The Complete Works. George Orwell
On the left of the hall was the never-used parlour, then came the staircase, and beyond that the passage ran down to the kitchen and to the unapproachable lair inhabited by Mrs Wisbeach herself. As Gordon came in, the door at the end of the passage opened a foot or so. Mrs Wisbeach's face emerged, inspected him briefly but suspiciously, and disappeared again. It was quite impossible to get in or out of the house, at any time before eleven at night, without being scrutinised in this manner. Just what Mrs Wisbeach suspected you of it was hard to say; smuggling women into the house, possibly. She was one of those malignant respectable women who keep lodging-houses. Age about forty-five, stout but active, with a pink, fine-featured, horribly observant face, beautiful grey hair and a permanent grievance.
Gordon halted at the foot of the narrow stairs. Above, a coarse rich voice was singing, 'Who's afraid of the Big Bad Wolf?' A very fat man of thirty-eight or -nine came round the angle of the stairs, with the light dancing step peculiar to fat men, dressed in a smart grey suit, yellow shoes, a rakish trilby hat and a belted blue overcoat of startling vulgarity. This was Flaxman, the first-floor lodger and travelling representative of the Queen of Sheba Toilet Requisites Co. He saluted Gordon with a lemon-coloured glove as he came down.
'Hullo, chappie!' he said blithely. (Flaxman called everyone 'chappie'.) 'How's life with you?'
'Bloody,' said Gordon shortly.
Flaxman had reached the bottom of the stairs. He threw a roly-poly arm affectionately round Gordon's shoulders.
'Cheer up, old man, cheer up! You look like a bloody funeral. I'm off down to the Crichton. Come on down and have a quick one.'
'I can't. I've got to work.'
'Oh, hell! Be matey, can't you? What's the good of mooning about up here? Come on down to the Cri and we'll pinch the barmaid's bum.'
Gordon wriggled free of Flaxman's arm. Like all small frail people, he hated being touched. Flaxman merely grinned, with the typical fat man's good humour. He was really horribly fat. He filled his trousers as though he had been melted and then poured into them. But of course, like other fat people, he never admitted to being fat. No fat person ever uses the word 'fat' if there is any way of avoiding it. 'Stout' is the word they use—or, better still, 'robust'. A fat man is never so happy as when he is describing himself as 'robust'. Flaxman, at his first meeting with Gordon, had been on the point of calling himself 'robust', but something in Gordon's greenish eye had deterred him. He compromised on 'stout' instead.
'I do admit, chappie,' he said, 'to being—well, just a wee bit on the stout side. Nothing unwholesome, you know.' He patted the vague frontier between his belly and his chest. 'Good firm flesh. I'm pretty nippy on my feet, as a matter of fact. But—well, I suppose you might call me stout.'
'Like Cortez,' Gordon suggested.
'Cortez? Cortez? Was that the chappie who was always wandering about in the mountains in Mexico?'
'That's the fellow. He was stout, but he had eagle eyes.'
'Ah? Now that's funny. Because the wife said something rather like that to me once. "George," she said, "you've got the most wonderful eyes in the world. You've got eyes just like an eagle," she said. That would be before she married me, you'll understand.'
Flaxman was living apart from his wife at the moment. A little while back the Queen of Sheba Toilet Requisites Co. had unexpectedly paid out a bonus of thirty pounds to all its travellers, and at the same time Flaxman and two others had been sent across to Paris to press the new Sexapeal Naturetint lipstick on various French firms. Flaxman had not thought it necessary to mention the thirty pounds to his wife. He had had the time of his life on that Paris trip, of course. Even now, three months afterwards, his mouth watered when he spoke of it. He used to entertain Gordon with luscious descriptions. Ten days in Paris with thirty quid that wifie hadn't heard about! Oh, boy! But unfortunately there had been a leakage somewhere; Flaxman had got home to find retribution awaiting him. His wife had broken his head with a cut-glass whisky decanter, a wedding present which they had had for fourteen years, and then fled to her mother's house, taking the children with her. Hence Flaxman's exile in Willowbed Road. But he wasn't letting it worry him. It would blow over, no doubt; it had happened several times before.
Gordon made another attempt to get past Flaxman and escape up the stairs. The dreadful thing was that in his heart he was pining to go with him. He needed a drink so badly—the mere mention of the Crichton Arms had made him feel thirsty. But it was impossible, of course; he had no money. Flaxman put an arm across the stairs, barring his way. He was genuinely fond of Gordon. He considered him 'clever'—'cleverness', to him, being a kind of amiable lunacy. Moreover, he detested being alone, even for so short a time as it would take him to walk to the pub.
'Come on, chappie!' he urged. 'You want a Guinness to buck you up, that's what you want. You haven't seen the new girl they've got in the saloon bar yet. Oh, boy! There's a peach for you!'
'So that's why you're all dolled up, is it?' said Gordon, looking coldly at Flaxman's yellow gloves.
'You bet it is, chappie! Coo, what a peach! Ash blonde she is. And she knows a thing or two, that girlie does. I gave her a stick of our Sexapeal Naturetint last night. You ought to have seen her wag her little bottom at me as she went past my table. Does she give me the palpitations? Does she? Oh, boy!'
Flaxman wriggled lasciviously. His tongue appeared between his lips. Then, suddenly pretending that Gordon was the ash-blonde barmaid, he seized him by the waist and gave him a tender squeeze. Gordon shoved him away. For a moment the desire to go down to the Crichton Arms was so ravishing that it almost overcame him. Oh, for a pint of beer! He seemed almost to feel it going down his throat. If only he had had any money! Even sevenpence for a pint. But what was the use? Twopence halfpenny in pocket. You can't let other people buy your drinks for you.
'Oh, leave me alone, for God's sake!' he said irritably, stepping out of Flaxman's reach, and went up the stairs without looking back.
Flaxman settled his hat on his head and made for the front door, mildly offended. Gordon reflected dully that it was always like this nowadays. He was for ever snubbing friendly advances. Of course it was money that was at the bottom of it, always money. You can't be friendly, you can't even be civil, when you have no money in your pocket. A spasm of self-pity went through him. His heart yearned for the saloon bar at the Crichton; the lovely smell of beer, the warmth and bright lights, the cheery voices, the clatter of glasses on the beer-wet bar. Money, money! He went on, up the dark evil-smelling stairs. The thought of his cold lonely bedroom at the top of the house was like a doom before him.
On the second floor lived Lorenheim, a dark, meagre, lizard-like creature of uncertain age and race, who made about thirty-five shillings a week by touting vacuum-cleaners. Gordon always went very hurriedly past Lorenheim's door. Lorenheim was one of those people who have not a single friend in the world and who are devoured by a lust for company. His loneliness was so deadly that if you so much as slowed your pace outside his door he was liable to pounce out upon you and half drag, half wheedle you in to listen to interminable paranoiac tales of girls he had seduced and employers he had scored off. And his room was more cold and squalid than even a lodging-house bedroom has any right to be. There were always half-eaten bits of bread and margarine lying about everywhere. The only other lodger in the house was an engineer of some kind, employed on nightwork. Gordon only saw him occasionally—a massive man with a grim, discoloured face, who wore a bowler hat indoors and out.
In the familiar darkness of his room, Gordon felt for the gas-jet and lighted it. The room was medium-sized, not big enough to be curtained into two, but too big to be sufficiently warmed by one defective oil-lamp. It had the sort of furniture you expect in a top floor back. White-quilted single bed; brown lino floor-covering; wash-hand-stand with jug and basin of that cheap white ware which you can never see without thinking of chamberpots. On the window-sill there was a sickly aspidistra in a green-glazed pot.
Up against this, under the window, there was a kitchen table with an inkstained green cloth. This was Gordon's 'writing' table. It was only after a bitter struggle that he had induced Mrs Wisbeach to give him a kitchen table instead of the bamboo 'occasional' table—a mere