A Son of the Middle Border. Garland Hamlin

A Son of the Middle Border - Garland Hamlin


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us, he played on, absorbed and intent. From these familiar pieces he passed to others for which he had no names, melodies strangely sweet and sad, full of longing cries, voicing something which I dimly felt but could not understand.

      At the moment he was the somber Scotch Highlander, the true Celt, and as he bent above his instrument his black eyes glowing, his fine head drooping low, my heart bowed down in worship of his skill. He was my hero, the handsomest, most romantic figure in all my world.

      He played, "Maggie, Air Ye Sleepin," and the wind outside went to my soul. Voices wailed to me out of the illimitable hill-land forests, voices that pleaded:

      Oh, let me in, for loud the linn

       Goes roarin' o'er the moorland craggy.

      He appeared to forget us, even his young wife. His eyes looked away into gray storms. Vague longing ached in his throat. Life was a struggle, love a torment.

      He stopped abruptly, and put the violin into its box, fumbling with the catch to hide his emotion and my father broke the tense silence with a prosaic word. "Well, well! Look here, it's time you youngsters were asleep. Beckie, where are you going to put these children?"

      Aunt Rebecca, a trim little woman with brown eyes, looked at us reflectively, "Well, now, I don't know. I guess we'll have to make a bed for them on the floor."

      This was done, and for the first time in my life, I slept before an open fire. As I snuggled into my blankets with my face turned to the blaze, the darkness of the night and the denizens of the pineland wilderness to the north had no terrors for me.

      I was awakened in the early light by Uncle David building the fire, and then came my father's call, and the hurly burly of jovial greeting from old and young. The tumult lasted till breakfast was called, and everybody who could find place sat around the table and attacked the venison and potatoes which formed the meal. I do not remember our leave-taking or the ride homeward. I bring to mind only the desolate cold of our own kitchen into which we tramped late in the afternoon, sitting in our wraps until the fire began to roar within its iron cage.

      Oh, winds of the winter night! Oh, firelight and the shine of tender eyes! How far away you seem tonight!

      So faint and far,

       Each dear face shineth as a star.

      Oh, you by the western sea, and you of the south beyond the reach of Christmas snow, do not your hearts hunger, like mine tonight for that Thanksgiving Day among the trees? For the glance of eyes undimmed of tears, for the hair untouched with gray?

      It all lies in the unchanging realm of the past—this land of my childhood. Its charm, its strange dominion cannot return save in the poet's reminiscent dream. No money, no railway train can take us back to it. It did not in truth exist—it was a magical world, born of the vibrant union of youth and firelight, of music and the voice of moaning winds—a union which can never come again to you or me, father, uncle, brother, till the coulee meadows bloom again unscarred of spade or plow.

       Table of Contents

       Table of Contents

      Our last winter in the Coulee was given over to preparations for our removal but it made very little impression on my mind which was deeply engaged on my school work. As it was out of the question for us to attend the village school the elders arranged for a neighborhood school at the home of John Roche, who had an unusually large living room. John is but a shadowy figure in this chronicle but his daughter Indiana, whom we called "Ingie," stands out as the big girl of my class.

      Books were scarce in this house as well as in our own. I remember piles of newspapers but no bound volumes other than the Bible and certain small Sunday school books. All the homes of the valley were equally barren. My sister and I jointly possessed a very limp and soiled cloth edition of "Mother Goose." Our stories all came to us by way of the conversation of our elders. No one but grandmother Garland ever deliberately told us a tale—except the hired girls, and their romances were of such dark and gruesome texture that we often went to bed shivering with fear of the dark.

      Suddenly, unexpectedly, miraculously, I came into possession of two books, one called Beauty and The Beast, and the other Aladdin and His Wonderful Lamp. These volumes mark a distinct epoch in my life. The grace of the lovely Lady as she stood above the cringing Beast gave me my first clear notion of feminine dignity and charm. On the magic Flying Carpet I rose into the wide air of Oriental romance. I attended the building of towered cities and the laying of gorgeous feasts. I carried in my hand the shell from which, at the word of command, the cool clear water gushed. My feet were shod with winged boots, and on my head was the Cap of Invisibility. My body was captive in our snowbound little cabin but my mind ranged the golden palaces of Persia—so much I know. Where the wonder-working romances came from I cannot now tell but I think they were Christmas presents, for Christmas came this year with unusual splendor.

      The sale of the farm had put into my father's hands a considerable sum of money and I assume that some small part of this went to make our holiday glorious. In one of my stockings was a noble red and blue tin horse with a flowing mane and tail, and in the other was a monkey who could be made to climb a stick. Harriet had a new china doll and Frank a horn and china dog, and all the corners of our stockings were stuffed with nuts and candies. I hope mother got something beside the potatoes and onions which I remember seeing her pull out and unwrap with delightful humor—an old and rather pathetic joke but new to us.

      The snow fell deep in January and I have many glorious pictures of the whirling flakes outlined against the darkly wooded hills across the marsh. Father was busy with his team drawing off wheat and hogs and hay, and often came into the house at night, white with the storms through which he had passed. My trips to school were often interrupted by the cold, and the path which my sister and I trod was along the ever-deepening furrows made by the bob-sleighs of the farmers. Often when we met a team or were overtaken by one, we were forced out of the road into the drifts, and I can feel to this moment, the wedge of snow which caught in the tops of my tall boots and slowly melted into my gray socks.

      We were not afraid of the drifts, however. On the contrary mother had to fight to keep us from wallowing beyond our depth. I had now a sled which was my inseparable companion. I could not feed the hens or bring in a pan of chips without taking it with me. My heart swelled with pride and joy whenever I regarded it, and yet it was but a sober-colored thing, a frame of hickory built by the village blacksmith in exchange for a cord of wood—delivered. I took it to school one day, but Ed Roche abused it, took it up and threw it into the deep snow among the weeds.—Had I been large enough, I would have killed that boy with pleasure, but being small and fat and numb with cold I merely rescued my treasure as quickly as I could and hurried home to pour my indignant story into my mother's sympathetic ears.

      I seldom spoke of my defeats to my father for he had once said, "Fight your own battles, my son. If I hear of your being licked by a boy of anything like your own size, I'll give you another when you get home." He didn't believe in molly-coddling, you will perceive. His was a stern school, the school of self-reliance and resolution.

      Neighbors came in now and again to talk of our migration, and yet in spite of all that, in spite of our song, in spite of my father's preparation I had no definite premonition of coming change, and when the day of departure actually dawned, I was as surprised, as unprepared as though it had all happened without the slightest warning.

      So long as the kettle sang on the hearth and the clock ticked on its shelf, the idea of "moving" was pleasantly diverting, but when one raw winter day I saw the faithful clock stuffed with rags and laid on its back in a box, and the chairs and dishes being loaded into a big sleigh, I began to experience something very disturbing and


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