Collected Works. GEORGE BERNARD SHAW

      APPENDIX

      LETTER TO THE AUTHOR FROM MR. SIDNEY TREFUSIS.

      My Dear Sir: I find that my friends are not quite satisfied with the account you have given of them in your clever novel entitled “An Unsocial Socialist.” You already understand that I consider it my duty to communicate my whole history, without reserve, to whoever may desire to be guided or warned by my experience, and that I have no sympathy whatever with the spirit in which one of the ladies concerned recently told you that her affairs were no business of yours or of the people who read your books. When you asked my permission some years ago to make use of my story, I at once said that you would be perfectly justified in giving it the fullest publicity whether I consented or not, provided only that you were careful not to falsify it for the sake of artistic effect. Now, whilst cheerfully admitting that you have done your best to fulfil that condition, I cannot help feeling that, in presenting the facts in the guise of fiction, you have, in spite of yourself, shown them in a false light. Actions described in novels are judged by a romantic system of morals as fictitious as the actions themselves. The traditional parts of this system are, as Cervantes tried to show, for the chief part, barbarous and obsolete; the modern additions are largely due to the novel readers and writers of our own century—most of them half-educated women, rebelliously slavish, superstitious, sentimental, full of the intense egotism fostered by their struggle for personal liberty, and, outside their families, with absolutely no social sentiment except love. Meanwhile, man, having fought and won his fight for this personal liberty, only to find himself a more abject slave than before, is turning with loathing from his egotist’s dream of independence to the collective interests of society, with the welfare of which he now perceives his own happiness to be inextricably bound up. But man in this phase (would that all had reached it!) has not yet leisure to write or read novels. In noveldom woman still sets the moral standard, and to her the males, who are in full revolt against the acceptance of the infatuation of a pair of lovers as the highest manifestation of the social instinct, and against the restriction of the affections within the narrow circle of blood relationship, and of the political sympathies within frontiers, are to her what she calls heartless brutes. That is exactly what I have been called by readers of your novel; and that, indeed, is exactly what I am, judged by the fictitious and feminine standard of morality. Hence some critics have been able plausibly to pretend to take the book as a satire on Socialism. It may, for what I know, have been so intended by you. Whether or no, I am sorry you made a novel of my story, for the effect has been almost as if you had misrepresented me from beginning to end.

      At the same time, I acknowledge that you have stated the facts, on the whole, with scrupulous fairness. You have, indeed, flattered me very strongly by representing me as constantly thinking of and for other people, whereas the rest think of themselves alone, but on the other hand you have contradictorily called me “unsocial,” which is certainly the last adjective I should have expected to find in the neighborhood of my name. I deny, it is true, that what is now called “society” is society in any real sense, and my best wish for it is that it may dissolve too rapidly to make it worth the while of those who are “not in society” to facilitate its dissolution by violently pounding it into small pieces. But no reader of “An Unsocial Socialist” needs to be told how, by the exercise of a certain considerate tact (which on the outside, perhaps, seems the opposite of tact), I have contrived to maintain genial terms with men and women of all classes, even those whose opinions and political conduct seemed to me most dangerous.

      However, I do not here propose to go fully into my own position, lest I should seem tedious, and be accused, not for the first time, of a propensity to lecture—a reproach which comes naturally enough from persons whose conceptions are never too wide to be expressed within the limits of a sixpenny telegram. I shall confine myself to correcting a few misapprehensions which have, I am told, arisen among readers who from inveterate habit cannot bring the persons and events of a novel into any relation with the actual conditions of life.

      In the first place, then, I desire to say that Mrs. Erskine is not dead of a broken heart. Erskine and I and our wives are very much in and out at one another’s houses; and I am therefore in a position to declare that Mrs. Erskine, having escaped by her marriage from the vile caste in which she was relatively poor and artificially unhappy and ill-conditioned, is now, as the pretty wife of an art-critic, relatively rich, as well as pleasant, active, and in sound health. Her chief trouble, as far as I can judge, is the impossibility of shaking off her distinguished relatives, who furtively quit their abject splendor to drop in upon her for dinner and a little genuine human society much oftener than is convenient to poor Erskine. She has taken a patronizing fancy to her father, the Admiral, who accepts her condescension gratefully as age brings more and more home to him the futility of his social position. She has also, as might have been expected, become an extreme advocate of socialism; and indeed, being in a great hurry for the new order of things, looks on me as a lukewarm disciple because I do not propose to interfere with the slowly grinding mill of Evolution, and effect the change by one tremendous stroke from the united and awakened people (for such she—vainly, alas!—believes the proletariat already to be). As to my own marriage, some have asked sarcastically whether I ran away again or not; others, whether it has been a success. These are foolish questions. My marriage has turned out much as I expected it would. I find that my wife’s views on the subject vary with the circumstances under which they are expressed.

      I have now to make one or two comments on the impressions conveyed by the style of your narrative. Sufficient prominence has not, in my opinion, been given to the extraordinary destiny of my father, the true hero of a nineteenth century romance. I, who have seen society reluctantly accepting works of genius for nothing from men of extraordinary gifts, and at the same time helplessly paying my father millions, and submitting to monstrous mortgages of its future production, for a few directions as to the most business-like way of manufacturing and selling cotton, cannot but wonder, as I prepare my income-tax returns, whether society was mad to sacrifice thus to him and to me. He was the man with power to buy, to build, to choose, to endow, to sit on committees and adjudicate upon designs, to make his own terms for placing anything on a sound business footing. He was hated, envied, sneered at for his low origin, reproached for his ignorance, yet nothing would pay unless he liked or pretended to like it. I look round at our buildings, our statues, our pictures, our newspapers, our domestic interiors, our books, our vehicles, our morals, our manners, our statutes, and our religion, and I see his hand everywhere, for they were all made or modified to please him. Those which did not please him