Progress and History. Various
man is, on the whole, a mistake? Aristotle often does speak like that. Woman, he says in one passage, is only a mutilated male.[22] The principle which ought to develop into the active power of thought could not, he explains, in women master the recalcitrant element which is always thwarting perfection, and thus woman is man manqué. On these lines of thought it is easy to slip into looking on all other forms of existence as merely valuable in so far as they serve the direct purposes of men, and indeed only of a few men, those namely who are able to think as philosophers. This is the kind of view according to which, as the satirist suggests, cork-trees only grow in order to make corks for champagne-bottles, and the inferior races of mankind only exist to furnish slaves for the higher. And Aristotle does, on occasion, lend himself to such a view: he justifies a slavery in which, as he says, some men are to be treated merely as living tools. And yet on his own principles every man ought to aim at realizing his own end, and not merely the ends of others.
But there is a widely different view, also present in Aristotle, and truer to the essence of his thought. It is a view instinct with that reverence for all existence of which I spoke at first, and it holds that all the different natural types, high or low, could all be united in one harmony, like an ordered army, as Aristotle himself would say, in which the divine spirit was present even as the spirit of a general is present in his men. The greatest thing in man, Aristotle thinks, is the godlike power of apprehending the different characters of all the things around him, and this of itself suggests the belief that all these characters have a value of their own, unique and indispensable, each aiming at a distinct aspect of the Divine, each, if it fulfilled its inner nature, finding, as Plato might have said, the place where it was best for it to be. Again, it is clear from Aristotle's whole treatment of the State, that when he wrote his famous phrase, 'Man is by nature a political animal', he meant that man, as we should say, is essentially social. It is part of man's goal to live with others; it is not merely a means to the goal. His highest happiness lies in the contemplation of the good, and the good, Aristotle says, can be contemplated far better in others than in ourselves. This is a profound saying, and from this thought springs the deep significance of friendship in Aristotle's system. The crown of the civic life he takes to be the community of friends who recognize the good in each other, and enjoy each other through this. The wider this community, then, we must surely say, the better.
For Aristotle then, man's perfection ought to mean the perfection of every individual, and progress, so far as he conceives it, involve progress towards this end. This should lead on to belief in the supreme importance of the individual soul, and to Kant's great principle that we should always treat each man as an end in himself.
Thus, if we concentrate on the hopeful elements in Plato and Aristotle, we may fairly say, I think, that we can see outlined in their philosophies something like the following belief: every natural thing in this world, and every natural creature, so far as it is good—and all are more or less good—tends to express some distinct aspect of a perfect harmony: we human beings are the first on earth to be definitely conscious of such a tendency, the first to be able definitely to direct it to its true goal, and our business in life is therefore threefold: to make actual our own function in this harmony, to help other creatures to actualize theirs, and to contemplate every such manifestation, in men or in things, with reverence and rejoicing.
The harmony, if complete, would be a manifestation of a divine reality, and thus the love of God, the love of our neighbour, the love of nature, self-development, political life, scientific study, poetic contemplation, and philosophic speculation, would all unite in one comprehensive and glorious task.
This, surely, is hopeful enough. But the Greek hope faltered and sank. Could this harmony ever be realized? Would not the thwarting element in the world always drag it down again and again, and drag some men down always, so that after all progress was impossible, and for some men should not even be attempted? As a matter of fact, Plato and Aristotle do limit their exhortations to a narrow circle of cultured Greeks, and even with them they doubt of success.
Now this despondency came partly, I think, through the very sensitiveness of the Hellenic nature. The spectacle of the ever-baffled struggle in Nature and Man they felt at times almost intolerable. Aristotle saw that this perpetual failure in the heart of glorious good made the very essence of tragedy. The tragic hero is the man of innate nobleness who yet has some one defect that lays him open to ruin. Man is set in a world full of difficulties, a world much of which is dark and strange to him: his action and those of others have results which he did not, and in his ignorance could not, foresee; he is not strong enough for his great task.
All the Greek poets have this deep sadness. Homer has it, in and through his intense feeling for the beauty and energy of life. There has never been such war-poetry as Homer's, and yet there has never been any which felt more poignantly the senselessness in war. 'And I must come here', Achilles says to his noble enemy at the close, 'to torture you and your children.'
In the next place, the sadness of the world could not be lightened for the Greeks by the vision that the modern theory of evolution has opened up to us of the long advance in the history of life on the planet. Even their knowledge of history in the strict sense was scanty, and it is only a long view of history that is likely to be comforting. What history they did know could bring them little comfort. In the first place it showed them a series of great civilizations, rising and falling, and those that had fallen seemed at least as good as those that followed them. A Greek like Plato knew of the Homeric civilization, simpler indeed, but fresher and purer than his own. And he believed, what we now know to be the fact, that even before the Homeric there had been a wonderful island-culture, what we call the Minoan, flourishing before the Homeric. 'There had been kings before Agamemnon.'
And behind Minos and Agamemnon lay the great, and by that time the ossifying, kingdom of Egypt, compared to which the Greeks were, and felt themselves to be, but children. Plato had seen, finally, the degeneration of the Persian Empire—once so magnificent and mighty.
This fact of recurrent decay is one of the heaviest that the human spirit can shoulder. Any theory of progress must come to terms with it, for Progress through history is certainly not an uninterrupted ascent; a spiral is the better image. And the weight must lie most heavily on a generation which feels its own self to be in peril of decay. Now Plato and Aristotle lived at such a period. Greece had gone through the bitter experiences of the Peloponnesian War, and the shadow of it lay on them, as on its historian Thucydides. In that fratricidal conflict Greece tore herself to pieces. It was a struggle between the two leaders of the then civilized world, and it has a terrible likeness to the struggle that is going on now. From its devastating influence Greece never recovered. Historians still dispute, and always will, as to the exact proportion of praise and blame between the two. But Thucydides himself, a true-hearted Athenian, brings out the tyrannical side in the Athenian temper. Not indeed towards her own people, but towards all who were not of her own immediate stock. Because Athens thought herself the fairest city in the world, as indeed she was, because she thought herself menaced by Sparta, and menaced she was, she allowed herself to tyrannize and lightly took up the burden of war between brethren. There are few passages in history more stately than the Funeral Oration of Pericles in which he calls Athens the School of Hellas, but even in it there is a certain deadly coldness of heart. And few things are more terrible than the coarsening of temper which Thucydides depicts as the war goes on and Pericles is succeeded by his caricature Cleon, the man who means to prosecute the war vigorously, and by vigour means ruthlessness. Nor was there ever a sterner indictment of aggression than that given in the dialogue between the spokesmen of Melos, the little island that desired to stand out of the conflict, and the Athenian representatives who were determined to force her into their policy. And after that dialogue comes, in Thucydides' great drama, the fall of Athens.
The city recovered in some measure from her fall, but only to face another disaster. If she sinned in the Peloponnesian War through the spirit of aggression, she sinned in the struggle with Macedon through slackness and cowardice. In the one struggle she lost comradeship; in the other she lost liberty. And with the loss of the two she lost buoyancy. In a deeper sense than Pericles used the phrase, 'the springtime went out of her year'. Ultimately, perhaps, we cannot explain why this should be so. Other nations have had as disheartening