True Tilda. Arthur Quiller-Couch

True Tilda - Arthur Quiller-Couch


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at most for overtime—meanin' no offence—"

      Mr. Mortimer waved a hand.

      "If," said he, "it be a question of my rendering you any small service, I beg, my friend—I command—that all question of pecuniary recompense be left out of the discussion."

      Sam, feeling that he had to deal with a noble character, explained that the job was an easy one; merely to lead or ride one of the horses down the hauling-path to where the boat lay, to hitch on the tackle, cast off straps, pull up and ship the two crowbars to which they were made fast, and so take the tiller and steer home. The horse knew his business, and would do the rest.

      "And you can't mistake the boat. Duchess of Teck is her name, an' she lies about three ropes' lengths this side of the iron bridge, just as you come abreast o' the brick wall that belongs to the Orph'nage."

      "Bring forth the steed," commanded Mr. Mortimer. "Nay, I will accompany you to the stables and fetch him."

      "And the saucepan! Don't forget the saucepan!" Mrs. Mortimer called after them in a sprightly voice as they crossed the yard together.

      "Ha, the saucepan!" Within the stable doorway Mr. Mortimer stood still and pressed a hand to his brow. "You cannot think, my dear Smiles, how that obligation weighs on me. The expense of a saucepan—what is it? And yet—" He seemed to ponder. Of a sudden his brow cleared. "—Unless, to be sure—that is to say, if you should happen to have a shilling about you?"

      "I got no change but 'arf-a-crown, if that's any use," answered the charmed Sam.

      "Nothing smaller? Still," suggested Mr. Mortimer quickly, "I could bring back the change."

      "Yes, do."

      "It will please Arabella, too. In point of fact, during the whole of our married life I have made it a rule never to absent myself from her side without bringing back some trifling gift. Women—as you will understand one of these days—set a value on these petits soins; and somewhere in the neighbourhood of the iron bridge a tinsmith's should not be hard to find … Ah, thanks, my dear fellow—thanks inexpressibly! Absurd of me, of course; but you cannot think what a load you have taken off my mind."

      Sam unhitched one of a number of hauling tackles hanging against the wall, and led forth his horse—a sturdy old grey, by name Jubilee. Casting the tackle carelessly on the animal's back, he handed Mr. Mortimer the headstall rope, and left him, to return two minutes later with the saucepan he had promised.

      "She must use this one for the time," he explained. "And afterwards yours will come as a surprise."

      "It must be so, I suppose," assented Mr. Mortimer, but after a pause, and reluctantly, averting his eyes from the accursed thing.

      To spare him, Sam hurried across to deliver it to the lady, who awaited them in the doorway: and thus approaching he became aware that she was making mysterious signals. He glanced behind him. Plainly the signals were not directed at her husband, who had halted to stoop and pass a hand over old Jubilee's near hind pastern, and in a manner almost more than professional. Sam advanced, in some wonder. Mrs. Mortimer reached down a shapely hand for the pan-handle, leaned as she did so, and murmured—

      "You will not lend money to Stanislas? He is apt, when the world goes ill with him, to seek distraction, to behave unconventionally. It is not a question of drowning his cares, for the least little drop acting upon his artistic temperament—"

      But at this moment her husband, having concluded his inspection of the grey, called out to be given a leg-up, and Sam hurried back to oblige.

      "Thank you. Time was, Smiles, when with hand laid lightly on the crupper, I could have vaulted."

      Overcome by these reminiscences, Mr. Mortimer let his chin sink, his legs dangle, and rode forward a pace or two in the classical attitude of the Last Survivor from Cabul; but anon looked up with set jaw and resolution in his eye, took a grip with his knees, and challenged—

      "Give a man a horse he can ride,

       Give a man a boat he can sail,

       And his something or other—I forget

       the exact expression—

       On sea nor shore shall fail!"

      —"Fling wide the gate, Smiles!" He was now the Dashing Cavalier, life-sized. "Take care of yourself, poppet!"

      He gave his bridle-rein a shake (so to speak), turned, blew a kiss to his spouse, dug heel and jogged forth chanting—

      "Tirra tirra by the river Sang Sir Lancelot!"

       Table of Contents

      MR. MORTIMER'S ADVENTURE.

      "Old mole! canst work i' the earth so fast?"—HAMLET

      All the way along the canal bank Mr. Mortimer continued to carol. Mercurial man! Like all actors he loved applause, but unlike the most of them he was capable of supplying it when the public failed; and this knack of being his own best audience had lifted him, before now, out of quite a number of Sloughs of Despond and carried him forward singing.

      He had left care behind him in Mr. Hucks's yard, and so much of noble melancholy as he kept (for the sake of artistic effect) took a tincture from the sunset bronzing the smoke-laden sky and gilding the unlovely waterway. Like the sunset, Mr. Mortimer's mood was serene and golden. His breast, expanding, heaved off all petty constricting worries, "like Samson his green wythes": they fell from him as he rode, and as he rode he chanted—

      "The sun came dazzling thro' the leaves

       And flamed upon the brazen greaves

       Of bold Sir Lancelot … "

      Old Jubilee—if, like John Gilpin's horse, he wondered more and more—was a philosophical beast and knew his business. Abreast of the boat, beside the angle of the Orphanage wall, he halted for his rider to alight, and began to nose for herbage among the nettles. Nor did he betray surprise when Mr. Mortimer, after a glance down the towpath towards the iron bridge and the tram-lights passing there, walked off and left him to browse.

      Fifteen minutes passed. The last flush of sunset had died out of the sky, and twilight was deepening rapidly, when Mr. Mortimer came strolling back. Apparently—since he came empty-handed—his search for a saucepan had been unsuccessful. Yet patently the disappointment had not affected his spirits, for at sight of Old Jubilee still cropping in the dusk he stood still and gave utterance to a lively whoop.

      The effect of this sobered him. Old Jubilee was not alone. Hurriedly out of the shadow of the Orphanage wall arose a grey-white figure—a woman. It seemed that she had been kneeling there. Now, as Mr. Mortimer advanced, she stood erect, close back against the masonry, waiting for him to pass.

      "'S a female," decided Mr. Mortimer, pulling himself together and advancing with a hand over his brow, the better to distinguish the glimmer of her dress. "'S undoubtedly a female. Seems to be looking for something … " He approached and lifted his hat. "Command me, madam!"

      The woman drew herself yet closer under the shadow.

      "Go your way, please!" she answered sharply, with a catch of her breath.

      "You mishun'erstand. Allow me iggs—I beg pardon, eggs—plain. Name's Mortimer—Stanislas 'Ratio, of that ilk. A Scotch exshpression." Here he pulled himself together again, and with an air of anxious lucidity laid a precise accent on every syllable. "The name, I flatter myself, should be a guarantee. No reveller, madam, I s'hure you; appearances against me, but no Bacchanal; still lesh—shtill less I should iggs—or, if you prefer it, eggs—plain, gay Lothario. Trust me, ma'am—married man, fifteen years' standing—Arabella—tha's my wife—never a moment's 'neasiness—"

      'Two shouls'—you'll


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