The Death Shot. Майн Рид
in de woodland, when I war out a-coonin. More’n once I seed em togedder. A young white lady an’ genl’m don’t meet dat way unless dar’s a feelin’ atween em, any more dan we brack folks. Besides, dis nigga know dey lub one noder—he know fo sartin. Jule, she tell Jupe; and Jupe hab trussed dat same seecret to me. Dey been in lub long time; afore Mass Charl went ’way to Texas. But de great Kurnel Armstrong, he don’t know nuffin’ ’bout it. Golly! ef he did, he shoo kill Charl Clancy; dat is, if de poor young man ain’t dead arready. Le’s hope ’tain’t so. But, Phoebe, gal, open dat letter, an’ see what de lady say. Satin it’s been wrote by her. Maybe it trow some light on dis dark subjeck.”
Phoebe, thus solicited, takes the letter from the envelope. Then spreading it out, and holding it close to the flare of the tallow dip, reads it from beginning to end.
It is a task that occupies her some considerable time; for her scholastic acquirements, not very bright at the best, have become dimmed by long disuse. For all, she succeeds in deciphering its contents and interpreting them to Bill; who listens with ears wide open and eyes in staring wonderment.
When the reading is at length finished, the two remain for some time silent—pondering upon the strange circumstances thus revealed to them.
Blue Bill is the first to resume speech. He says:—
“Dar’s a good deal in dat letter I know’d afore, and dar’s odder points as ’pear new to me; but whether de old or de new, ’twon’t do for us folk declar a single word o’ what de young lady hab wrote in dat ere ’pistle. No, Phoebe, neery word must ’scape de lips ob eider o’ us. We muss hide de letter, an’ nebba let nob’dy know dar’s sich a dockyment in our posseshun. And dar must be nuffin’ know’d ’bout dis nigga findin’ it. Ef dat sakumstance war to leak out, I needn’t warn you what ’ud happen to me. Blue Bill ’ud catch de cowhide—maybe de punishment ob de pump. So, Phoebe, gal, gi’e me yar word to keep dark, for de case am a dangersome, an a desprit one.”
The wife can well comprehend the husband’s caution, with the necessity of compliance; and the two retire to rest, in the midst of their black olive branches, with a mutual promise to be “mum.”
Chapter Fourteen.
Why comes he not?
Helen Armstrong goes to bed, with spiteful thoughts about Charles Clancy. So rancorous she cannot sleep, but turns distractedly on her couch, from time to time changing cheek upon the pillow.
At little more than a mile’s distance from this chamber of unrest, another woman is also awake, thinking of the same man—not spitefully, but anxiously. It is his mother.
As already said, the road running north from Natchez leads past Colonel Armstrong’s gate. A traveller, going in the opposite direction—that is towards the city—on clearing the skirts of the plantation, would see, near the road side, a dwelling of very different kind; of humble unpretentious aspect, compared with the grand mansion of the planter. It would be called a cottage, were this name known in the State of Mississippi—which it is not. Still it is not a log-cabin; but a “frame-house,” its walls of “weather-boarding,” planed and painted, its roof cedar-shingled; a style of architecture occasionally seen in the Southern States, though not so frequently as in the Northern—inhabited by men in moderate circumstances, poorer than planters, but richer, or more gentle, than the “white trash,” who live in log-cabins.
Planters they are in social rank, though poor; perhaps owning a half-dozen slaves, and cultivating a small tract of cleared ground, from twenty to fifty acres. The frame-house vouches for their respectability; while two or three log structures at back—representing barn, stable, and other outbuildings—tell of land attached.
Of this class is the habitation referred to—the home of the widow Clancy.
As already known, her widowhood is of recent date. She still wears its emblems upon her person, and carries its sorrow in her heart.
Her husband, of good Irish lineage, had found his way to Nashville, the capital city of Tennessee; where, in times long past, many Irish families made settlements. There he had married her, she herself being a native Tennesseean—sprung from the old Carolina pioneer stock, that colonised the state near the end of the eighteenth century—the Robertsons, Hyneses, Hardings, and Bradfords—leaving to their descendants a patent of nobility, or at least a family name deserving respect, and generally obtaining it.
In America, as elsewhere, it is not the rule for Irishmen to grow rich; and still more exceptional in the case of Irish gentlemen. When these have wealth their hospitality is too apt to take the place of a spendthrift profuseness, ending in pecuniary embarrassment.
So was it with Captain Jack Clancy; who got wealth with his wife, but soon squandered it entertaining his own and his wife’s friends. The result, a move to Mississippi, where land was cheaper, and his attenuated fortune would enable him to hold out a little longer.
Still, the property he had purchased in Mississippi State was but a poor one; leading him to contemplate a further flit into the rich red lands of North-Eastern Texas, just becoming famous as a field for colonisation. His son Charles sent thither, as said, on a trip of exploration, had spent some months in the Lone Star State, prospecting for the new home; and brought back a report in every way favourable.
But the ear, to which it was to have been spoken, could no more hear. On his return, he found himself fatherless; and to the only son there remains only a mother; whose grief, pressing heavily, has almost brought her to the grave. It is one of a long series of reverses which have sorely taxed her fortitude. Another of like heaviness, and the tomb may close over her.
Some such presentiment is in the mother’s mind, on this very day, as the sun goes down, and she sits in her chamber beside a dim candle, with ear keenly bent to catch the returning footsteps of her son.
He has been absent since noon, having gone deer-stalking, as frequently before. She can spare him for this, and pardon his prolonged absence. She knows how fond he is of the chase; has been so from a boy.
But, on the present occasion, he is staying beyond his usual time. It is now night; the deer have sought their coverts; and he is not “torch-hunting.”
Only one thing can she think of to explain the tardiness of his return. The eyes of the widowed mother have been of late more watchful than wont. She has noticed her son’s abstracted air, and heard sighs that seemed to come from his inner heart. Who can mistake the signs of love, either in man or woman? Mrs. Clancy does not. She sees that Charles has lapsed into this condition.
Rumours that seem wafted on the air—signs slight, but significant—perhaps the whisper of a confidential servant—these have given her assurance of the fact: telling her, at the same time, who has won his affections.
Mrs. Clancy is neither dissatisfied nor displeased. In all the neighbourhood there is no one she would more wish to have for a daughter-in-law than Helen Armstrong. Not from any thought of the girl’s great beauty, or high social standing. Caroline Clancy is herself too well descended to make much of the latter circumstance. It is the reputed noble character of the lady that influences her approval of her son’s choice.
Thinking of this—remembering her own youth, and the stolen interviews with Charles Clancy’s father—oft under the shadow of night—she could not, does not, reflect harshly on the absence of that father’s son from home, however long, or late the hour.
It is only as the clock strikes twelve, she begins to think seriously about it. Then creeps over her a feeling of uneasiness, soon changing to apprehension. Why should he be staying out so late—after midnight? The same little bird, that brought her tidings of his love-affair, has also told her it is clandestine. Mrs. Clancy may not like this. It has the semblance of a slight to her son, as herself—more keenly felt by her in their