Master of the Vineyard. Reed Myrtle
"Anything," he answered, abruptly—"anything but this. I want to get out where I can breathe, where the sky fits the ground as far as you can see—where it isn't eternally broken into by these everlasting hills. I'd like to know that dinner wouldn't always be ready at seven o'clock—in fact, I'd like sometimes not to have any dinner at all. I want to get forty miles from a schoolhouse and two hundred miles from a grape. I never want to see another grape as long as I live."
He knew that he was hurting her, but his insurgent youth demanded its right of speech after long repression. "I'm a man," he cried, "and I want to do a man's work in the world and take a man's place. Just because my ancestors chose to slave in a treadmill, I don't have to stay in it, do I? You have no right to keep me chained up here!"
Released
The clock ticked loudly in the hall, the canary hopped noisily about his cage and chirped shrilly. A passing breeze came through the open window and tinkled the prisms that hung from the chandelier. It sounded like the echo of some far-away bell.
"No," said Madame, dully. "As you say, I have no right to keep you chained up here."
"Mother!" he cried, with swift remorse. "Don't misunderstand me!"
She raised her hand and motioned him to the chair opposite. "Your language is sufficiently explicit," she went on, clearing her throat. "There is no chance for anyone to misunderstand you. I am very sorry that I—I have not seen, that you have been obliged to ask for release from an—unpleasant—position. Go—whenever you choose."
He stared at her for a moment, uncomprehending. "Mother! Oh, Mother!" he whispered. "Do you really mean it? Where shall we go?"
"'We,'" she repeated. "Now I do misunderstand you."
"Why, Mother! What do you mean? Of course we shall go together!"
Madame rose from her chair, with some difficulty. "You have said," she went on, choosing her words carefully, "that I had no right to keep you chained up here. I admit it—I have not. Equally, you have no right to uproot me."
One's Own Choice
"But, Mother! Why, I couldn't go without you, and leave you alone. We belong together, you and I!"
The hard lines of her mouth relaxed, ever so little, but her eyes were very dark and stern. "As much as we belong together," she resumed, "we belong here. Dead hands built this house, dead hands laid out that vineyard, dead hands have given us our work. If we fail, we betray the trust of those who have gone before us—we have nothing to give to those who come.
"I've seen," she continued, with rising passion. "You were determined from the first to fail!"
"Fail!" he echoed, with lips that scarcely moved.
"Yes, for no man fails except by his own choice. You might have been master of the vineyard, but you have preferred to have the vineyard master you. Confronted with an uncongenial task, you slunk away from it and shielded yourself behind the sophistry that the work was unworthy of you. As if any work were unworthy of a man!"
"I hate it," he murmured, resentfully.
"Yes, just as people hate their superiors. You hate it because you can't do it. Year by year, I have seen the crop grow less and less; year by year I have seen our income decreasing. We are living now on less than half of what we had when you took charge of the vineyard. Last year the grapes were so poor that I was ashamed to use them for wine. And to think," she flashed at him, bitterly, "that the name of Marsh used to stand for quality! What does it mean now? Nothing—thanks to you!"
The Name of Marsh
The dull red rose to his temples and he cringed visibly. "I—I—" he stammered.
"One moment, please, and then I shall say no more. This is between you and your own manhood, not between you and your mother. I put no obstacles in your path—you may go when and where you choose. I only ask you to remember that a man who has failed to do the work that lies nearest his hand is not likely to succeed at anything else.
"It is not for you to say whether or not anything is worthy when it has once been given you to do. You have only to do it and make it worthy by the doing. When you have proved yourself capable, another task will be given you, but not before. You hate the vineyard because you cannot raise good grapes, you hate to teach school because you cannot teach school well. You want to find something easy to do—something that will require no effort."
"No," he interrupted, "you're mistaken there. I want to do something great—I'm not asking for anything easy."
"I Belong Here"
"Greatness comes slowly," she answered, her voice softening a little, "and by difficult steps—not by leaps and bounds. You must learn the multiplication table before you can be an astronomer. None the less, it is your right to choose."
"Then, granting that, why wouldn't you come with me?"
"Because it is also my right to choose for myself and I belong here. When I identified myself with the Marsh family, I did it in good faith. When I was married, I came here, my children were born here, your father and brother and sister died here, and I shall die here too. When you go, I shall do my best with the vineyard."
She spoke valiantly, but there was a pathetic little quiver in her lips as she said the last words. Alden stood at the window, contemplating the broad acres bordered with pine.
"Do not say when I go, Mother—say if I go."
"I thought you had decided," she murmured, but her heart began to beat quickly, nevertheless.
"No, I haven't, but I'll decide in the course of the day. Good-bye for the present."
He stooped, kissed the cheek she turned to him, and went out, assuming a cheerfulness he did not feel. Madame leaned back in her chair with her eyes closed, exhausted by the stress of emotion. The maid came in for orders, she gave them mechanically, then went into the living-room. She was anxious to be alone, but felt unequal to the exertion of climbing the stairs.
The Pictured Face
As the hours passed, she slowly regained her composure. It seemed impossible that Alden should go away and leave her when they two were alone in the world, and, as he said, belonged together. More than ever that morning had he looked like his father.
Old memories crowded thickly upon her as she sat there. Bits of her childhood flashed back at her out of the eternal stillness, "even as the beads of a told rosary." Since the day she met Alden's father, everything was clear and distinct, for, with women, life begins with love and the rest is as though it had never been.
An old daguerreotype was close at hand in a table drawer. She opened the ornate case tenderly, brushed the blue velvet that lined it, and kissed the pictured face behind the glass. So much had they borne together, so much had they loved, and all was gone—save this!
The serene eyes, for ever youthful, looked back at her across the years. Except for the quaint, old-fashioned look inseparable from an old picture, the face was that of the boy who had left her a few hours ago. The deep, dark eyes, the regular features, the firm straight chin, the lovable mouth, the adorable boyishness—all were there, shut in by blue velvet and glass.
The Man She Loved
Madame smiled as she sat there looking at it. She had always had her way with the father—why should she doubt her power over the son? Supremely maternal as she was, the sheltering instinct had extended even to the man she loved. He had been outwardly strong and self-confident, assured, self-reliant, even severe with others, but behind the bold exterior, as always to the eyes of the beloved woman, had been a little, shrinking, helpless child, craving the comfort of a woman's hand—the sanctuary of a woman's breast.
Even in her own hours of stress and trial, she had feared to lean upon him too much, knowing how surely he depended upon her. He was more than forty when he died, yet to her he had been as one of her children, though infinitely dearer than any child