The Man Who Knew Too Much. Гилберт Кит Честертон

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      The Vanishing Prince

       Table of Contents

      II

       THE VANISHING PRINCE

      THIS tale begins among a tangle of tales round a name that is at once recent and legendary. The name is that of Michael O'Neill, popularly called Prince Michael, partly because he claimed descent from ancient Fenian princes, and partly because he was credited with a plan to make himself prince president of Ireland, as the last Napoleon did of France. He was undoubtedly a gentleman of honorable pedigree and of many accomplishments, but two of his accomplishments emerged from all the rest. He had a talent for appearing when he was not wanted and a talent for disappearing when he was wanted, especially when he was wanted by the police. It may be added that his disappearances were more dangerous than his appearances. In the latter he seldom went beyond the sensational—pasting up seditious placards, tearing down official placards, making flamboyant speeches, or unfurling forbidden flags. But in order to effect the former he would sometimes fight for his freedom with startling energy, from which men were sometimes lucky to escape with a broken head ​instead of a broken neck. His most famous feats of escape, however, were due to dexterity and not to violence. On a cloudless summer morning he had come down a country road white with dust, and, pausing outside a farmhouse, had told the farmer's daughter, with elegant indifference, that the local police were in pursuit of him. The girl's name was Bridget Royce, a somber and even sullen type of beauty, and she looked at him darkly, as if in doubt, and said, "Do you want me to hide you?" Upon which he only laughed, leaped lightly over the stone wall, and strode toward the farm, merely throwing over his shoulder the remark, "Thank you, I have generally been quite capable of hiding myself." In which proceeding he acted with a tragic ignorance of the nature of women; and there fell on his path in that sunshine a shadow of doom.

      While he disappeared through the farmhouse the girl remained for a few moments looking up the road, and two perspiring policemen came plowing up to the door where she stood. Though still angry, she was still silent, and a quarter of an hour later the officers had searched the house and were already inspecting the kitchen garden and cornfield behind it. In the ugly reaction of her mood she might have been tempted even to point out the fugitive, but for a small difficulty—that she had no more notion than the policemen ​ had of where he could possibly have gone. The kitchen garden was inclosed by a very low wall, and the cornfield beyond lay aslant like a square patch on a great green hill on which he could still have been seen even as a dot in the distance. Everything stood solid in its familiar place; the apple tree was too small to support or hide a climber; the only shed stood open and obviously empty; there was no sound save the droning of summer flies and the occasional flutter of a bird unfamiliar enough to be surprised by the scarecrow in the field; there was scarcely a shadow save a few blue lines that fell from the thin tree; every detail was picked out by the brilliant daylight as if in a microscope. The girl described the scene later, with all the passionate realism of her race, and, whether or no the policemen had a similar eye for the picturesque, they had at least an eye for the facts of the case, and were compelled to give up the chase and retire from the scene. Bridget Royce remained as if in a trance, staring at the sunlit garden in which a man had just vanished like a fairy. She was still in a sinister mood, and the miracle took in her mind a character of unfriendliness and fear, as if the fairy were decidedly a bad fairy. The sun upon the glittering garden depressed her more than the darkness, but she continued to stare at it. Then the world itself went half-witted and she screamed. The scarecrow moved in the ​sunlight. It had stood with its back to her in a battered old black hat and a tattered garment, and with all its tatters flying, it strode away across the hill.

      She did not analyze the audacious trick by which the man had turned to his advantage the subtle effects of the expected and the obvious; she was still under the cloud of more individual complexities, and she noticed most of all that the vanishing scarecrow did not even turn to look at the farm. And the fates that were running so adverse to his fantastic career of freedom ruled that his next adventure, though it had the same success in another quarter, should increase the danger in this quarter. Among the many similar adventures related of him in this manner it is also said that some days afterward another girl, named Mary Cregan, found him concealed on the farm where she worked; and if the story is true, she must also have had the shock of an uncanny experience, for when she was busy at some lonely task in the yard she heard a voice speaking out of the well, and found that the eccentric had managed to drop himself into the bucket which was some little way below, the well only partly full of water. In this case, however, he had to appeal to the woman to wind up the rope. And men say it was when this news was told to the other woman that her soul walked over the border line of treason.

      ​ Such, at least, were the stories told of him in the countryside, and there were many more—as that he had stood insolently in a splendid green dressing gown on the steps of a great hotel, and then led the police a chase through a long suite of grand apartments, and finally through his own bedroom on to a balcony that overhung the river. The moment the pursuers stepped on to the balcony it broke under them, and they dropped pell-mell into the eddying waters, while Michael, who had thrown off his gown and dived, was able to swim away. It was said that he had carefully cut away the props so that they would not support anything so heavy as a policeman. But here again he was immediately fortunate, yet ultimately unfortunate, for it is said that one of the men was drowned, leaving a family feud which made a little rift in his popularity. These stories can now be told in some detail, not because they are the most marvelous of his many adventures, but because these alone were not covered with silence by the loyalty of the peasantry. These alone found their way into official reports, and it is these which three of the chief officials of the country were reading and discussing when the more remarkable part of this story begins.

      Night was far advanced and the lights shone in the cottage that served for a temporary police station near the coast. On one side of it were the last houses of the straggling village, and on ​the other nothing but a waste moorland stretching away toward the sea, the line of which was broken by no landmark except a solitary tower of the prehistoric pattern still found in Ireland, standing up as slender as a column, but pointed like a pyramid. At a wooden table in front of the window, which normally looked out on this landscape, sat two men in plain clothes, but with something of a military bearing, for indeed they were the two chiefs of the detective service of that district. The senior of the two, both in age and rank, was a sturdy man with a short white beard, and frosty eyebrows fixed in a frown which suggested rather worry than severity.

      His name was Morton, and he was a Liverpool man long pickled in the Irish quarrels, and doing his duty among them in a sour fashion not altogether unsympathetic. He had spoken a few sentences to his companion, Nolan, a tall, dark man with a cadaverous