The Colonial Architecture of Philadelphia. Frank Cousins

The Colonial Architecture of Philadelphia - Frank Cousins


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hand. From the visit of the Virginia Commissioners in 1744 until the seat of the United States Government was moved to Washington in 1790, every meeting of men prominent in political life was the occasion of much eating, drinking and conviviality in the best Philadelphia homes and also in the inns, where it was the custom of that day to12 entertain considerably. The old Red Lion Inn at North Second and Noble streets, a picturesque gambrel-roof structure of brick with a lean-to porch along the front, is an interesting survival of the inns and taverns of Colonial days, as was also the old Mermaid Inn in Mount Airy, until torn down not long ago. At such gatherings were represented the most brilliant minds this side of the Atlantic, and scintillating wit and humor enlivened the festive board, as contrasted with the bitter religious discussions which had characterized American gatherings in the preceding century when tolerance had not been so broad.

Plate V.—Hope Lodge, Whitemarsh Valley. Erected by Samuel Morris in 1723; Home of Stephen Girard.
Plate V.—Hope Lodge, Whitemarsh Valley. Erected by Samuel Morris in 1723; Home of Stephen Girard.

      Toward the outbreak of the Revolution, life among most Quakers had ceased to be as strict and monotonous as many have supposed. There were fox hunting, horse racing, assembly dances, barbecues, cider frolics, turtle and other dinners, tea parties and punch drinking, both under private auspices and among the activities of such clubs as the Colony in Schuylkill and the Gloucester Fox Hunting Club, in which the First City Troop originated. At the time of monthly, quarterly and yearly meetings whole families of Friends often visited other families for several days at a time, a custom which became an important element in the social intercourse of the province.

      Cock fighting and bull baiting were among the frequent pastimes of Philadelphians, although frowned upon by the strict Quaker element. The same was true of theatrical entertainments, which began in 1754 and continued occasionally thereafter. Following the first Shakespearean performance14 in America at Philadelphia in 1749, a storehouse on Water Street near Pine Street, belonging to William Plumstead, was fitted up as a theater, and in April, 1754, the drama was really introduced to Philadelphia by a series of plays given by William Hallam's old American Company. In 1759 the first theater in Philadelphia purposely erected for the exhibition of plays was built at the southwest corner of Vernon and South (then Cedar) streets, and was opened by David Douglass, the manager of the company started by Hallam. A few years later, in 1766, was built the old Southwark or South Street Theater in South Street above Fourth, where Major John André and Captain John Peter De Lancy acted during the British occupation of the city, and which after twenty years of illegal existence was opened "by authority" in 1789. None of these now remains, but the Walnut Street Theater, erected in 1808, is said to be the oldest playhouse in the United States.

      Taking all these facts into consideration, it is not surprising that, except for some of the earliest houses now remaining and others built with less ample fortunes, little difference is distinguishable between the homes of Quakers and "World's People", and that the distinctive characteristics of the Colonial architecture of Philadelphia are more or less common to all buildings of the period.

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      GEORGIAN COUNTRY HOUSES OF BRICK

Plate VII.—Blackwell <hr><noindex><a href=Скачать книгу
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