St. Ronan's Well. Walter Scott
beyond the length of the season. No intimacy can be supposed more close for the time, and more transitory in its endurance, than that which is attached to a watering-place acquaintance. The novelist, therefore, who fixes upon such a scene for his tale, endeavours to display a species of society, where the strongest contrast of humorous characters and manners may be brought to bear on and illustrate each other with less violation of probability, than could be supposed to attend the same miscellaneous assemblage in any other situation.
In such scenes, too, are frequently mingled characters, not merely ridiculous, but dangerous and hateful. The unprincipled gamester, the heartless fortune-hunter, all those who eke out their means of subsistence by pandering to the vices and follies of the rich and gay, who drive, by their various arts, foibles into crimes, and imprudence into acts of ruinous madness, are to be found where their victims naturally resort, with the same certainty that eagles are gathered together at the place of slaughter. By this the author takes a great advantage for the management of his story, particularly in its darker and more melancholy passages. The impostor, the gambler, all who live loose upon the skirts of society, or, like vermin, thrive by its corruptions, are to be found at such retreats, when they easily, and as a matter of course, mingle with those dupes, who might otherwise have escaped their snares. But besides those characters who are actually dangerous to society, a well-frequented watering-place generally exhibits for the amusement of the company, and the perplexity and amazement of the more inexperienced, a sprinkling of persons called by the newspapers eccentric characters—individuals, namely, who, either from some real derangement of their understanding, or, much more frequently, from an excess of vanity, are ambitious of distinguishing themselves by some striking peculiarity in dress or address, conversation or manners, and perhaps in all. These affectations are usually adopted, like Drawcansir's extravagances, to show they dare; and I must needs say, those who profess them are more frequently to be found among the English, than among the natives of either of the other two divisions of the united kingdoms. The reason probably is, that the consciousness of wealth, and a sturdy feeling of independence, which generally pervade the English nation, are, in a few individuals, perverted into absurdity, or at least peculiarity. The witty Irishman, on the contrary, adapts his general behaviour to that of the best society, or that which he thinks such; nor is it any part of the shrewd Scot's national character unnecessarily to draw upon himself public attention. These rules, however, are not without their exceptions; for we find men of every country playing the eccentric at these independent resorts of the gay and the wealthy, where every one enjoys the license of doing what is good in his own eyes.
It scarce needed these obvious remarks to justify a novelist's choice of a watering-place as the scene of a fictitious narrative. Unquestionably, it affords every variety of character, mixed together in a manner which cannot, without a breach of probability, be supposed to exist elsewhere; neither can it be denied that in the concourse which such miscellaneous collections of persons afford, events extremely different from those of the quiet routine of ordinary life may, and often do, take place.
It is not, however, sufficient that a mine be in itself rich and easily accessible; it is necessary that the engineer who explores it should himself, in mining phrase, have an accurate knowledge of the country, and possess the skill necessary to work it to advantage. In this respect, the author of Saint Ronan's Well could not be termed fortunate. His habits of life had not led him much, of late years at least, into its general or bustling scenes, nor had he mingled often in the society which enables the observer to “shoot folly as it flies.” The consequence perhaps was, that the characters wanted that force and precision which can only be given by a writer who is familiarly acquainted with his subject. The author, however, had the satisfaction to chronicle his testimony against the practice of gambling, a vice which the devil has contrived to render all his own, since it is deprived of whatever pleads an apology for other vices, and is founded entirely on the cold-blooded calculation of the most exclusive selfishness. The character of the traveller, meddling, self-important, and what the ladies call fussing, but yet generous and benevolent in his purposes, was partly taken from nature. The story, being entirely modern, cannot require much explanation, after what has been here given, either in the shape of notes, or a more prolix introduction.
It may be remarked, that the English critics, in many instances, though none of great influence, pursued Saint Ronan's Well with hue and cry, many of the fraternity giving it as their opinion that the author had exhausted himself, or, as the technical phrase expresses it, written himself out; and as an unusual tract of success too often provokes many persons to mark and exaggerate a slip when it does occur, the author was publicly accused, in prose and verse, of having committed a literary suicide in this unhappy attempt. The voices, therefore, were, for a time, against Saint Ronan's on the southern side of the Tweed.
In the author's own country, it was otherwise. Many of the characters were recognised as genuine Scottish portraits, and the good fortune which had hitherto attended the productions of the Author of Waverley, did not desert, notwithstanding the ominous vaticinations of its censurers, this new attempt, although out of his ordinary style.
1st February, 1832.
ST. RONAN'S WELL.
CHAPTER I.
AN OLD-WORLD LANDLADY.
But to make up my tale,
She breweth good ale,
And thereof maketh sale.
Skelton.
Although few, if any, of the countries of Europe, have increased so rapidly in wealth and cultivation as Scotland during the last half century, Sultan Mahmoud's owls might nevertheless have found in Caledonia, at any term within that flourishing period, their dowery of ruined villages. Accident or local advantages have, in many instances, transferred the inhabitants of ancient hamlets, from the situations which their predecessors chose with more respect to security than convenience, to those in which their increasing industry and commerce could more easily expand itself; and hence places which stand distinguished in Scottish history, and which figure in David M'Pherson's excellent historical map,[A][1] can now only be discerned from the wild moor by the verdure which clothes their site, or, at best, by a few scattered ruins, resembling pinfolds, which mark the spot of their former existence.
The little village of St. Ronan's, though it had not yet fallen into the state of entire oblivion we have described, was, about twenty years since, fast verging towards it. The situation had something in it so romantic, that it provoked the pencil of every passing tourist; and we will endeavour, therefore, to describe it in language which can scarcely be less intelligible than some of their sketches, avoiding, however, for reasons which seem to us of weight, to give any more exact indication of the site, than that it is on the southern side of the Forth, and not above thirty miles distant from the English frontier.
A river of considerable magnitude pours its streams through a narrow vale, varying in breadth from two miles to a fourth of that distance, and which, being composed of rich alluvial soil, is, and has long been, enclosed, tolerably well inhabited, and cultivated with all the skill of Scottish agriculture. Either side of this valley is bounded by a chain of hills, which, on the right in particular, may be almost termed mountains. Little brooks arising in these ridges, and finding their way to the river, offer each its own little vale to the industry of the cultivator. Some of them bear fine large trees, which have as yet escaped the axe, and upon the sides of most there are scattered patches and fringes of natural copsewood, above and around which the banks of the stream