Captivity. Leonora Eyles

Captivity - Leonora Eyles


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Bible Aunt Janet read sourly had quite human possibilities. This box of books was her first glimpse of a world that was not a long tale of stern fights; it was her first glimpse of something softly sensuous instead of austere and natural and passionate.

      Marcella never knew quite how her folks came to live at the farm; it had happened when she was three years old and she took for granted her world of crumbling, decayed splendours. Hunchback Wullie had told her that the old grey house on Ben Grief used to be her home, and that the lands all about had belonged to her father. But they were his no longer and she was forbidden to pass the old grey house, or even to speak of it.

      Andrew Lashcairn, Aunt Janet, two women servants and a man who never seemed to have any wages for their work lived with Marcella at the farm. The man and Aunt Janet planted things in the garden, but on the poor land, among the winds they never grew very well. Oats grew, thin and tough, in the fields, and were ground to make the daily porridge; sometimes one of the skinny fowls that picked and pecked its hungry way through life round about the cattle pen and the back door was killed for a meal; sometimes Marcella ran miles away up Ben Grief when one of the lean pigs screamed its life out in a stream of blood in the yard. She used to feel sorry for the beasts about the farm; the cows seemed to have such huge, gaunt bodies and looked at her with such mournful eyes when she went through the croft in which they were eating the scanty grass. The two old horses who did the ploughing and the harvesting had ribs that she could count, that felt sharp when she stroked their patient sides. The cows lowed a great deal—very plaintively and deep; the pigs squealed hungrily every time a pail clattered in the kitchen or steps passed their sty door.

      One dreadful day they squealed all the time while Marcella's little English mother lay on her couch in the window that looked over Lashnagar, and cried. She had lain on this couch for nearly two years now, whiter and thinner every day. Marcella adored her and used to kiss her white, transparent hands, and call her by the names of queens and goddesses in the legends she had read, trying to stretch her own ten years of experience to match her mother's thirty-five so that she could be her friend. And this day when Rose Lashcairn cried because the beasts were crying with hunger and there was no food for them, Marcella thought of Jeannie Deans and Coeur de Lion and Sir Galahad. Buckling on her armour in the shape of an old coat made of the family plaid, and a Tam o' Shanter, she went out to do battle for the helpless creatures who were hungry, and stop her mother's tears.

      It was a three-mile walk to the little town. There was a corn factor's shop there at which her father dealt. She walked in proudly. It was market day and the place was full of people.

      "Andrew Lashcairn says ye'll please to be sending up a sack of meal and a sack of corn the day," she said calmly to the factor who looked at her between narrowing eyes. The factor was a man imported to the district: he had not the feudal habit of respect for decayed lordship.

      "Indeed he does? And why disna Andrew Lashcairn come tae dae his own begging?"

      Marcella stared at him and her eyes flashed with indignation though her knees were trembling.

      "He is not begging, Mr. Braid. But the beasts are crying for food and he's needin' the corn the night."

      The people in the shop stopped talking about prices and listened greedily. They knew what Marcella did not.

      "Then ye'll tell him tae go on needin'. When he's paid for the last sack, an' the one afore that, he'll be gettin' more."

      "But of course he'll pay," she cried. "My father is busy, and he can't mind things always. If you ask him, he'll pay."

      The man laughed.

      "He will, fine he will! No, Mistress Marcella, ye can tell yer father not tae go sendin' children beggin' for credit whiles he hugs his bar'l. The corn's here safe enough when he chooses to pay for't."

      Marcella went homewards, her mind a maelstrom of conflict. She knew nothing about money; it had never occurred to her that her father had none, and the cryptic allusion to the "bar'l" was even more puzzling. She knew that her father was a man to be feared, but he had always been the same; she expected nothing else of him, or of fathers generally. She knew that he lived most of his time in the little room looking out on Lashnagar and she had certainly seen the "bar'l"—a thirty-six gallon barrel being taken into that room. She did not know that it held whisky; if she had known, it would have conveyed nothing to her. She knew that the green baize door leading to the passage from which her father's room opened must never be approached; she knew that her father had frequent fits of Berserk rage when the little English mother cowered and fainted and things were smashed to splinters. In one such rage, when Marcella was seven years old, he had seen her staring and frowning at him, and the rage he always felt against her because she, the last of his race, was a girl and not a boy, had crystallized. That time he had flung her across the room, breaking her thin little arm. She remembered ever afterwards how he had picked her up, suddenly quietened, and set and bandaged the arm without the suspicion of tenderness or apology or shame, but with cool skill. All the time she heard his teeth grinding, and watched his red-rimmed grey eyes blazing. She gathered that he considered his women-folk belonged to him, and that he could break their arms at will.

      Other things she remembered, too—cries in the night from her mother's room when she had been a tiny mite and thought they were the cries of banshees or ghosts; she remembered a terrible time nearly three years ago when she must not sit on her mother's knee and lay her head on her breast because of cruel pain there; she remembered the frightening scene there had been when surgeons had come and stayed in her mother's room for hours; how they had gone past her where she cowered in the passage, smelling a queer, sweet, choking smell that came out when they opened the door. In the book room she had heard raised voices when the Edinburgh surgeon had said, "In my opinion it was caused by a blow—it cannot have come in that particular position except by injury—a blow, Mr. Lashcairn."

      There had been a Berserk rage then, and violence before which the doctors had been driven away.

      All these things Marcella remembered during her lonely three-mile walk in the winter twilight, and for the first time they co-ordinated with other things, broke through her mist of dream and legend and stood out stark like the summit of Ben Grief.

      That night she was more than usually tender to her mother. Kneeling beside her bed, she put her strong young arms under the bedclothes and held her very tight. Through her nightgown she felt very frail—Marcella could touch the sharp bones, and thought of the poor starved cows.

      "My queen, my beautiful," she whispered in her mother's ear. "I'm going to be Siegfried and save you from the dragon—I'm going to take you away, darling—pick you right up in my arms and run away with you—"

      She stopped, choked by her intensity, while her mother stroked her ruffled hair and smiled faintly.

      "You can't take people up in your arms and snatch them out of life, childie," she said. And then they kissed good night.

      As she went to her little cold room Marcella heard the padding of feet outside in the croft, and grunts and squeals. The hungry beasts, as a last resort, had been turned loose to pick up some food in the frost-stiffened grass; incredulous of the neglect they haunted the farm-house, the pigs lively and protestant, the cows solemn and pathetic and patient. Marcella had taken her piece of oatcake and cheese at supper-time out to the door. But it was no use to the beasts. The little black pig gobbled it in a mouthful and squealed for more. In her agony of pity something dawned on her.

      "I suppose," she said to herself, as she stood shivering, looking over rimed Lashnagar, "that Jesus was as sorry for His disciples as I am for these poor beasts. He knew they'd be so hungry when He had gone away from them. So He gave them His body and blood—it was all He had to give."

      She got into bed, but the thought stayed with her. It was to come back again many years afterwards, illuminating.

      That night she heard steps about the house—her father's heavy steps—but she felt tired, and fell asleep. It was midnight when her father opened her door and came into the room.

      "Marcella, are you asleep?" he said in his beautiful voice that always made her wish he would let


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