Man and Maid. Glyn Elinor
has been too happy—or too anxious, to remember her friends—even dear old ones—but now fortunately Jim is wounded in the ankle bone which will keep him at home for two months so she has a little leisure.
"You can't think, Nicholas, what a different aspect the whole war took on when I knew Jim was in the front line—I adore him—and up to now I have managed to keep him adoring me—but I can see I'll have to be careful if he is going to be with me long at a time."
So it would seem that Nina had not obtained the rest and security she hoped for.
I hope my writing a book will rest me. I have arranged all my first chapter in my head—and to-morrow I begin.
June 26th—Miss Sharp came punctually at ten—she had a black and white cotton frock on—There is nothing of her—she is so slight—(a mass of bones probably in evening dress—but thank goodness I shall not see her in evening dress,) she goes at six—She is to have her lunch here—Burton has arranged it. An hour off for lunch which she can have on a tray in the small salon, which I have had arranged for her work room.—Of course it won't take her an hour to eat—but Burton says she must have that time, it is always done. It is a great nuisance for perhaps when 12:30 comes I shall just be in the middle of an inspiration and I suppose off she'll fly like the housemaids used when the servants' hall bell went at home. But I can't say anything.
I was full of ideas and the beginning of my first chapter spouted out, and when Miss Sharp had read it over to me I found she had not made any mistake. That is a mercy.
She went away and typed it, and then had her lunch—and I had mine, but Maurice dropped in and mine took longer than hers—it was half past two when I rang my hand bell for her (it is a jolly little silver one I bought once in Cairo) She answered it promptly—the script in her hand.
"I have had half an hour with nothing to do," she said—"Can you not give me some other work which I can turn to, if this should happen again?"
"You can read a book—there are lots in the book case" I told her—"Or I might leave you some letters to answer."
"Thank you, that would be best"—(She is conscientious evidently).
We began again.
She sits at a table with her notebook, and while I pause she is absolutely still—that is good. I feel she won't count more than a table or chair. I am quite pleased with my work. It is awfully hot to-day and there is some tension in the air—as though something was going to happen. The news is the same—perhaps slightly better.—I am going to have a small dinner to-night. The widow and Maurice and Madame de Clerté—just four and we are going to the play. It is such a business for me to go I seldom turn out.—Maurice is having a little supper in his rooms at the Ritz for us. It is my birthday—I am thirty-one years old.
Friday—What an evening that 26th of June! The theatre was hot and the cramped position worried me so—and the lights made my eye ache—Madame de Clerté and I left before the end and ambled back to the Ritz in my one horse Victoria and went and sat in Maurice's room. We talked of the situation, and the effect of the Americans coming in, bucking everyone up—we were rather cheerful. Then the sirens began—and the guns followed just as Maurice and Odette got back—They seemed unusually loud—and we could hear the bits of shrapnel falling on the terrace beneath us, Odette was frightened and suggested going into the cellar—but as Maurice's rooms are only on the second floor, we did not want to take the trouble.
Fear has a peculiar effect upon some people—Odette's complexion turned grey and she could hardly keep her voice steady. I wondered how soon she would let restraint slip from her and fly out of the room to the cellar. Madame de Clerté was quite unmoved.
Then the dramatic happened—Bang!—the whole house shook and the glass of the window crashed in fragments—and Maurice turned out the one light—and lifted a corner of the thick curtain to peep out.
"I believe they got the Colome Vendôme" he said awed—and as he spoke another bomb fell on the Ministaìre beside us—and some of the splinters shot into space and buried themselves in our wall.
We were all blown across the room—and Madame de Clerté and I fell in a heap together by the door, which gave way outwards—Odette's shrieks made us think that she was hurt, but she was not, and subsided into a gibbering prayer—Maurice helped Madame de Clerté to rise and I turned on the torch I keep in my pocket, for a minute. I was not conscious of any pain. We sat in the dark and listened to the commotion beneath us for some time, and the crashing bombs but never one so near again.—Maurice's voice soothing Odette was the only sound in our room.
Then Madame de Clerté laughed softly and lit a cigarette.
"A near thing that, Nicholas!" she said—"Let us go down now and see who is killed, and where the explosion actually occurred—The sight is quite interesting you know you can believe me."
"When Bertha hit the—— two days ago, we rushed for taxis to go down to see the place—Coralie—has petrol for her motor since two weeks you know"—and she smiled wickedly—"Monsieur le Ministre must show his gratitude somehow mustn't he?—Coralie is such a dear—Yes—?—So some of us packed in with her—we were quite a large party—and when we got there they were trying to extinguish the fire, and bringing out the bodies—You ought to come with us sometime when we go on these trips—anything for a change."
These women would not have looked on at the sufferings of a mouse before the war—.
The sight in the hall when we did arrive there after the "all clear" went—was remarkable—the great glass doors of the salon blown in and all the windows broken—and the Place Vendôme a mass of debris—not a pane whole there I should think.
But nobody seems very much upset—these things are all in the days work—.
I wonder if in years to come we shall remember the queer recklessness which has developed in almost everyones mentality, or shall we forget about the war and go on just as we were before—Who knows?
I said to Miss Sharp this morning—
"What do you do in the evenings when you leave here"?
I had forgotten for a moment that Maurice had told me that she makes bandages. She looked at me and her manner froze—I can't think why I felt she thought I had no right to question her—I say "looked at me"—but I am never quite sure what her eyes are doing, because she never takes off her yellow glasses—Those appear to be gazing at me at all events.
"I make bandages."
"Aren't you dead tired after working all day with me?"
"I have not thought about it—the bandages are badly needed."
Her pencil was in her hand, and the block ready—she evidently did not mean to go on conversing with me. This attitude of continuous diligence on her part has begun to irritate me. She never fidgets—just works all the time.
I'll ask Burton what he thinks of her at luncheon to-day—As I said before, Burton knows the world.
"What do you think of my typist, Burton?"
He was putting a dish of make-believe before me—it is a meatless day—my one-legged cook is an artist but he thinks me a fool because I won't let him cheat—our want of legs makes us friendly though.
"And with a brother in the trade I could get Monsieur chickens and what he would wish!" he expostulates each week.
"A-hem"—Burton croaked.
I repeated the question.
"The young lady works very regular."
"Yes—That is just it—a kind of a machine."
"She earns her money Sir Nicholas."
"Of course she does—I know all that—But what do you think of her?"
"Beg pardon Sir Nicholas—I