Шоколад / Chocolat. Джоанн Харрис
smile brooks no refusal, and he takes the packet with bemused embarrassment.
“My pleasure.”
He frowns slightly, as if the thought of my pleasure pains him.
“But I don’t really like – ”
“Nonsense.” The tone is brisk, unaswerable. “I’m sure you’ll like these. They just remind me so much of you.”
Behind his calm exterior I think he looks startled. Then he is gone, the little packet white in his hand, into the grey rain. I notice that he does not run for shelter but walks with the same measured tread, not indifferent but with the look of one who relishes even that small discomfort.
I like to think he will eat the chocolates. More probably he will give them away, but I like to think he will at least open them and look… Surely he can spare one glance for the sake of curiosity.
They remind me so much of you.
A dozen of my best huitres de Saint-Malo, those small flat pralines shaped to look like tightly closed oysters.
8
Tuesday, February 18
Fifteen customers yesterday. today, thirty-four. Guillaume was among them; he bought a cornet of florentines and a cup of chocolate. Charly was with him, curling obediently beneath a stool while, from time to time, Guillaume dropped a piece of brown sugar into his expectant, insatiable jaws.
It takes time, Guillaume tells me, for a newcomer to be accepted in Lansquenet. Last Sunday, he says, Cure Reynaud preached such a virulent sermon on the topic of abstinence that the opening of La Celeste Praline that very morning had seemed a direct affront against the Church. Caroline Clairmont – who is beginning another of her diets was especially cutting, saying loudly to her friends in the congregation that it was “Quite shocking, just like stories of Roman decadence, my dears, and if that woman thinks she can just shimmy into town like the Queen of Sheba disgusting the way she flaunts that illegitimate child of hers as if – oh, the chocolates? Nothing special, my dears, and far too pricey.” The general conclusion amongst the ladies was that ‘it’– whatever it was – wouldn’t last. I would be out of town within a fortnight. And yet, the number of my customers has doubled since yesterday, amongst them a number of Madame Clairmont’s cronies, bright-eyed if a little shameful, telling each other it was curiosity, that was all, that all they wanted was to see for themselves.
I know all their favourites. It’s a knack, a professional secret like a fortune-teller reading palms: My mother would have laughed at this waste of my skills, but I have no desire to probe further into their lives than this. I do not want their secrets or their innermost thoughts. Nor do I want their fears or gratitude. A tame alchemist, she would have called me with kindly contempt, working domestic magic when I could have wielded marvels. But I like these people. I like their small and introverted concerns. I can read their eyes, their mouths, so easily: this one with its hint of bitterness will relish my zesty orange twists; this sweet-smiling one the soft-centred apricot hearts; this girl with the windblown hair will love the mendiants; this brisk, cheery woman the chocolate brazils. For Guillaume, the florentines, eaten neatly over a saucer in his tidy bachelor’s house. Narcisse’s appetite for double-chocolate truffles reveals the gentle heart beneath the gruff exterior. Caroline Clairmont will dream of cinder toffee tonight and wake hungry and irritable. And the children… Chocolate curls, white buttons with coloured vermicelli, pains d’epices with gilded edging, marzipan fruits in their nests of ruffled paper, peanut brittle, clusters, cracknels, assorted misshapes in half-kilo boxes… I sell dreams, small comforts, sweet harmless temptations to bring down a multitude of saints crash-crash-crashing amongst the hazels and nougatines.
Is that so bad? Cure Reynaud thinks so, apparently.
“Here, Charly. Here boy.”
Guillaume’s voice is warm when he speaks to his dog, but always a little sad. He bought the animal when his father died, he tells me. That was eighteen years ago. But a dog’s life is shorter than a man’s, and they grew old together.
“It’s here.” He brings my attention to a growth under Charly’s chin. It is about the size of a hen’s egg, gnarled like an elm burr. “It’s growing.” A pause during which the dog stretches luxuriously, one leg pedalling as, his master scratches his belly. “The vet says there’s nothing to be done.”
I begin to understand the look of guilt and love I see in Guillaume’s eyes.
“You wouldn’t put an old man to sleep,” he tells me earnestly. “Not if he still had”– he struggles for words “some quality of life. Charly doesn’t suffer. Not really.”
I nod, aware he is trying to convince himself.
“The drugs keep it under control.”
For the moment. The words ring out unspoken.
“When the time comes, I’ll know.” His eyes are soft and horrified. “I’ll know what to do. I won’t be afraid.”
I top up his chocolate-glass without a word and sprinkle the froth with cocoa powder, but Guillaume is too busy with his dog to see. Charly rolls onto his back, head lolling.
“M’sieur le Cure says animals don’t have souls,” says Guillaume softly. “He says I should put Charly out of his misery.”
“Everything has a soul,” I answer. “That’s what my mother used to tell me. Everything.”
He nods, alone in his circle of fear and guilt.
“What would I do without him?” he asks, face still turned towards the dog, and I understand he has forgotten my presence. “What would I do without you?”
Behind the counter I clench my fist in silent rage. I know that look – fear, guilt, covetousness – I know it well. It is the look on my mother’s face the night of the Black Man. His words – What would I do without you? – are the words she whispered to me all through that miserable night. As I glance into my mirror last thing in the evening, as I awake with the growing fear – knowledge, certainty – that my own daughter is slipping away from me, that I am losing her, that I will lose her if I do not find The Place… it is the look on my own.
I put my arms around Guillaume. For a second he tenses, unused to female contact. Then he relaxes. I can feel the strength of his distress coming from him in waves.
“Vianne,” he says softly. “Vianne.”
“It’s all right to feel this way,” I tell him firmly. “It’s allowed.”
Beneath us, Charly barks his indignation.
We made close to three hundred francs today. For the first time, enough to break even. I told Anouk when she came home from school, but she looked distracted, her bright face unusually still. Her eyes were heavy, dark as the cloudline of an oncoming storm.
I asked her what was wrong.
“It’s Jeannot.” Her voice was toneless. “His mother says he can’t play with me any more.”
I remembered Jeannot as Wolf Suit in the Mardi Gras carnival, a lanky seven-year-old with shaggy hair and a suspicious expression. He and Anouk played together in the square last night, running and shouting arcane war cries, until the light failed. His mother is Joline Drou, one of the two primary teachers, a crony of Caroline Clairmont.
“Oh?” Neutrally. “What does she say?”
“She says I’m a bad influence.” She flicked a dark glance at me. “Because we don’t go to church. Because you opened on Sunday.”
You opened on Sunday.
I looked at her. I wanted to take her in my arms, but her rigid, hostile stance alarmed me. I made my voice very calm.
“And what does Jeannot think?” I asked gently.
“He can’t do anything. She’s always there. Watching.” Anouk’s