, Hamlet-like face. Dear God, the zed-ray light lay gray and penetrating upon it!
Miko took another step. Peering. Grinning. "How amazing, George Prince! Why, I can hardly believe it!"
Moa was armed with an electronic cylinder now. For all her amazement—what turgid emotions sweeping her I can only guess—she never took her eyes from Snap and me.
"Back! Don't move either of you!" she hissed at us.
Then Miko leaped at Anita like a giant gray leopard pouncing.
"Away with that cloak, Prince!"
I stood cold and numbed. And realization came at last. The faint zed-light had fallen by chance upon Anita's face. Penetrating the flesh; exposed, faintly glowing, the bone line of her jaw. Unmasked the art of Glutz.
Miko seized her wrists, drew her forward, beyond the shaft of zed-light, into the brilliant light of the Moon. And ripped her cloak from her. The gentle curves of her woman's figure were so unmistakable!
And as Miko gazed at them, all his calm triumph swept away.
"Why, Anita!"
I heard Moa mutter, "So that is it?" A venomous flashing look—a shaft from me to Anita and back again. "So that is it?"
"Why, Anita!"
Miko's great arms gathered her up as though she were a child. "So I have you back! From the dead, delivered back to me!"
"Gregg!" Snap's warning, and his grip on my shoulders brought me a measure of sanity. I had tensed to spring. I stood quivering, and Moa thrust her weapon against my face. The grids were swaying again with a message from Grantline. But it was ignored.
In the glare of moonlight by the forward window, Miko held Anita, his great hands pawing her with triumphant possessive caresses.
"So, little Anita, you are given back to me!"
CHAPTER XX.
Moonlight upon Earth so gently shines to make romantic a lover's smile! But the reality of the Lunar night is cold beyond human belief. Cold and darkly silent. Grim desolation. Awesome. Majestic. A frowning majesty that even to the most intrepid human beholder is inconceivably forbidding.
And there were humans here now. On this tumbled plain, between Archimedes and the mountains, one small crater amid the million of its fellows was distinguished this night by the presence of humans. The Grantline camp! It huddled in the deepest purple shadows on the side of a bowl-like pit, a crudely circular orifice with a scant two miles across its rippling rim. There was faint light here to mark the presence of the living intruders. The blue glow radiance of Morrell tube lights under a spread of glassite.
The Grantline camp stood midway up one of the inner cliff walls of the little crater. The broken, rock-strewn floor, two miles wide, lay five hundred feet below the camp. Behind it, the jagged, precipitous cliff rose another five hundred to the heights of the upper rim. A broad level shelf hung midway up the cliff, and upon it Grantline had built his little group of glassite dome shelters. Viewed from above there was the darkly purple crater floor, the upflung circular rim where the Earthlight tinged the spires and crags with yellow sheen; and on the shelf, like a huddled group of birds' nests, Grantline's domes hung and gazed down upon the inner valley.
The air here on the Moon surface was negligible—a scant one five-thousandth of the atmospheric pressure at the sea level on Earth. But within the glassite shelter, a normal Earth pressure must be maintained. Rigidly braced double walls to withstand the explosive tendency, with no external pressure to counteract it. A tremendous necessity for mechanical equipment had burdened Grantline's small ship to capacity. The chemistry of manufactured air, the pressure equalizers, renewers, respirators, the lighting and temperature maintenance of a space-flyer was here.
There was this main Grantline building, stretched low and rectangular along the front edge of the ledge. Within it were living rooms, mess hall and kitchen. Fifty feet behind it, connected by a narrow passage of glassite, was a similar though smaller structure. The mechanical control rooms, with their humming, vibrating mechanisms were here. And an instrument room with signaling apparatus, senders, receivers, mirror-grids and audiphones of several varieties. And an electro-telescope, small but modern, with dome overhead like a little Earth observatory.
From this instrument building, beside the connecting pedestrian passage, wire cables for light, and air tubes and strings and bundles of instrument wires ran to the main structure—gray snakes upon the porous, gray Lunar rock.
The third building seemed a lean-to banked against the cliff wall, a slanting shed-wall of glassite fifty feet high and two hundred in length. Under it, for months Grantline's bores had dug into the cliff. Braced tunnels were here, penetrating back and downward into the vein of rock.
The work was over. The borers had been dismantled and packed away. At one end of the cliff the mining equipment lay piled in a litter. There was a heap of discarded ore where Grantline had carted and dumped it after his first crude refining process had yielded it as waste. The ore slag lay like gray powder flakes strewn down the cliff. Trucks and ore carts along the ledge stood discarded, mute evidence of the weeks and months of work these helmeted miners had undergone, struggling upon this airless, frowning world.
But now all that was finished. The catalytic ore was sufficiently concentrated. It lay—this treasure—in a seventy foot pile behind the glassite lean-to, with a cage of wires over it and an insulation barrage hiding its presence.
The ore shelter was dark; the other two buildings were lighted. And there were small lights mounted at intervals about the camp and along the edge of the ledge. A spider ladder, with tiny platforms some twenty feet one above the other, hung precariously to the cliff-face. It descended the five hundred feet to the crater floor; and, behind the camp, it mounted the jagged cliff-face to the upper rim height, where a small observatory platform was placed.
Such was the outer aspect of the Grantline Treasure Camp near the beginning of this Lunar night, when, unknown to Grantline and his men, the Planetara with its brigands was approaching. The night was perhaps a sixth advanced. Full night. No breath of cloud to mar the brilliant starry heavens. The quadrant Earth hung poised like a giant mellow moon over Grantline's crater. A bright Earth, yet no air was here on this Lunar surface to spread its light. Only a glow, mingling with the spots of blue tube light on the poles along the cliff, and the radiance from the lighted buildings.
No evidence of movement showed about the silent camp. Then a pressure door in an end of the main building opened its tiny series of locks. A bent figure came out. The lock closed.