The English Spy: An Original Work Characteristic, Satirical, And Humorous. C. M. Westmacott
SHOW SUNDAY, A VIEW IN THE BROAD WALK,
CHRIST CHURCH MEADOWS, OXFORD. 244
Portraits of the Togati and the town, including big wigs,
nobs, and dons. Among the more conspicuous are Dr. Kett,
Lord G. Grenville, Dr. Grovesnor, Alderman Fletcher, and
Mr. Swan.
XV.
TOWN AND GOWN. 246
Battle of the Togati and Town Raff of Oxford, a night scene.
—Bernard and his Friends, Horace and Tom, distributing
among the Bargees of St. Clement's.
XVI.
BLACK MATINS, OR THE EFFECTS OF LATE
DRINKING UPON EARLY RISERS. 269
A Most Imposing Scene.-Time seven o'clock in the Morn-
ing, the last bell has just tolled, and the University Men have
just turned out, while the hunting-frock, boots, and appear-
ance of some of the party, proclaim that they have just turned
in; all are eager to save fine and imposition, and not a few are
religiously disturbed in their Dreams. The admirable disorder
of the party is highly illustrative of the Effect produced by an
Evening Wine Party in College Rooms.
XVII.
GOLGOTHA, OR THE PLACE OF SCULLS. 272
Tom Echo receiving sentence of Rustication. The Big Wigs
in a Bustle. Lecture on disobedience and chorus of the
Synod. Reports from the Isle of Bull dogs. Running foul
of the Quicksands of Rustication after having passed Point
Failure and The Long Hope. Nearly blown up at Point
Nonplus, and obliged to lay by to refit.
XVIII.
THE EVENING PARTY AT THE PAVILION,
BRIGHTON. (BY O. M. BRIOHTY.) 296
Interior of the Yellow Room—Portraits of His Majesty,
the Duke of York, and Princess Augusta, Marquis and
Marchioness of Conyngham, Earl of Arran, Lord Francis
Conyngham, Lady Elizabeth and Sir H. Barnard, Sir H.
Turner, Sir W. Knighton, Sir E. Nagle, and Sir C. Paget,
sketched from the Life.
XIX.
THE KING AT HOME, OR MATHEWS AT CARLTON
HOUSE. 298
A scene founded on fact; including Portraits of the King,
Mathews, and other celebrated persons.
XX.
A FROLIC IN HIGH LIFE, OR, A VISIT TO BILLINGS-
GATE. 303
A very extraordinary whim of two very distinguished
females, whose Portraits will be easily recognised.
XXI.
CHARACTERS ON THE STEYNE, BRIGHTON. 309
Portraits of illustrious, noble, and wealthy Visitors—The
Banker's Widow—A Bathing Group—The Chain Pier, &c.
XXII.
TOM ECHO LAID UP WITH THE HEDDINGTON
FEVER, OR AN OXONIAN VERY NEAR THE
WALL. 323
Symptoms of having been engaged too deeply in the study
of Hie fathers. Portrait of a well-known Esculapian chief.
XXIII.
MONDAY AFTER THE GREAT ST. LEGER, OR
HEROES OF THE TURF PAYING AND RECEIVING
AT TATTERSALL'S. 329
This sketch was made upon the spot by my friend Transit,
on the Monday following the result of the last Great St. Leger
in 1823, when the Legs were, for the most part, in mourning
from the loss of their favourite Sherwood. Some long faces
will be easily recognized, and some few round ones, though
Barefoots, not easily be forgotten. The Tinkers were many
of them Levanters. Here may be seen the Peer and the Prig,
the Wise one and the Green one, the Pigeon and the Rook
amalgamated together. It is almost unnecessary to say, the
greater part of the characters are portraits.
XXIV.
EXTERIOR OF FISHMONGERS'-HALL, ST. JAMES'S
STREET, WITH A VIEW OF A REGULAR BREAKDOWN. 331
Portraits of the Master Fishmonger, and many well-
known Greeks and Pigeons.
XXV.
INTERIOR OF A MODERN HELL. (Vide the affair of
the cogged dice.) 334
Portraits of upwards of twenty well-known Punters and
Frequenters—Greeks and Pigeons, noble and ignoble—The
Fishmonger in a fright, or the gudgeon turned shark—Expose
of Saint Hugh's Bones—Secrets worth knowing. (See work.)
XXVI.
THE DAFFY CLUB, OR A MUSICAL MUSTER OF
THE FANCY. 339
Interior of Tom Belcher's Parlour. Heartly and Bob in
search of Character. Striking likenesses of Boxers, Betters,
&c.—with a pen and ink Sketch of a Noted—one—a fine
School for Practical Experience. (For key to Portraits-
see work.)
XXVII.
PEEP 0' DAYS AND FAMILY MEN AT THE FINISH. 342
A Night Scene near Covent Garden—Coffee and comical
company.
XXVIII.
FAMILY MEN AT FAULT, OR AN UNEXPECTED
VISIT FROM THE BISHOP AND HIS CHAPLAINS. 345
A Scene near Covent Garden, in which are introduced
certain well-known Characters and Bow-street Officers: in-
cluding Messrs. Bishop, Smith, Ruthven, and Townshend.
XXIX.
THE HALL OF INFAMY, ALIAS OYSTER SALOON,
IN BRYDGES-STREET, OR NEW COVENT GARDEN HELL. 354
Portraits of the old Harridan and her Flask man Tom.
Sketches of Sharps and Flats, Green ones and Impures.
Done from the Life.
XXX.
WESTMINSTER HALL. 361
Portraits of well-known Worthies of the Bar.—The Maiden
Brief.—Dick Gradus examining a Witness.
XXXI.
SURREY COLLEGIANS GIVING A LIFT TO A LIMB
OF THE LAW. 364
Interior of the King's Bench Prison—Rough-drying a Lawyer.
XXXII.