The Parts Men Play. Beverley Baxter
childhood's hours. He taught her to throw a fly for trout, and she initiated him into the mysteries of answering the calls of birds in the woods. Mounted on a couple of ponies, they became familiar figures at the tenants' cottages, and though the spirit of outlawry mellowed with advancing years, Lady Durwent never saw them start away from the house without the uneasy feeling that there was more than a chance they would get into some mischief before they returned.
In the meantime the elder son was bringing credit to his ancestors and himself. His accent became a thing of perfection, nicely nuanced, and entirely free of any emphasis or intensity that might rob it of its placid suggestion of good-breeding. His attitude towards the servants was one of pleasant dignity, and the tenantry all spoke of Master Malcolm as a fine young gentleman who would make a worthy ruler of Roselawn.
Between him and Richard there was little love lost. The elder boy disapproved of his hoydenish sister, and sought at all times to shame her tempestuous nature by insistence on decorum in their relations. Richard, who invariably brought home adverse reports from school, could find no fault in his colourful sister, and blindly espoused her cause at all times.
On one occasion, when Malcolm had been more than usually censorious, Dick challenged him to a fight. They adjourned to the seclusion of a small plot of grass by a great oak, where the Etonian knocked Dick down five times in succession, afterwards escorting him to the cook, who placed raw beefsteak on his eyes.
It was characteristic of the worthy Richard that he bore his brother no malice whatever for the punishment. He had proposed the fight, conscious of the fact that he would be soundly beaten, but he was a bit of a Quixote—and a lady's name was involved.
And no nurse ever tended a wounded hero more tenderly than the little copper-haired creature of impulse who bathed the battered face of poor Dick. Wilful and rebellious as she was, there was in Elise a deep well of love for her brother that no other being could fathom. And it was not his loyalty alone that had inspired it. Her solitary life had quickened her perceptive powers, and intuitively she knew that, in the years before him, her weak-willed, buoyant-natured brother would be unable to meet the cross-currents of his destiny and maintain a steady course.
But he thought it was because of his swollen eyes that she cried.
CHAPTER III.
ABOUT A TOWN HOUSE.
I.
It was perhaps not inconsistent with the character of Lady Durwent that, although she had striven to secure the guiding of Malcolm's development, she should find herself totally devoid of any plan for the training of a daughter.
Vaguely—and in this she mirrored thousands of other mothers—there was a hope in her heart that Elise would grow up pretty, virtuous, amiable, and would eventually marry well. It did not concern her that the girl was permeated with individuality, that the temperament of an artist lay behind the changing eyes in that restless, graceful figure. She could not see that her daughter had a delicate, wilful personality, which would rebel increasingly against the monotony of a social regime that planned the careers of its sons before they were born, and offered its daughters a mere incoherency of good intentions.
Full of the swift imaginativeness which makes the feminine contribution to life so much a thing of charm and colour, Elise pursued the paths which Youth has for its own—those wonderful streets of fantasy that end with adolescence in Society's ugly fields of sign-posts.
Lacking the companionship of others of a similar age, she wove her own conception of life, and dreamed of a world actuated by quick and generous emotions. With every pulsing beat of the warm blood coursing through her veins she demanded in her girl's mind that the world in which her many-sided self had been placed should yield the wines to satisfy the subtle shades of thirst produced by her insistent individuality.
And the world offered her sign-posts. This must you do and thus must you talk; hither shall you go and here remain: these are the Arts with which you may enjoy a very slight acquaintance, but do not aspire to genuine accomplishment—leave that to common people; be lady-like, be calm and reserved; behold your brothers, how they swank!—but they are men, and this is England; desire nought but the protected privileges of your class, and in good season some youth of the same social stratum as yourself will marry you, and, lo! in place of being a daughter in a landed gentleman's house, you will be a wife.
Into this little world of a kind-hearted, chivalrous aristocracy (whose greatest fault was their ignorance of the fact that the smallest upheaval in humanitarianism, no matter what distance away, registers on the seismograph of human destiny the world over) Elise Durwent found her path laid. Increasingly resentful, she trod it until she was fourteen years of age, when her mother, who had long been bored with country life, made an important decision—and purchased a town house.
Having done this, Lady Durwent sent her daughter to a convent, a move which enabled her to get rid of the governess discreetly, and left her without family cares at all, as both boys were now at school. Unencumbered, therefore, she said au revoir to Roselawn, and set her compass for No. 8 Chelmsford Gardens, London.
II.
Chelmsford Gardens is a row of dignified houses on Oxford Street—yet not on Oxford Street. A miniature park, some forty feet in depth, acts as a buffer-state between the street itself and the little group of town houses. It is an oasis in the great plains of London's dingy dwelling-places, a spot where the owners are rarely seen unless the season is at its height, when gaily cloaked women and stiff-bosomed men emerge at theatre-hour and are driven to the opera. Throughout the day the Gardens (probably so styled on account of the complete absence of horticultural embellishments) are as silent as the tomb; there is no sign of life except in the mornings, when a solemn butler or a uniformed parlour-maid appears for a moment at the door like some creature of the sea coming up for air, then unobtrusively retires.
No. 8 was exactly like its neighbours, consisting of an exterior boasting a huge oak door, with cold, stone steps leading up to it, and an interior composed of rooms with very high ceilings, an insufficient and uncomfortable supply of furniture, large pictures and small grates, terrific beds and meagre chairs, and a general air of so much marble and bare floor that one could almost imagine that house-cleaning could be accomplished by turning on the hose.
After Lady Durwent had taken possession she sent for her husband, but that gentleman reminded her that he was much happier at Roselawn, though he would be glad if she would keep a room for him when business at the 'House' or with his lawyers necessitated his presence in town. Unhampered, therefore, by a husband, Lady Durwent prepared to invade London Society, only to receive a shock at the very opening of the campaign.
The Ironmonger had preceded her!
It is one of the tragedies of the élite that even peers are not equal. The law of class distinction, that amazing doctrine of timidity, penetrated even the oak door of 8 Chelmsford Gardens. The Ironmonger's daughter found that being the daughter of a man who had made an honest living rendered her socially the unequal of the daughters of men who, acting on a free translation of 'The earth is the Lord's,' had done nothing but inherit unearned substance.
Then there was her cheerfulness, and the menacing voice!
Turning from the aloofness of the exclusive, Lady Durwent thought of taking in famous performing Lions and feeding them. Unfortunately the market was too brisk, and the only Lion she could get was an Italian tenor from Covent Garden, who refused to roar, but left a poignant memory of garlic.
It was then that a brilliant idea entered her brain. Lady Durwent decided to cultivate unusual people.
No longer would she batter at oak doors that refused to open; no more would she dangle morsels of food in front of overfed Lions. She would create a little Kingdom of remarkable people—not those acclaimed great by the mealy mob, but those whose genius was