The Portion of Labor. Mary Eleanor Wilkins Freeman
of progress. She realized that her father was very great and smart to work in a place like that, and earn money—so much of it. Ellen often heard her mother remark with pride how much money Andrew earned.
To-night, when Ellen passed in her strange flight, the factories were still, though they were yet blazing with light. The gigantic buildings, after a style of architecture as simple as a child's block house, and adapted to as primitive an end, loomed up beside the road like windowed shells enclosing massive concretenesses of golden light. They looked entirely vacant except for light, for the workmen had all gone home, and there were only the keepers in the buildings. There were three of them, representing three different firms, rival firms, grouped curiously close together, but Lloyd's was much the largest. Andrew and Eva worked in Lloyd's.
She was near the last factory when she met a man hastening along with bent shoulders, of intent, middle-aged progress. After he had passed her with a careless glance at the small, swift figure, she smelt coffee. He was carrying home a pound for his breakfast supply. That suddenly made her cry, though she did not know why. That familiar odor of home and the wontedness of life made her isolation on her little atom of the unusual more pitiful. The man turned round sharply when she sobbed. “Hullo! what's the matter, sis?” he called back, in a pleasant, hoarse voice. Ellen did not answer; she fled as if she had wings on her feet. The man had many children of his own, and was accustomed to their turbulence over trifles. He kept on, thinking that there was a sulky child who had been sent on an errand against her will, that it was not late, and she was safe enough on that road. He resumed his calculation as to whether his income would admit of a new coal-stove that winter. He was a workman in a factory, with one accumulative interest in life—coal-stoves. He bought and traded and swapped coal-stoves every winter with keenest enthusiasm. Now he had one in his mind which he had just viewed in a window with the rapture of an artist. It had a little nickel statuette on the top, and that quite crowded Ellen out of his mind, which had but narrow accommodations.
So Ellen kept on unmolested, though her heart was beating loud with fright. When she came into the brilliantly lighted stretch of Main Street, which was the business centre of the city, her childish mind was partly diverted from herself. Ellen had not been down town many times of an evening, and always in hand of her hurrying father or mother. Now she had run away and cut loose from all restrictions of time; there was an eternity for observation before her, with no call in-doors in prospect. She stopped at the first bright shop window, and suddenly the exultation of freedom was over the child. She tasted the sweets of rebellion and disobedience. She had stood before that window once before of an evening, and her aunt Eva had been with her, and one of her young men friends had come up behind, and they had gone on, the child dragging backward at her aunt's hand. Now she could stand as long as she wished, and stare and stare, and drink in everything which her childish imagination craved, and that was much. The imagination of a child is often like a voracious maw, seizing upon all that comes within reach, and producing spiritual indigestions and assimilations almost endless in their effects upon the growth. This window before which Ellen stood was that of a market: a great expanse of plate-glass framing a crude study in the clearest color tones. It takes a child or an artist to see a picture without the intrusion of its second dimension of sordid use and the gross reflection of humanity.
Ellen looked at the great shelf laid upon with flesh and vegetables and fruits with the careless precision of a kaleidoscope, and did not for one instant connect anything thereon with the ends of physical appetite, though she had not had her supper. What had a meal of beefsteak and potatoes and squash served on the little white-laid table at home to do with those great golden globes which made one end of the window like the remove from a mine, those satin-smooth spheres, those cuts as of red and white marble? She had eaten apples, but these were as the apples of the gods, lying in a heap of opulence, with a precious light-spot like a ruby on every outward side. The turnips affected her imagination like ivory carvings: she did not recognize them for turnips at all. She never afterwards believed them to be turnips; and as for cabbages, they were green inflorescences of majestic bloom. There is one position from which all common things can be seen with reflections of preciousness, and Ellen had insensibly taken it. The window and the shop behind were illuminated with the yellow glare of gas, but the glass was filmed here and there with frost, which tempered it as with a veil. In the background rosy-faced men in white frocks were moving to and fro, customers were passing in and out, but they were all glorified to the child. She did not see them as butchers, and as men and women selling and buying dinners.
However, all at once everything was spoiled, for her fairy castle of illusion or a higher reality was demolished, and that not by any blow of practicality, but by pity and sentiment. Ellen was a woman-child, and suddenly she struck the rock upon which women so often wreck or effect harbor, whichever it may be. All at once she looked up from the dazzling mosaic of the window and saw the dead partridges and grouse hanging in their rumpled brown mottle of plumage, and the dead rabbits, long and stark, with their fur pointed with frost, hanging in a piteous headlong company, and all her delight and wonder vanished, and she came down to the hard actualities of things. “Oh, the poor birds!” she cried out in her heart. “Oh, the poor birds, and the poor bunnies!”
Just at that moment, when the sudden rush of compassion and indignation had swollen her heart to the size of a woman's, and given it the aches of one, when her eyes were so dilated with the sight of helpless injury and death that they reflected the mystery of it and lost the outlook of childhood, when her pretty baby mouth was curved like an inverted bow of love with the impulse of tears, Cynthia Lennox came up the street and stopped short when she reached her.
Suddenly Ellen felt some one pressing close to her, and, looking up, saw a woman, only middle-aged, but whom she thought very old, because her hair was white, standing looking at her very keenly with clear, light-blue eyes under a high, pale forehead, from which the gray hair was combed uncompromisingly back. The woman had been a beauty once, of a delicate, nervous type, and had a certain beauty now, a something which had endured like the fineness of texture of a web when its glow of color has faded. Her black garments draped her with sober richness, and there was a gleam of dark fur when the wind caught her cloak. A small tuft of ostrich plumes nodded from her bonnet. Ellen smelt flowers vaguely, and looked at the lady's hand, but she did not carry any.
“Whose little girl are you?” Cynthia Lennox asked, softly, and Ellen did not answer. “Can't you tell me whose little girl you are?” Cynthia Lennox asked again. Ellen did not speak, but there was the swift flicker of a thought over her face which told her name as plainly as language if the woman had possessed the skill to interpret it.
“Ellen Brewster—Ellen Brewster is my name,” Ellen said to herself very hard, and that was how she endured the reproach of her own silence.
The woman looked at her with surprise and admiration that were fairly passionate. Ellen was a beautiful child, with a face like a white flower. People had always turned to look after her, she was so charming, and had caused her mothers heart to swell with pride. “The way everybody we met has stared after that child to-day!” she would whisper her husband when she brought Ellen home from some little expedition; then the two would look at the little one's face with the one holy vanity of the world. Ellen wore to-night the little white shawl which her father had caught up when he carried her over to her grandmother's. She held it tightly together under her chin with one tiny hand, and her face looked out from between the soft folds with the absolute purity of curve and color of a pearl.
“Oh, you darling!” said the woman, suddenly; “you darling!” and Ellen shrank away from her. “Don't be afraid, dear,” said Cynthia Lennox. “Don't be afraid, only tell me who you are. What is your name, dear?” But Ellen remained silent; only, as she shrank aloof, her eyes grew wild and bright with startled tears, and her sweet baby mouth quivered piteously. She wanted to run, but the habit of obedience was so strong upon her little mind that she feared to do so. This strange woman seemed to have gotten her in some invisible leash.
“Tell me what your name is, darling,” said the woman, but she might as well have importuned a flower. Ellen was proof against all commands in that direction. She suddenly felt the furry sweep of the lady's cloak against her cheek, and a nervous, tender arm drawing her close, though she strove feebly to resist. “You are cold, you have