Danger Signals. John A. Hill

Danger Signals - John A. Hill


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of a brazen woman bent on vice."

      "Don't you think, 'Lige," said I, "that you are a little hard on an unfortunate class of humanity, who, in nine cases out of ten, are the victims of others' wrong-doing, and stay in the mire because no hand is extended to help them out? Think of the woman of Samaria. It's sinners, not saints, that need saving."

      "They are as a coiled serpent in the pathway of mankind, Brother John, fascinating, but poisonous. There can be no good in one of those creatures."

      "Oh yes there is, I'm sure," said I. "Why, 'Lige, don't you know who the woman was that gave you brandy, held your head, and used her skirts for bandages when you were hurt?"

      Old 'Lige raised up on his elbow, all eagerness. "No, John, I don't, but she wa'n't one of them. She was too thoughtful, too tender, too womanly. I've blessed her from that day to this, and though I don't know it, I think she has sent me all these wines and fruits. She saved my life. Who is she? Do you know?"

      "Yes. She is Molly May, who keeps the largest dance-house in Cascade City. She makes lots of money, but spends it all in charity; there has never been a human being buried by the town since she has been there. Molly May is a ministering angel to the poor and sick, but a bird of prey to those who wish to dissipate."

      The hospital was opened on Easter, and the first patient was a poor consumptive girl, but lately an inmate of the Red-Light dance-house. 'Lige Clark did not run again; he became mayor of the little city, had faith in its future, invested his money in land and died rich some years ago.

      'Lige must have changed his mind as he grew older, or at least abandoned the idea that to crush out a wrong you should push it from all sides, and thus compress and intensify it at the heart, and come to the conclusion that the right way is to get inside and push out, thus separating and dissolving it. For before me lies the tenth annual prospectus of a now noted institution in one of the great cities of the continent, and on its title page, I read through the dimmed glasses of my spectacles: "Industrial Home and Refuge for Fallen Women. Founded by Elijah Clark. Mary E. May, Matron."

       Table of Contents

      Some men are born heroes, some become heroic, and some have heroism thrust upon them; but nothing of the kind ever happened to me.

      I don't know how it is; but, some way or other, I remember all the railroad incidents I see or hear, and get to the bottom of most of the stories of the road. I must study them over more than most men do, or else the other fellows enjoy the comedies and deplore the tragedies, and say nothing. Sometimes I am mean enough to think that the romance, the dramas, and the tragedies of the road don't impress them as being as interesting as those of the plains, the Indians, or the seas—people are so apt to see only the everyday side of life anyway, and to draw all their romance and heroics from books.

      I helped make a hero once—no, I didn't either; I helped make the golden setting after the rough diamond had shown its value.

      Miles Diston pulled freight on our road a few years ago. He was of medium stature, dark complexion, but no beauty. He was a manly-looking fellow, well-educated enough, sober, and a steady-going, reliable engineer; you would never pick him out for a hero. Miles was young yet—not thirty—but, somehow or other, he had escaped matrimony: I guess he had never had time. He stayed on the farm at home until he was of age, and then went firing, so that when I first knew him he had barely got to his goal—the throttle.

      A good many men, when they first get there, take great interest in their work for a few months—until experience gives them confidence; then they take it easier, look around, and take some interest in other things. Most of them never hope to get above running, and so sit down more or less contented, get married, buy real estate, gamble, or grow fat, each according to the dictates of his own conscience or the inclinations of his make-up. Miles figured a little on matrimony.

      I can't explain it; but when a railroad man is in trouble, he comes to me for advice, just as he would go to the company doctor for kidney complaint. I am a specialist in heart troubles. Miles came to me.

      Miles was like the rest of them. They don't come right down and say, "Something's the matter with me; what would you do for it?" No, sir! They hem and haw, and laugh off the symptoms, until you come right out and tell them just how they feel and explain the cause; then they will do anything you say. Miles hemmed and hawed a little, but soon came out and showed his symptoms—he asked me if I had ever noticed the "Frenchman's" girl.

      "The Frenchman," be it known, was our boss bridge carpenter. He lived at a small place half-way over my division—I was pulling express—and the freights stopped there, changing engines. I knew Venot, the bridge carpenter, very well; met him in lodge occasionally, and once in a while he rode on the engine with me to inspect bridges. His wife was a Canadian woman, and good-looking for her forty years and ten children. The daughter that was killing Miles Diston, Marie Venot, was the eldest, and had just graduated from some sisters' school. She was a very handsome girl, and you could read the romantic nature of her being through her big, round, gray eyes. She was vivacious, and loved to go; but she was a dutiful daughter, and at once took hold to help her mother in a way that made her all the more adorable in the eyes of practical men like Miles.

      Miles made the most of his opportunities.

      But, bless you, there were other eyes for good-looking girls besides those in poor Miles Diston's head, and he was far from having the field to himself; this he wanted badly, and came to get advice from me.

      I advised strongly against wasting energy to clear the field, and in favor of putting it all into making the best show and in getting ahead of all competitors. Under my advice, Miles disposed of some vacant lots, and bought a neat little house, put it in thorough order, and made the best of his opportunities with Marie.

      Marie came to our house regularly, and I had good opportunity to study her. She was a sensible little creature, and, to my mind, just the girl for Miles; as Miles was just the man for her. But she had confided to my wife the fact that she never, never could consent to marry and settle down in the regulation, humdrum way; she wanted to marry a hero, some one she could look up to—a king among men.

      My wife told her that kings and heroes were scarce just then, and that a lot of pretty good women managed to be comparatively happy with common railroad men. But Marie wanted a hero, and would hear of nothing less.

      It was during one of her visits to my house that Miles took Marie out for a ride and (accidentally, of course) dropped around by his new house, induced her to look at it, and told his story, asking her to make the home complete. It would have caught almost any girl; but when Miles delivered her at our door and drove off, I knew that there would be a "For Rent" card on that house in a few days and that Marie Venot was bound to have a hero or nothing.

      Miles took his repulse calmly, but it hurt. He told me that Marie was hunting for a different kind of man from him; said that he thought perhaps if he would enlist, and go out to fight Sitting Bull, and come home in a new, brass-bound uniform, with a poisoned arrow sticking out of his breast, she would fall at his feet and worship him. She told him she liked him better than any of the town boys; his calling was noble enough and hard enough; but she failed to see her ideal hero in a man with blue overclothes on and cinders in his ears. If any of Miles's competitors had rescued a drowning child, or killed a bear with a penknife, at this juncture, I'm afraid Marie would have taken him. But, as I have indicated, it was a dull season for heroes.

      About this time our road invested in some mogul passenger engines, and I drew one. I didn't like the boiler sticking back between me and Dennis Rafferty. I didn't like six wheels connected. I didn't like a knuckle-joint in the side rod. I didn't like eighteen-inch cylinders. I was opposed to solid-end rods. And I am afraid I belonged to a class of ignorant, short-sighted, bull-headed engineers who didn't believe that a railroad had any right to buy anything but fifteen by twenty-two eight-wheelers—the smaller they were the more men they would want. I got over that a long time ago; but, at the time I write


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