The Quadroon: Adventures in the Far West. Майн Рид
rich proprietress—the owner of a plantation, a steward, and a host of slaves—would condescend to look admiringly on such a friendless wretch as I?
In truth, I did not flatter myself with such thoughts. I supposed that it was simple curiosity on her part—and no more. She saw that I was not of her own race. My complexion—the colour of my eyes—the cut of my garments—perhaps something gauche in my manner—told her I was a stranger to the soil, and that had excited her interest for a passing moment. A mere ethnological reflection—nothing more.
The act, however, had helped to pique my curiosity; and I felt desirous of knowing at least the name of this distinguished creature.
The “steward,” thought I, may serve my purpose, and I turned towards that individual.
He was a tall, grey-haired, lathy, old Frenchman, well-dressed, and sufficiently respectable-looking to have passed for the lady’s father. His aspect, too, was quite venerable, giving you the idea of long service and a very old family.
I saw, as I approached him, that my chances were but indifferent. I found him as “close as a clam.” Our conversation was very brief; his answers laconic.
“Monsieur, may I ask who is your mistress?”
“A lady.”
“True: any one may tell that who has the good fortune of looking at her. It was her name I asked for.”
“It does not concern you to know it.”
“Not if it be of so much importance to keep it a secret!”
“Sacr-r-ré!”
This exclamation, muttered, rather than spoken aloud, ended the dialogue; and the old fellow turned away on giving expression to it—no doubt cursing me in his heart as a meddling Yankee.
I applied myself to the sable Jehu of the barouche, but with no better success. He was getting his horses aboard, and not liking to give direct answers to my questions, he “dodged” them by dodging around his horses, and appearing to be very busy on the offside. Even the name I was unable to get out of him, and I also gave him up in despair.
The name, however, was furnished me shortly after from an unexpected source. I had returned to the boat, and had seated myself once more under the awning, watching the boatmen, with rolled-up red shirts, use their brawny arms in getting their freight aboard. I saw it was the same which had been delivered from the drays—the property of the lady. It consisted, for the most part, of barrels of pork and flour, with a quantity of dried hams, and some bags of coffee.
“Provisions for her large establishment,” soliloquised I.
Just then some packages of a different character were pushed upon the staging. These were leathern trunks, travelling bags, rosewood cases, bonnet-boxes, and the like.
“Ha! her personal luggage,” I again reflected, and continued to puff my cigar. Regarding the transfer of the trunks, my eye was suddenly attracted to some lettering that appeared upon one of the packages—a leathern portmanteau. I sprang from my seat, and as the article was carried up the gangway stair I met it halfway. I glanced my eye over the lettering, and read—
“Mademoiselle Eugénie Besançon.”
Chapter Seven.
The Starting.
The last bell rings—the “can’t-get-away” folks rush ashore—the staging-plank is drawn in—some heedless wight has to jump for it—the cable is pulled aboard and coiled—the engineer’s bell tinkles—the great wheels revolve, lashing the brown water into foam—the steam “whistles” and screams at the boilers, and booms from the ’scape-pipe in regular repetitions—neighbouring boats are pressed out of their places—their planks cringe and crackle—guards are broken, or the slight timbers of wheel-houses, causing a cross-fire of curses between the crews—and after some minutes of this pandemoniac confusion, the huge craft clears herself, and rides out upon the broad bosom of the river.
She heads up-stream; a few strokes of the revolving paddles and the current is mastered; and the noble boat yielding to the mighty propulsion, cleaves her liquid way, “walking the water like a thing of life!”
Perchance the boom of a cannon announces her departure; perchance it is animated by the harmonious swell of brazen instruments; or still more appropriate, some old “boatman’s song,” with its lively chorus, is heard issuing from the rude, though not unmusical throats of the “hands” below.
Lafayette and Carrolton are soon passed; the humbler roofs of stores and dwellings sink out of sight; and the noble dome of Saint Charles, the spires of churches, and the towers of the great cathedral, are all of the Crescent City that remain above the horizon. These, at length, go down; and the “floating palace” moves on in stately grandeur between the picturesque shores of the Mississippi.
I have said “picturesque.” This word does not satisfy me, nor can I think of one that will delineate my idea. I must make use of a phrase, “picturesquely beautiful,” to express my admiration of the scenery of those shores. I have no hesitation in pronouncing it the finest in the world.
I am not gazing upon it with a mere cold eye-glance. I cannot separate scenery from its associations—not its associations of the past, but with the present. I look upon the ruined castles of the Rhine, and their story impresses me with a feeling of disgust for what has been. I look upon its modern homes and their dwellers; I am equally filled with disgust for what is. In the Bay of Naples I experience a similar feeling, and roaming “around” the lordly parks of England, I see them through an enclosure of wretchedness and rags, till their loveliness seems an illusion!
Here alone, upon the banks of this majestic river, do I behold wealth widely diffused, intelligence broadcast, and comfort for all. Here, in almost every house, do I meet the refined taste of high civilisation—the hospitality of generous hearts combined with the power to dispense it. Here can I converse with men by thousands, whose souls are free—not politically alone, but free from vulgar error and fanatic superstition; here, in short, have I witnessed, not the perfectedness—for that belongs to a far future time—but the most advanced stage of civilisation yet reached upon the globe.
A dark shadow crosses my eye-glance, and my heart is stung with sudden pain. It is the shadow of a human being with a black skin. He is a slave!
For a moment or two the scene looks black! What is there to admire here—in these fields of golden sugar-cane, of waving maize, of snow-white cotton? What to admire in those grand mansions, with their orangeries, their flowery gardens, their drooping shade-trees, and their soft arbours? All this is but the sweat of the slave!
For a while I behold without admiring. The scene has lost its couleur de rose; and a gloomy wilderness is before me! I reflect. Slowly and gradually the cloud passes away, and the brightness returns. I reflect and compare.
True, he with the black skin is a slave—but not a voluntary slave. That is a difference in his favour at least.
In other lands—mine own among them—I see around me slaves as well, and far more numerous. Not the slaves of an individual, but of an association of individuals—a class—an oligarchy. Not slaves of the corvée—serfs of the feud—but victims of its modern representative the tax, which is simply its commutation, and equally baneful in its effects.
On my soul, I hold that the slavery of the Louisiana black is less degrading than that of the white pleb of England. The poor, woolly-headed helot is the victim of conquest, and may claim to place himself in the honourable category of a prisoner of war. He has not willed his own bondage; while you, my grocer, and butcher, and baker—ay, and you, my fine city merchant, who fondly fancy yourself a freeman—ye are