The Physiology of Marriage, Complete. Honore de Balzac
Among them, we would reckon magistrates, holding office during pleasure or for life, and obliged to remain at the Palace for the greater portion of the day; other functionaries sometimes find means to leave their office at business hours; but a judge or a public prosecutor, seated on his cushion of lilies, is bound even to die during the progress of the hearing. There is his field of battle.
It is the same with the deputies and peers who discuss the laws, of ministers who share the toils of the king, of secretaries who work with the ministers, of soldiers on campaign, and indeed with the corporal of the police patrol, as the letter of Lafleur, in the Sentimental Journey, plainly shows.
Next to the men who are obliged to be absent from home at certain fixed hours, come the men whom vast and serious undertakings leave not one minute for love-making; their foreheads are always wrinkled with anxiety, their conversation is generally void of merriment.
At the head of these unfortunates we must place the bankers, who toil in the acquisition of millions, whose heads are so full of calculations that the figures burst through their skulls and range themselves in columns of addition on their foreheads.
These millionaires, forgetting most of the time the sacred laws of marriage and the attention due to the tender flower which they have undertaken to cultivate, never think of watering it or of defending it from the heat and cold. They scarcely recognize the fact that the happiness of their spouses is in their keeping; if they ever do remember this, it is at table, when they see seated before them a woman in rich array, or when a coquette, fearing their brutal repulse, comes, gracious as Venus, to ask them for cash—Oh! it is then, that they recall, sometimes very vividly, the rights specified in the two hundred and thirteenth article of the civil code, and their wives are grateful to them; but like the heavy tariff which the law lays upon foreign merchandise, their wives suffer and pay the tribute, in virtue of the axiom which says: “There is no pleasure without pain.”
The men of science who spend whole months in gnawing at the bone of an antediluvian monster, in calculating the laws of nature, when there is an opportunity to peer into her secrets, the Grecians and Latinists who dine on a thought of Tacitus, sup on a phrase of Thucydides, spend their life in brushing the dust from library shelves, in keeping guard over a commonplace book, or a papyrus, are all predestined. So great is their abstraction or their ecstasy, that nothing that goes on around them strikes their attention. Their unhappiness is consummated; in full light of noon they scarcely even perceive it. Oh happy men! a thousand times happy! Example: Beauzee, returning home after session at the Academy, surprises his wife with a German. “Did not I tell you, madame, that it was necessary that I shall go,” cried the stranger. “My dear sir,” interrupted the academician, “you ought to say that I should go!”
Then there come, lyre in hand, certain poets whose whole animal strength has left the ground floor and mounted to the upper story. They know better how to mount Pegasus than the beast of old Peter, they rarely marry, although they are accustomed to lavish the fury of their passions on some wandering or imaginary Chloris.
But the men whose noses are stained with snuff;
But those who, to their misfortune, have a perpetual cold in their head;
But the sailors who smoke or chew;
But those men whose dry and bilious temperament makes them always look as if they had eaten a sour apple;
But the men who in private life have certain cynical habits, ridiculous fads, and who always, in spite of everything, look unwashed;
But the husbands who have obtained the degrading name of “hen-pecked”;
Finally the old men who marry young girls.
All these people are par excellence among the predestined.
There is a final class of the predestined whose ill-fortune is almost certain, we mean restless and irritable men, who are inclined to meddle and tyrannize, who have a great idea of domestic domination, who openly express their low ideas of women and who know no more about life than herrings about natural history. When these men marry, their homes have the appearance of a wasp whose head a schoolboy has cut off, and who dances here and there on a window pane. For this sort of predestined the present work is a sealed book. We do not write any more for those imbeciles, walking effigies, who are like the statues of a cathedral, than for those old machines of Marly which are too weak to fling water over the hedges of Versailles without being in danger of sudden collapse.
I rarely make my observations on the conjugal oddities with which the drawing-room is usually full, without recalling vividly a sight which I once enjoyed in early youth:
In 1819 I was living in a thatched cottage situated in the bosom of the delightful valley l’Isle-Adam. My hermitage neighbored on the park of Cassan, the sweetest of retreats, the most fascinating in aspect, the most attractive as a place to ramble in, the most cool and refreshing in summer, of all places created by luxury and art. This verdant country-seat owes its origin to a farmer-general of the good old times, a certain Bergeret, celebrated for his originality; who among other fantastic dandyisms adopted the habit of going to the opera, with his hair powdered in gold; he used to light up his park for his own solitary delectation and on one occasion ordered a sumptuous entertainment there, in which he alone took part. This rustic Sardanapalus returned from Italy so passionately charmed with the scenery of that beautiful country that, by a sudden freak of enthusiasm, he spent four or five millions in order to represent in his park the scenes of which he had pictures in his portfolio. The most charming contrasts of foliage, the rarest trees, long valleys, and prospects the most picturesque that could be brought from abroad, Borromean islands floating on clear eddying streams like so many rays, which concentrate their various lustres on a single point, on an Isola Bella, from which the enchanted eye takes in each detail at its leisure, or on an island in the bosom of which is a little house concealed under the drooping foliage of a century-old ash, an island fringed with irises, rose-bushes, and flowers which appears like an emerald richly set. Ah! one might rove a thousand leagues for such a place! The most sickly, the most soured, the most disgusted of our men of genius in ill health would die of satiety at the end of fifteen days, overwhelmed with the luscious sweetness of fresh life in such a spot.
The man who was quite regardless of the Eden which he thus possessed had neither wife nor children, but was attached to a large ape which he kept. A graceful turret of wood, supported by a sculptured column, served as a dwelling place for this vicious animal, who being kept chained and rarely petted by his eccentric master, oftener at Paris than in his country home, had gained a very bad reputation. I recollect seeing him once in the presence of certain ladies show almost as much insolence as if he had been a man. His master was obliged to kill him, so mischievous did he gradually become.
One morning while I was sitting under a beautiful tulip tree in flower, occupied in doing nothing but inhaling the lovely perfumes which the tall poplars kept confined within the brilliant enclosure, enjoying the silence of the groves, listening to the murmuring waters and the rustling leaves, admiring the blue gaps outlined above my head by clouds of pearly sheen and gold, wandering fancy free in dreams of my future, I heard some lout or other, who had arrived the day before from Paris, playing on a violin with the violence of a man who has nothing else to do. I would not wish for my worst enemy to hear anything so utterly in discord with the sublime harmony of nature. If the distant notes of Roland’s Horn had only filled the air with life, perhaps—but a noisy fiddler like this, who undertakes to bring to you the expression of human ideas and the phraseology of music! This Amphion, who was walking up and down the dining-room, finished by taking a seat on the window-sill, exactly in front of the monkey. Perhaps he was looking for an audience. Suddenly I saw the animal quietly descend from his little dungeon, stand upon his hind feet, bow his head forward like a swimmer and fold his arms over his bosom like Spartacus in chains, or Catiline listening to Cicero. The banker, summoned by a sweet voice whose silvery tone recalled a boudoir not unknown to me, laid his violin on the window-sill and made off like a swallow who rejoins his companion by a rapid level swoop. The great monkey, whose chain was sufficiently long, approached the window and gravely took in hand the violin. I don’t know whether you have ever had as I have the pleasure of seeing