Wolf Breed. Jackson Gregory
she is open. The violins have gone there. There you may dance, dance as Mam'selle Jeanne an' I dance it is fifty year to-night. Dance all night long. And while the yo'ng folk whose hearts are in their heels walse yonder, here we older ones … Ah!" as sudden voices, cheering, cut into his running words. "You have not forgot, eh?"
It was the signal for division. The few women who had children took them home with them; the other women, young and old, following like a holiday flotilla in the wake of Mère Jeanne, tacked through the muck of the road to the warehouse; many of the younger and some few of the older men followed them; and in the house of Père Marquette, in the yellow light of a half dozen kerosene lamps and many tall candles, the real affair of the evening began.
Great logs oozing molten pitch were burning noisily in the two rock fireplaces, the red flames swept up into the blackened chimneys to spread cheer within and to scatter sparks like little stars in the clear night without, the punch bowl had at last been allowed to stand empty not because men were through drinking but because stronger drink, men's drink, had appeared in many bottles upon the shelves, a game of poker was running in one corner of a room, a game of solo in another; yonder, seen through an open door, six men were shaking dice and wagering little and bigger sums recklessly; a little fellow with a wooden leg and a terribly scarred face was drawing shrieking rag time from an old and asthmatic accordion while four men, their big boots clumping noisily upon the bare floor, danced like awkward trained bears when the outer door, closed against the chill of the evening, was flung open and a stranger to MacLeod's settlement stood a moment framed against the outside night. A score of eyes, going to him swiftly, studied him with unhidden curiosity.
CHAPTER II
THE COMING OF NO-LUCK DRENNEN
All sorts and conditions of men come to the North Woods; some because they want to, some because they have to. Some because they are drawn by the fine lure of adventure and the urge of the restless spirit, some because they are driven by that bloodhound which is the law. All types, all classes. And yet now, standing jauntily upon Père Marquette's threshold, was a type of which as yet the Settlement had had no knowledge.
He was young and wore his black mustaches with all of the fierceness of youth. His boots were at once the finest and the smallest which MacLeod's had ever seen upon a man's feet. He wore gloves, and when in due time the hands came out of the gloves, they were little like a woman's and white and soft. He was a handsome young devil-of-a-fellow with all of the soft, graceful beauty of the far southland. His mouth, smiling now, was red lipped, his teeth a glistening white. Eyes very big, very black, very soft, very tender, smiling too. From the crown of his wide black hat to the tall heels of his dainty boots he was such a dandy as demanded more than a casual glance.
"Amigos," he cried, the door closed now, his back to it, his wide hat describing a slow, graceful arc as he raised it gallantly from his black hair, "I have the thirst of a lost soul. Who will drink with me?"
He whipped the glove from his right hand, caught his hat under his arm and brought from his pocket a shining gold piece which he tossed to one of Père Marquette's counters. A few of the men laughed, seeing his mistake, while others murmured, "Dago," a little disgustedly and returned their attention to their drink, gaming or talk. Père Marquette came forward briskly.
"M'sieu," he said graciously, offering his hand, "your presence honours Mamma Jeanne an' me. We are to-night fifty year marry … you shall put your money in your pocket, m'sieu. One does not pay to drink at the place of Père Marquette to-night."
The young fellow looked at him in surprise, then turned wondering eyes about him, even peering through the open door into the further rooms as though asking himself what manner of place was this where men drank and did not pay. Then he laughed softly.
"Your pardon, señor," he said politely, taking the old man's proffered hand and bending over it gracefully. "Outside I was athirst like a man in hell … "
A queer change came over his smiling face as his eyes, journeying beyond the thin, black coated figure of Père Marquette, rested upon a secluded corner of the room where in the nook by the fireplace a quiet game of cards was in progress.
"Señorita! Señorita!" he cried softly, pushing by Père Marquette and coming forward swiftly. "Dispensame! Forgive me, señorita!"
It was Ernestine, the one woman remaining in the room, Ernestine Dumont, who had come from over the ridge with big Kootanie George, her latest lover. She was sitting close to Kootanie's side now, whispering occasionally in his ear as a hand was dealt him, for the most part contentedly sipping at her little glass of sweet wine as she sat back and watched. She, with the others, had turned toward the entrant, her eyes remaining upon him until now. She smiled, no doubt pleased at his notice, while Kootanie George, wide-shouldered, mighty limbed, the biggest man within a hundred miles of the Settlement, glared at him in frowning wonder.
"Forgive you?" laughed Ernestine, after a quick glance at George upon whose shoulder she laid her hand lightly. "What for?"
"I did not know that a lady was here," explained the young fellow eagerly. He was almost standing over her, his eyes for her alone as he turned up his mustaches more fiercely yet and his eyes grew the more tender. "I speak roughly and not guarding my tongue which should suffer and not taste wine for a week, señorita. I am ashamed."
Ernestine blushed; again several men had laughed. He had said "hell" and had apologised to her …
"We'll let it go this time," she laughed a trifle awkwardly. "And as for not drinking anything. … Look out or you'll spill what Papa Marquette is bringing you now."
"We are all frien's, m'sieu," said Papa Marquette courteously, offering a brimming glass. "You, too. And it is wrong that one should thirst to-night."
The other took the glass with another of his graceful bows.
"May you have other fifty years of happiness with your señora," he said warmly. "Your health and her health, señor." The glass, at his lips, halted and came away for a moment while he thought to introduce himself. "I am Ramon Garcia."
He said it as one might have said, "I am the King of Spain." Simply enough but with a proud simplicity. Then he put back his head and drank.
After that Ramon Garcia needed no coaxing to remain. He fitted into the throng as he seemed to do all things, gracefully. Since he could not spend his money to-night for wine and since spend it he must he ventured it pleasantly at the table where the dice rolled. Between throws he made many slender cigarettes of fine tobacco and thin white papers; winning, he forgot to note how much in turning his eyes with tender admiration upon Ernestine Dumont, whose glance more than once met his; losing, he hummed languid snatches of Mexican love songs in a remarkably pure tenor voice.
Before he had been with them an hour it was evident to many, not last of all to big Kootanie George, that the "Mex" was flirting openly with the yellow haired Ernestine. It was equally evident that his notice did not embarrass her as his apology had done. She curved her red lips at him when George was not looking, she glanced down as demure as a bashful school girl when her big lover was watching her. George began to lose at his cards and when he swore at his luck did not apologise.
At last Ramon Garcia wearied of the dice. He pocketed his winnings and pushed back his chair. A guitar in its case in a corner of the room had caught his roving eye. Standing with his back to the wall, leaning indolently, he sent his white fingers wandering across the strings and his eyes drifting bade to find those of Ernestine Dumont. Then through the discordance of other voices, of clicking chips, rustling cards, dice snapped down upon the hard table tops, chink of glass and bottle neck, the voice of Ramon Garcia, liberated softly, filled the room with its richness as a room is