The Copy-Cat, and Other Stories. Mary Eleanor Wilkins Freeman
regard to the wind, thereby getting the soft drive of the rain full in his face, which became, as it were, bedewed with tears, entirely outside any cause of his own emotions.
Johnny probably got the only book of an antiorthodox trend in his uncle's library. He found tucked away in a snug corner an ancient collection of Border Ballads, and he read therein of many unmoral romances and pretty fancies, which, since he was a small boy, held little meaning for him, or charm, beyond a delight in the swing of the rhythm, for Johnny had a feeling for music. It was when he read of Robin Hood, the bold Robin Hood, with his dubious ethics but his certain and unquenchable interest, that Johnny Trumbull became intent. He had the volume in his own room, being somewhat doubtful as to whether it might be of the sort included in the good-boy role. He sat beside a rainwashed window, which commanded a view of the wide field between the Trumbull mansion and Jim Simmons's house, and he read about Robin Hood and his Greenwood adventures, his forcible setting the wrong right; and for the first time his imagination awoke, and his ambition. Johnny Trumbull, hitherto hero of nothing except little material fistfights, wished now to become a hero of true romance.
In fact, Johnny considered seriously the possibility of reincarnating, in his own person, Robin Hood. He eyed the wide green field dreamily through his rain-blurred window. It was a pretty field, waving with feathery grasses and starred with daisies and buttercups, and it was very fortunate that it happened to be so wide. Jim Simmons's house was not a desirable feature of the landscape, and looked much better several acres away. It was a neglected, squalid structure, and considered a disgrace to the whole village. Jim was also a disgrace, and an unsolved problem. He owned that house, and somehow contrived to pay the taxes thereon. He also lived and throve in bodily health in spite of evil ways, and his children were many. There seemed no way to dispose finally of Jim Simmons and his house except by murder and arson, and the village was a peaceful one, and such measures were entirely too strenuous.
Presently Johnny, staring dreamily out of his window, saw approaching a rusty-black umbrella held at precisely the wrong angle in respect of the storm, but held with the unvarying stiffness with which a soldier might hold a bayonet, and knew it for his uncle Jonathan's umbrella. Soon he beheld also his uncle's serious, rain-drenched face and his long ambling body and legs. Jonathan was coming home from the post-office, whither he repaired every morning. He never got a letter, never anything except religious newspapers, but the visit to the post-office was part of his daily routine. Rain or shine, Jonathan Trumbull went for the morning mail, and gained thereby a queer negative enjoyment of a perfectly useless duty performed. Johnny watched his uncle draw near to the house, and cruelly reflected how unlike Robin Hood he must be. He even wondered if his uncle could possibly have read Robin Hood and still show absolutely no result in his own personal appearance. He knew that he, Johnny, could not walk to the post-office and back, even with the drawback of a dripping old umbrella instead of a bow and arrow, without looking a bit like Robin Hood, especially when fresh from reading about him.
Then suddenly something distracted his thoughts from Uncle Jonathan. The long, feathery grass in the field moved with a motion distinct from that caused by the wind and rain. Johnny saw a tiger-striped back emerge, covering long leaps of terror. Johnny knew the creature for a cat afraid of Uncle Jonathan. Then he saw the grass move behind the first leaping, striped back, and he knew there were more cats afraid of Uncle Jonathan. There were even motions caused by unseen things, and he reasoned, “Kittens afraid of Uncle Jonathan.” Then Johnny reflected with a great glow of indignation that the Simmonses kept an outrageous number of half-starved cats and kittens, besides a quota of children popularly supposed to be none too well nourished, let alone properly clothed. Then it was that Johnny Trumbull's active, firm imagination slapped the past of old romance like a most thorough mustard poultice over the present. There could be no Lincoln Green, no following of brave outlaws (that is, in the strictest sense), no bows and arrows, no sojourning under greenwood trees and the rest, but something he could, and would, do and be. That rainy day when Johnny Trumbull was a good boy, and stayed in the house, and read a book, marked an epoch.
That night when Johnny went into his aunt Janet's room she looked curiously at his face, which seemed a little strange to her. Johnny, since he had come into possession of his grandfather's watch, went every night, on his way to bed, to his aunt's room for the purpose of winding up that ancient timepiece, Janet having a firm impression that it might not be done properly unless under her supervision. Johnny stood before his aunt and wound up the watch with its ponderous key, and she watched him.
“What have you been doing all day, John?” said she.
“Stayed in the house and—read.”
“What did you read, John?”
“A book.”
“Do you mean to be impertinent, John?”
“No, ma'am,” replied Johnny, and with perfect truth. He had not the slightest idea of the title of the book.
“What was the book?”
“A poetry book.”
“Where did you find it?”
“In Uncle Jonathan's library.”
“Poetry In Uncle Jonathan's library?” said Janet, in a mystified way. She had a general impression of Jonathan's library as of century-old preserves, altogether dried up and quite indistinguishable one from the other except by labels. Poetry she could not imagine as being there at all. Finally she thought of the early Victorians, and Spenser and Chaucer. The library might include them, but she had an idea that Spenser and Chaucer were not fit reading for a little boy. However, as she remembered Spenser and Chaucer, she doubted if Johnny could understand much of them. Probably he had gotten hold of an early Victorian, and she looked rather contemptuous.
“I don't think much of a boy like you reading poetry,” said Janet. “Couldn't you find anything else to read?”
“No, ma'am.” That also was truth. Johnny, before exploring his uncle's theological library, had peered at his father's old medical books and his mother's bookcases, which contained quite terrifying uniform editions of standard things written by women.
“I don't suppose there ARE many books written for boys,” said Aunt Janet, reflectively.
“No, ma'am,” said Johnny. He finished winding the watch, and gave, as was the custom, the key to Aunt Janet, lest he lose it.
“I will see if I cannot find some books of travels for you, John,” said Janet. “I think travels would be good reading for a boy. Good night, John.”
“Good night. Aunt Janet,” replied Johnny. His aunt never kissed him good night, which was one reason why he liked her.
On his way to bed he had to pass his mother's room, whose door stood open. She was busy writing at her desk. She glanced at Johnny.
“Are you going to bed?” said she.
“Yes, ma'am.”
Johnny entered the room and let his mother kiss his forehead, parting his curly hair to do so. He loved his mother, but did not care at all to have her kiss him. He did not object, because he thought she liked to do it, and she was a woman, and it was a very little thing in which he could oblige her.
“Were you a good boy, and did you find a good book to read?” asked she.
“Yes, ma'am.”
“What was the book?” Cora Trumbull inquired, absently, writing as she spoke.
“Poetry.”
Cora laughed. “Poetry is odd for a boy,” said she. “You should have read a book of travels or history. Good night, Johnny.”
“Good night, mother.”
Then Johnny met his father, smelling strongly of medicines, coming up from his study. But his father did not see him. And Johnny went to bed, having imbibed from that old tale of Robin Hood more of history and more knowledge of excursions into realms of old romance than his elders had ever known during much longer lives than his.
Johnny