The Grafters. Lynde Francis
eyes grew hot under the closed lids when she remembered. At the time the hard saying was evoked there was money enough for two, if David Kent would have shared it. But he had held his peace and gone away, and now there was not enough for two.
Elinor faced her major weakness unflinchingly. She was not a slave to the luxuries—the luxuries of the very rich. On the contrary, she had tried to make herself believe that hardness was a part of her creed. But latterly, she had been made to see that there was a formidable array of things which she had been calling comforts: little luxuries which Brookes Ormsby's wife might reckon among the simplest necessities of the daily life, but which David Kent's wife might have to forego; nay, things which Elinor Brentwood might presently have to forego. For she compelled herself to front the fact of the diminished patrimony squarely. So long as the modest Western Pacific dividends were forthcoming, they could live comfortably and without pinching. But failing these——
"No, I'm not great enough," she confessed, with a little shiver. "I should be utterly miserable. If I could afford to indulge in ideals it would be different; but I can't—not when one word of mine will build a barrier so high that all the soul-killing little skimpings can never climb over it. And besides, I owe something to mother and Nell."
It was the final straw. When any weakness of the human heart can find a seeming virtue to go hand in hand with it, the battle is as good as lost; and at that moment Brookes Ormsby, placidly refilling his short pipe in the smoking-room of the Pullman, was by no means in the hopeless case he was sometimes tempted to fancy himself.
As may be surmised, a diligent suitor, old enough to plan thoughtfully, and yet young enough to simulate the youthful ardor of a lover whose hair has not begun to thin at the temples, would lose no ground in a three days' journey and the opportunities it afforded.
In Penelope's phrase, Elinor "suffered him", enjoying her freedom from care like a sleepy kitten; shutting the door on the past and keeping it shut until the night when their through sleeper was coupled to the Western Pacific Flyer at A.& T. Junction. But late that evening, when she was rummaging in her hand-bag for a handkerchief, she came upon David Kent's letter and read it again.
"Loring tells me you are coming West," he wrote. "I assume there is at least one chance in three that you will pass through Gaston. If you do, and if the hour is not altogether impossible, I should like to meet your train. One thing among the many the past two years have denied me—the only thing I have cared much about, I think—is the sight of your face. I shall be very happy if you will let me look at you—just for the minute or two the train may stop."
There was more of it; a good bit more: but it was all guarded commonplace, opening no window in the heart of the man David Kent. Yet even in the commonplace she found some faint interlinings of the change in him; not a mere metamorphosis of the outward man, as a new environment might make, but a radical change, deep and biting, like the action of a strong acid upon a fine-grained metal.
She returned the letter to its envelope, and after looking up Gaston on the time-table fell into a heart-stirring reverie, with unseeing eyes fixed on the restful blackness of the night rushing rearward past the car windows.
"He has forgotten," she said, with a little lip-curl of disappointment. "He thinks he ought to remember, and he is trying—trying because Grantham said something that made him think he ought to try. But it's no use. It was only a little summer idyl, and we have both outlived it."
She was still gazing steadfastly upon the wall of outer darkness when the porter began to make down the berths and Penelope came over to sit in the opposite seat. A moment later the younger sister made a discovery, or thought she did.
"Why, Elinor Brentwood!" she said. "I do believe you are crying!"
Elinor's smile was serenity undisturbed.
"What a vivid imagination you have, Nell, dear," she scoffed. Then she changed the subject arbitrarily: "Is mother quite comfortable? Did you have the porter put a screen in her window?—you know she always insists she can't breathe without it."
Penelope evaded the queries and took her turn at subject-wrenching—an art in which she excelled.
"We are on our own railroad now, aren't we?" she asked, with purposeful lack-interest. "And—let me see—isn't Mr. Kent at some little town we pass through?"
"It is a city," said Elinor. "And the name is Gaston."
"I remember now," Penelope rejoined. "I wonder if we shall see him?"
"It is most unlikely. He does not know we are coming, and he wouldn't be looking for us."
Penelope's fine eyes clouded. At times Elinor's thought-processes were as plain as print to the younger sister; at other times they were not.
"I should think the least we could do would be to let him know," she ventured. "Does anybody know what time the train passes Gaston?"
"At seven-fifteen to-morrow evening," was the unguarded reply; and Penelope drew her own conclusions from the ready answer and the folded time-table in Elinor's lap.
"Well, why don't you send him a wire? I'm sure I should."
"Why should I?" said Elinor, warily.
"Oh, I don't know: any other young woman of his acquaintance would, I fancy. I have half a mind to do it myself. I like him, if you don't care for him any more."
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