Evolution, Old & New. Samuel Butler

Evolution, Old & New - Samuel Butler


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what all other contrivers must have, if they are to be called contrivers—a body which can suffer more or less pain or chagrin if the contrivance is unsuccessful. If this is what Paley means, his argument is indeed irrefragable; but if he does not intend this, his words are frivolous, as so clear and acute a reasoner must have perfectly well known.

      Whether Paley's argument will prove a source of lasting strength to himself or no, is a point which my readers will decide presently; but I am very clear about its usefulness to my own position. I know few writers whom I would willingly quote more largely, or from whom I find it harder to leave off quoting when I have once begun. A few more passages, however, must suffice.

      "I challenge any man to produce in the joints and pivots of the most complicated or the most flexible machine that ever was contrived, a construction more artificial" (here we have it again), "or more evidently artificial than the human neck. Two things were to be done. The head was to have the power of bending forward and backward as in the act of nodding, stooping, looking upwards or downwards; and at the same time of turning itself round upon the body to a certain extent, the quadrant, we will say, or rather perhaps a hundred and twenty degrees of a circle. For these two purposes two distinct contrivances are employed. First the head rests immediately upon the uppermost part of the vertebra, and is united to it by a hinge-joint; upon this joint the head plays freely backward and forward as far either way as is necessary or as the ligaments allow, which was the first thing required.

      … … . … .

      It is positively painful to me to pass over Paley's description of the joints, but I must content myself with a single passage from this admirable chapter.

      … … . … .

      "What contrivance can be more mechanical than the following, viz.: a slit in one tendon to let another tendon pass through it? This structure is found in the tendons which move the toes and fingers. The long tendon, as it is called in the foot, which bends the first joint of the toe, passes through the short tendon which bends the second joint; which course allows to the sinews more liberty and a more commodious action than it would otherwise have been capable of exerting. There is nothing, I believe, in a silk or cotton mill, in the belts or straps or ropes by which the motion is communicated from one part of the machine to another that is more artificial, or more evidently so, than this perforation.

      "The next circumstance which I shall mention under this head of muscular arrangement, is so decidedly a mark of intention, that it always appeared to me to supersede in some measure the necessity of seeking for any other observation upon the subject; and that circumstance is the tendons which pass from the leg to the foot being bound down by a ligament at the ankle, the foot is placed at a considerable angle with the leg. It is manifest, therefore, that flexible strings passing along the interior of the angle, if left to themselves, would, when stretched, start from it. The obvious" (and it must not be forgotten that the preventive was obvious) "preventive is to tie them down. And this is done in fact. Across the instep, or rather just above it, the anatomist finds a strong ligament, under which the tendons pass to the foot. The effect of the ligament as a bandage can be made evident to the senses, for if it be cut the tendons start up. The simplicity, yet the clearness of this contrivance, its exact resemblance to established resources of art, place it amongst the most indubitable manifestations of design with which we are acquainted."


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