The Poetical Works of Addison; Gay's Fables; and Somerville's Chase. John Gay
We view well-pleased at distance all the sights
Of arms and palfreys, battles, fields, and fights,
And damsels in distress, and courteous knights;
But when we look too near, the shades decay,
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And all the pleasing landscape fades away.
Great Cowley then (a mighty genius) wrote,
O'errun with wit, and lavish of his thought:
His turns too closely on the reader press;
He more had pleased us, had he pleased us less.
One glittering thought no sooner strikes our eyes
With silent wonder, but new wonders rise.
As in the milky-way a shining white
O'erflows the heavens with one continued light;
That not a single star can show his rays,
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Whilst jointly all promote the common blaze.
Pardon, great poet, that I dare to name
The unnumbered beauties of thy verse with blame;
Thy fault is only wit in its excess,
But wit like thine in any shape will please.
What Muse but thine can equal hints inspire,
And fit the deep-mouthed Pindar to thy lyre;
Pindar, whom others, in a laboured strain
And forced expression, imitate in vain?
Well-pleased in thee he soars with new delight,
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And plays in more unbounded verse, and takes a nobler flight.
Blest man! whose spotless life and charming lays
Employed the tuneful prelate in thy praise:
Blest man! who now shalt be for ever known
In Sprat's successful labours and thy own.
But Milton next, with high and haughty stalks,
Unfettered in majestic numbers walks;
No vulgar hero can his Muse engage;
Nor earth's wide scene confine his hallowed rage.
See! see! he upward springs, and towering high,
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Spurns the dull province of mortality,
Shakes heaven's eternal throne with dire alarms,
And sets the Almighty thunderer in arms.
Whate'er his pen describes I more than see,
Whilst every verse arrayed in majesty,
Bold, and sublime, my whole attention draws,
And seems above the critic's nicer laws.
How are you struck with terror and delight,
When angel with archangel copes in fight!
When great Messiah's outspread banner shines,
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How does the chariot rattle in his lines!
What sounds of brazen wheels, what thunder, scare,
And stun the reader with the din of war!
With fear my spirits and my blood retire,
To see the seraphs sunk in clouds of fire;
But when, with eager steps, from hence I rise,
And view the first gay scenes of Paradise,
What tongue, what words of rapture, can express
A vision so profuse of pleasantness!
Oh, had the poet ne'er profaned his pen,
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To varnish o'er the guilt of faithless men,
His other works might have deserved applause;
But now the language can't support the cause;
While the clean current, though serene and bright,
Betrays a bottom odious to the sight.
But now, my Muse, a softer strain rehearse,
Turn every line with art, and smooth thy verse;
The courtly Waller next commands thy lays:
Muse, tune thy verse with art to Waller's praise.
While tender airs and lovely dames inspire
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Soft melting thoughts, and propagate desire;
So long shall Waller's strains our passion move,
And Sacharissa's beauties kindle love.
Thy verse, harmonious bard, and flattering song,
Can make the vanquished great, the coward strong.
Thy verse can show even Cromwell's innocence,
And compliment the storms that bore him hence.
Oh, had thy Muse not come an age too soon,
But seen great Nassau on the British throne,
How had his triumphs glittered in thy page,
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And warmed thee to a more exalted rage!
What scenes of death and horror had we view'd,
And how had Boyne's wide current reeked in blood!
Or, if Maria's charms thou wouldst rehearse,
In smoother numbers and a softer verse,
Thy pen had well described her graceful air,
And Gloriana would have seemed more fair.
Nor must Roscommon pass neglected by,
That makes even rules a noble poetry:
Rules, whose deep sense and heavenly numbers show
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The best of critics, and of poets too.
Nor, Denham, must we e'er forget thy strains,
While Cooper's Hill commands the neighbouring plains.
But see where artful Dryden next appears,
Grown old in rhyme, but charming even in years.
Great Dryden next, whose tuneful Muse affords
The sweetest numbers, and the fittest words.
Whether in comic sounds or tragic airs
She forms her voice, she moves our smiles or tears.
If satire or heroic strains she writes,
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Her hero pleases and her satire bites.
From her no harsh unartful numbers fall,
She wears all dresses, and she charms in all.
How might we fear our English poetry,
That long has flourished, should decay with thee;
Did not the Muses' other hope appear,
Harmonious Congreve, and forbid our fear:
Congreve! whose fancy's unexhausted store
Has given already much, and promised more.
Congreve shall still preserve thy fame alive,
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And Dryden's Muse shall in his friend survive.
I'm tired with rhyming, and would fain give o'er,
But justice still demands one labour more:
The noble Montague remains unnamed,
For wit, for humour, and for judgment