Portuguese Architecture. Walter Crum Watson
large cloister to the south must once have been one of the best in the country. Here the main arches alone survive, having lost whatever subsidiary arches or tracery they may once have contained, but higher up under the corbel table are large open circles, not as everywhere else enclosed under the large arch, but quite independent of it. Many of these circles are still filled with thin slabs of granite all pierced with most beautiful patterns, some quite Gothic, but the majority almost Moorish in design, not unlike the slabs in the circles over the cloister arcades at Alcobaça, but though this is probably only a coincidence, still more like those at Tarragona in Cataluña. (Fig. 22.)
Templar Church, Thomar.
Like the cathedral at Evora, some of the arches in the Templar Church at Thomar are pointed, yet like it again, it is entirely romanesque both in construction and in detail.
The Knights Templars were already established in Portugal in 1126. With their headquarters at Soure, a little to the south of Coimbra, they had been foremost in helping Affonso Henriques in his attacks on the Moors, and when Santerem was taken in 1147 they were given the ecclesiastical superiority of the town. This led to a quarrel with Dom Gilberto, the English bishop of Lisbon, which was settled in 1150, when Dom Gualdim Paes, the most famous member the order ever produced in Portugal, was chosen to be Grand Master. He at once gave up all Santarem to the bishop, except the church of São Thiago, and received instead the territory of Cêras some forty or fifty miles to the north-east. There on the banks of the river Nabão, on a site famous for the martyrdom under Roman rule of Sant' Iria or Irene, Dom Gualdim built a church, and began a castle which was soon abandoned for a far stronger position on a steep hill some few hundred yards to the west across the river. This second castle, begun in 1160, still survives in part but in a very ruinous condition; the walls and the keep alike have lost their battlements and their original openings, though a little further west, and once forming part of the fortified enclosure, the church, begun in 1162, still remains as a high tower-like bastion crowned with battlements. Dom Gualdim had the laudable habit of carving inscriptions telling of any striking event, so that we may still read, not only how the castle was founded, but how 'In the year of the Era of Cæsar, 1228 (that is 1190 A.D., on the 3rd of July), came the King of Morocco, leading four hundred thousand horsemen and five hundred thousand foot and besieged this castle for six days, destroying everything he found outside the walls. God delivered from his hands the castle, the aforesaid Master and his brethren. The same king returned to his country with innumerable loss of men and of animals.'[49] Doubtless the size of Yakub the Almohade leader's army is here much exaggerated, but that he was forced to retire from Thomar, and by pestilence from Santarem is certain, and though he made a more successful invasion two years later the Moors never again gained a footing to the north of the Tagus.
Dom Gualdim's church, since then enlarged by the addition of a nave to the west, was originally a polygon of sixteen sides with a circular barrel-vaulted aisle surrounding a small octagon, which with its two stories of slightly pointed arches contains the high altar.[50] (Fig. 23.)
The round-headed windows come up high, and till it was so richly adorned by Dom Manoel during his grand mastership of the Order of Christ more than three hundred years later, the church must have been extremely simple. Outside the most noticeable feature is the picturesque grouping of the bell-towers and gable, added probably in the seventeenth century, which now rise on the eastern side of the polygon, and which, seen above the orange and medlar trees of a garden reaching eastwards towards the castle, forms one of the most pleasing views in the whole country.
São João de Alporão, Santarem.
If Evora and the Templar church at Thomar show one form of transition, where the arches are pointed, but the construction and detail is romanseque, São João de Alporão at Santarem shows another, where the construction is Gothic but the arches are still all round.
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This church is said to stand on the site of a mosque and to have been at first called Al Koran, since corrupted into Alporão, but the present building can hardly have been begun till the early years of the thirteenth century. The church consists of an aisleless nave with good groined vaulting and a five-sided apsidal chancel. The round-arched west door stands under a pointed gable, but seems to have lost by decay and consequent restoration whatever ornament its rather flat mouldings may once have had. Above is a good wheel window, with a cusped circle in the centre, surrounded by eight radiating two-arched lights separated by eight radiating columns. The two arches of each light spring from a detached capital which seems to have lost its shaft, but as there is no trace of bases for these missing shafts on the central circle they probably never existed. All the other nave windows are mere slits; and above them runs a rich corbel table of slightly stilted arches with their edges covered with ball ornament resting on projecting corbels. In the apse the five windows are tall and narrow with square heads, and the corbel table of a form common in Portugal but rare elsewhere, where each corbel is something like the bows of a boat.[51]
The inside, now turned into a museum, is much more interesting. The chancel is entered, under a circular cusped window, by a wide round arch, whose outer moulding is curiously carried by shafts with capitals set across the angle as if to carry a vaulting rib; in the chancel itself the walls are double, the outer having the plain square-headed windows seen outside, and the inner very elegant two-light round-headed openings resting on very thin and delicate shafts, with a doubly cusped circle above. The vault, whose wall arches are stilted and slightly pointed, has strong well-moulded ribs springing from the well-wrought capitals of tall angle shafts. It will be seen that this is a very great advance on any older vaulting, since previously, except in the French Church at Alcobaça, groined vaults had only been attempted over square spaces. The finest of the many objects preserved in the museum is the tomb of Dom Duarte de Menezes, who was killed in Africa in 1464 and buried in the church of São Francisco, whence, São Francisco having become a cavalry stable, it was brought here not many years ago. (Fig. 24.)
Such are, except for the church at Idanha a Velha and that of Castro de Avelans near Braganza, nearly all the early buildings in the country. Castro de Avelans is interesting and unique as having on the outside brick arcades, like those on the many Mozarabic churches at Toledo, a form of decoration not found elsewhere in Portugal. The church of Alcobaça is
of course, in part, a good deal older than are some of those mentioned above; but the whole, the romanesque choir as well as the early pointed nave, is so unlike anything that has come before or anything that has come after, that it seemed better to take it by itself without regard to strict chronological order.
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Alcobaça.
The first stone was laid in 1158, but the church was barely finished when King Sancho i. died in 1211 and was not dedicated till 1220, while the monastic buildings were not ready till 1223, when the monks migrated from Sta. Maria a Velha, their temporary home. The abbey was immensely wealthy: it had complete jurisdiction over fourteen villages