Madcap. George Gibbs
She scrutinized him from top to toe.
"Oh, at your goggles."
He fingered his glasses.
"These?"
She nodded.
He took them off and looked at them amusedly.
"That's the first step. You're ten years younger already," she said.
"Oh, am I?"
"Yes. I'm sure of it—when you don't frown."
"And next?"
"You must flirt, Mr. Markham—and make pretty speeches—"
"Pretty speeches!"
"Oh, yes—you must treat every woman as though you adored her secretly, and when ladies visit your studio you mustn't bang the door in their faces."
"Did I do that?"
"Er—figuratively, yes. You were very impolite." She lay back and laughed at him. "There—I feel better. Now we shall be good friends."
He fingered his goggles a moment, and then his eyes met hers in frank agreement.
"I'm glad of that," he said, with a slow smile. "I like you a great deal."
She straightened, her eyes sparkling merrily.
"You see? You're improving already. I have great hopes for you, Mr. Markham." She threw a glance at the others and rose. "Here endeth the first lesson. It is time to dress. We will resume after dinner. That is," she added, "if Olga will spare you for a few moments."
"Olga—Madame Tcherny won't mind in the least," he laughed. "If you can make me anybody but myself, she will thank you from the bottom of her heart. Madame Tcherny is already at the point of giving me up as a hopeless case."
"In what respect?"
"Oh, in all respects. I'm a great disappointment to her—" He stopped suddenly. "I mean socially—professionally. You see I'm not the stuff that successful portrait painters are made of—"
"Except perhaps that you really can paint?" she asked over her shoulder.
He shrugged and followed.
CHAPTER VIII
OLGA TCHERNY
As the guests gathered in the drawing-room and on the terrace before dinner it was apparent to Markham that, unless he obeyed the injunctions of his small preceptor, he would be quite forgotten amid this gay company. On Thimble Island, as in New York, he had not found them necessary to his own existence, and it was quite clear that her at "Wake-Robin" they returned his indifference. After the first nod and appraising glance in his direction, Crosby Downs and Carol Gouverneur had completely ignored him. Archie Westcott had unbent to the point of offering him a cigarette, and Trevvy Morehouse, who had joined them over the cocktails, and injected polite bromidics into the conversation which Reggie Armistead, who knew nothing of Markham's art and cared less, only saved by some wholesome enthusiasm, in which all joined, over the "sand" and all-around good fellowship of their hostess.
But it required little assurance to make one's self at home here where informality seemed to be the rule, and before Hermia and the Countess came down Markham found himself on easy terms with the group he had joined. Mrs. Renshaw's appraisal and patronizing air dismayed him less than the china blue eyes of Phyllis Van Vorst which she had raised with a pretty effectiveness to his; Hilda Ashhurst hadn't even taken the trouble to notice him. When Carol Gouverneur was in her neighborhood there were no other men in the world.
But Hermia took pains to make her guests aware of the status of Mr.
Markham in her house by seating him on her right at dinner and paying
him an assiduous attention which detracted something from Reggie
Armistead's interest, as well as Olga's, in that repast.
With a carelessness which put him off his guard Hermia drew him into the general conversation, aroused his sense of humor, until with a story of an experience in France, which he told with a dry wit that well suited him, he found himself the center of interest at the head of the table.
Out on the terrace over the coffee and tobacco, the compound slowly resolved itself into its elements, social and sentimental. Markham, scarcely aware of the precise moment when she had appropriated him, found himself in the garden below the terrace with Olga Tcherny. The heavy odor of the roses was about them, unstirred by the land breeze which faintly sighed in the treetops. A warm moon hung over Thimble Island, its soft lights catching in the ornaments Markham's companion wore, caressing her white shoulders and dusky hair, and softening the shadows in her eyes which peered like those of a seer down the path of light where the moonbeams played upon the water.
He had always thought her handsome, but to-night she was a fragment of the night itself, with all its tenderness and its melancholy mystery. He watched her slender figure as she reached forward, plucked a rose and raised its petals to her lips—a full flown rose, wasting its last hours of loveliness. She fastened it in her corsage and led the way to a stone bench beneath an arbor at the end of the wall where she sat and motioned to the place beside her.
The accord which existed between these two was unusual because of the total difference in their points of view on life and the habits of thought which made each the negative pole of the other. However unusual Markham may have appeared to a person of Olga Tcherny's training, he was not an unusual young man in the ordinary sense. He had always taken life seriously, from the hour when as a clerk in a broker's office he had started to work at night at the League in New York, with the intention of becoming a painter. He was no more serious than thousands of other young men who plan their lives early and live them up to specifications; but Olga Tcherny, who had flitted a zig-zag butterfly course among the exotics, now found in the meadows she had scorned a shrub quite to her liking. Markham was the most refreshingly original person she had ever met. He always said exactly what he thought and refused to speak at all unless he had something to say. Those hours in the studio when he had painted her portrait had been hours to remember, sound, sane hours in which they had discussed many things not comprehended in her philosophy, when he had led her by easy stages up the steep path he had climbed until she had gained, from the pinnacle of his successes, a vista of what had lain beneath. Unconsciously he had drawn upon her mentality until, surprised at its own existence, it had awakened to life and responded to his. To make her mental subjection the more complete, he had in his simplicity peered like a child through all her disguises and painted her soul as he saw it—as it was. The flattery was the more effectual because of its subtlety and because she knew, as he did, that in it there was no guile, no self-interest or sentimentality. And in return she could have paid him no higher compliment than when coolly, almost coldly, she told him of her life and what she had made of it.
She was very winning to-night—very gentle and womanly—more English than French or Russian, more American than either. Neither of them spoke for a long while. Such words as they could speak would have taken something from the perfection of their background. But Markham thought of her as he had frequently done, thankful again for the benefits of her regard, the genuineness of which she had brought home to him in many material ways.
To Olga alone there was a peril in the silence, a peril for the sanity he had taught her, for the pact which she had made with herself. She had eaten the bread and salt of his friendship and had given him hers. He believed in her and she could not deceive him. She knew his nature well. She had not been a student of men all her life for nothing. It would have been so easy to lie to him, to befuddle and bewitch him, to bring him to her feet by unfair means. But she had scorned to use them. For her, John Markham had been taboo. But there was peril in the silence. She sat looking into the wake of the moon in the water, very quiet, tense and almost breathless.
"You're glad you came?" she asked at last in the tones of matter and fact.
"Yes, I am. You've been too kind and patient with me, Olga."
He