Nights: Rome, Venice, in the Aesthetic Eighties; London, Paris, in the Fighting Nineties. Elizabeth Robins Pennell
of Contents
There are times when we recall old memories much as we take down old favourites from our bookshelves, just to see how they have worn, how they have stood the test of years. Sometimes the books have worn so well that we cannot put them away until we have read every word to the very last again, we have not done with the memories until we have lived again through every moment of the past to which they belong. It is in this spirit that I brought my Nights of long ago to the test, and, finding that for me they stand it triumphantly and are still as vivid and vociferous and full of life as they were of old, I have not had the courage to loose my hold upon them and let them drift back once more into unfriendly silence.
It contributes to my pleasure in this revival of my Nights, that I have been helped in many ways to give more substantial form to the familiar ghosts who wander through them. My debt of gratitude is great. Mr. William Nicholson has been willing for me to use his portrait of Henley and from Mrs. Henley I have the bust by Rodin. Mr. Frederick H. Evans has lent me the very interesting photograph he made of Beardsley, to whom he was so good a friend, and to Mr. John Lane, the publisher of the Yellow Book, I owe Beardsley's sketch of Harland. To Mr. John Ross I am indebted for the drawing of Phil May by himself never before published, to the Houghton Mifflin Company for the portrait of Vedder, to Mr. Duveneck for the painting of himself by Mr. Joseph de Camp. The photograph of Iwan-Müller and George W. Steevens reminds me of the day so long since when I went with them and Mrs. Steevens to Mr. Frederick Hollyer's and we were all photographed in turn, so that this record of the visit seems surely mine by right. It was Mr. Hollyer, too, who photographed the fine portrait "Bob" Stevenson painted of himself, and it was Mrs. Stevenson who gave me my copy of it. I have Mr. J. McLure Hamilton's permission to publish his portrait of J—, while J—has been so generous with his prints, portraits of old backgrounds of the Nights, that I can add this book to the many in which I have profited by his collaboration. I have also to thank the Editor of the Atlantic Monthly, in which my Nights in Rome and in Venice first appeared, for his consent to their re-publication now in book form.
Elizabeth Robins Pennell
3. Adelphi Terrace House, London
December 25, 1915
ILLUSTRATIONS
| PAGE | |
| "J—" | Frontispiece |
| From the Painting by J. McLure Hamilton | |
| Old and New Rome | 35 |
| From the Etching by Joseph Pennell | |
| Elihu Vedder | 56 |
| Frank Duveneck | 76 |
| From the Painting by Joseph R. DeCamp | |
| The Café Orientale, Venice | 82 |
| From the Etching by Joseph Pennell | |
| Out of Our London Windows | 122 |
| From the Mezzotint by Joseph Pennell | |
| W.E. Henley | 125 |
| From the Bust by Auguste Rodin | |
| W.E. Henley | 127 |
| From the Painting by William Nicholson | |
| Iwan-Müller and George W. Steevens | 154 |
| From a Photograph by Frederick Hollyer | |
| "Bob" Stevenson | 160 |
| From the Painting by Himself | |
| Henry Harland | 172 |
| From the Drawing by Aubrey Beardsley | |
| Aubrey Beardsley | 178 |
| From the Photograph by Frederick H. Evans | |
| Phil May in Cap and Bells | 193 |
| From a previously unpublished Drawing by Himself | |
| In the Champs-Elysées, Paris | 235 |
| From the Etching by Joseph Pennell | |
| The Half Hour Before Dinner, Paris | 244 |
| From the Etching by Joseph Pennell | |
| Aristide Bruant of the Cabaret du Mirliton, Paris | 290 |
| From the Poster by Toulouse-Lautrec |
I
DAYS
A WORD TO EXPLAIN
NIGHTS
DAYS
A WORD TO EXPLAIN