The Invader. Margaret L. Woods
always seeing that distant light, showing as the sun might show, seen from the depths of the sea.
Before a quarter of an hour had passed, her sobs ceased in sighing breaths, the breaths became regular and normal, the whole face slackened and smoothed itself out. Tims changed the burden of her song.
"Go to sleep, Milly. What you want is a good long sleep. Go to sleep, Milly."
Milly was sinking down upon the pillow, breathing the calm breath of deep, refreshing slumber. Tims still crouched upon the bed, chanting her monotonous song and contemplating her work. At length she slipped off, conscious of pins-and-needles in her legs, and as she withdrew, Milly with a sudden motion stretched her body out in the white bed, as straight and still almost as that of the dead. The movement was mechanical, but it gave a momentary check to Tims's triumph. She leaned over her patient and began once more the crooning song.
"Go to sleep, M.! What you want is a good long sleep. Go to sleep, Milly!"
But presently she ceased her song, for it was evident that Milly Flaxman had indeed gone very sound asleep.
CHAPTER III
Tims was proud of the combined style and economy of her dress. She was constantly discovering and revealing to an unappreciative world the existence of superb tailors who made amazingly cheap dresses. For two years she had been vainly advising her friends to go to the man who had made her the frock she still wore for morning; a skirt and coat of tweed with a large green check in it, a green waistcoat with gilt buttons, and green gaiters to match. In this costume and coiffed with a man's wig, of the vague color peculiar to such articles, Tims came down at her usual hour, prepared to ask Milly what she thought of hypnotism now. But there was no Milly over whom to enjoy this petty triumph. She climbed to the top story as soon as breakfast was over, and entering Milly's room, found her patient still sleeping soundly, low and straight in the bed, just as she had been the preceding night. She was breathing regularly and her face looked peaceful, although her eyes were still stained with tears. The servant came in as Tims was looking at her.
"I've tried to wake Miss Flaxman, miss," she said. "She's always very particular as I should wake her, but she was that sound asleep this morning, I 'adn't the 'eart to go on talking. Poor young lady! I expect she's pretty well wore out, working away at her books, early and late, the way she does."
"Better leave her alone, Emma," agreed Tims. "I'll let Miss Burt know about it."
Miss Burt was glad to hear Milly Flaxman was oversleeping herself. She had not been satisfied with the girl's appearance of late, and feared Milly worked too hard and had bad nights.
Tims had to go out at ten o'clock and did not return until luncheon-time. She went up to Milly's room and knocked at the door. As before, there was no answer. She went in and saw the girl still sound asleep, straight and motionless in the bed. Her appearance was so healthy and natural that it was absurd to feel uneasy at the length of her slumber, yet remembering the triumph of hypnotism, Tims did feel a little uneasy. She spoke to Miss Burt again about Milly's prolonged sleep, but Miss Burt was not inclined to be anxious. She had strictly forbidden Tims to hypnotize—or as she called it, mesmerize—any one in the house, so that Tims said no more on the subject. She was working at the Museum in the early part of the afternoon, only leaving it when the light began to fail. But after work she went straight back to Ascham. Milly was still asleep, but she had slightly shifted her position, and altogether there was something about her aspect which suggested a slumber less profound than before. Tims leaned over her and spoke softly:
"Wake up, M., wake up! You've been asleep quite long enough."
Milly's body twitched a little. A responsive flicker which was almost a convulsion, passed over her face; but she did not awake. It was evident, however, that her spirit was gradually floating up to the surface from the depths of oblivion in which it had been submerged. Tims took off her Tam-o'-Shanter and ulster, and revealed in the simple elegance of the tweed frock with green waistcoat and gaiters, put the kettle on the fire. Then she went down-stairs to fetch some bread and butter and an egg, wherewith to feed the patient when she awoke.
She had not long left the room when the slumberer's eyes opened gradually and stared with the fixity of semi-consciousness at a stem of blossoming jessamine in the wall-paper. Then she slowly stretched her arms above her head until some inches of wrist, slight and round and white, emerged from the strictly plain night-gown sleeve. So she lay, till suddenly, almost with a start, she pulled herself up and looked about her. The gaze of her wide-open eyes travelled questioningly around the quiet-toned room which two windows at right angles to each other still kept light with the reflection of a yellow winter sunset. She pushed the bedclothes down, dropped first one bare white foot, then the other to the ground and looked doubtfully at a pair of worn felt slippers which were placed beside the bed, before slipping her feet into them. With the same air as of one assuming garments which do not belong to her, she put on the faded blue flannel dressing-gown. Then she walked to the southern window. None of the glories of Oxford were visible from it; only the bare branches of trees through which appeared a huddle of somewhat sordid looking roofs and the unimposing spire of St. Aloysius. With the same air, questioning yet as in a dream, she turned to the western window, which was open. Below, in its wintry dulness, lay the garden of the College, bounded by an old gray wall which divided it from the straggling street; beyond that, a mass of slate roofs. But a certain glory was on the slate roofs and all the garden that was not in shadow. For away over Wytham, where the blue vapor floated in the folds of the hills, blending imperceptibly with the deep brown of the leafless woods, sunset had lifted a wide curtain of cloud and showed between the gloom of heaven and earth, a long straight pool of yellow light.
She leaned out of the window. A mild fresh air which seemed to be pouring over the earth through that rift in heaven which the sunset had made, breathed freshly on her face and the yellow light shone on her amber hair, which lay on her shoulders about the length of the hair of an angel in some old Florentine picture.
Miss Burt in galoshes and with a wrap over her head was coming up the garden. She caught sight of that vision of gold and pale blue in the window and smiled and waved her hand to Milly Flaxman. The vision withdrew, trembling slightly as though with cold, and closed the window.
Tims came in, carrying a boiled egg and a plate of bread and butter. Tims put down the egg-cup and the plate on the table before she relaxed the wrinkle of carefulness and grinned triumphantly at her patient.
"Well, old girl," she asked; "what do you say to hypnotism now? Put you to sleep, right enough, anyhow. Know what time it is?"
The awakened sleeper made a few steps forward, leaned her hands on the table, on the other side of which Tims stood, and gazed upon her with startling intentness. Then she began to speak in a rapid, urgent voice. Her words were in themselves ordinary and distinct, yet what she said was entirely incomprehensible, a nightmare of speech, as though some talking-machine had gone wrong and was pouring out a miscellaneous stock of verbs, nouns, adjectives and the rest without meaning or cohesion. Certain words reappeared with frequency, but Tims had a feeling that the speaker did not attach their usual meaning to them. This travesty of language went on for what appeared to the transfixed and terrified listener quite a long time. At length the serious, almost tragic, babbler, meeting with no response save the staring horror of Tims's too expressive countenance, ended with a supplicating smile and a glance which contrived to be charged at once with pathos and coquetry. This smile, this look, were so totally unlike any expression which Tims had ever seen on Milly's countenance that they heightened her feeling of nightmare. But she pulled herself together and determined to show presence of mind. She had already placed a basket-chair by the fire ready for her patient, and now gently but firmly led Milly to it.
"Sit down, Milly," she said—and the use of her friend's proper name showed that she felt the occasion to be serious—"and don't speak again till you've had some tea. Your head will be clearer presently, it's a bit confused now, you know."
The stranger