The Danger Mark. Robert W. Chambers
and jolly fellowship and vacations, brought to them from outside by happier children, almost crazed them with the longing for it.
It was hard for them when their little friends the Malletts were sent abroad to school; Naïda, now aged twelve, to a convent, and Duane, who was now fifteen, three years older than the Seagrave twins, accompanied his mother and a tutor, later to enter some school of art in Paris and develop whatever was in him. For like all parents, Duane's had been terribly excited over his infantile efforts at picture-making—one of the commonest and earliest developed of talents, but which never fails to amaze and delight less gifted parents and which continues to overstock the world with mediocre artists.
So it was arranged that Colonel Mallett should spend every summer abroad with his wife to watch the incubation of Duane's Titianesque genius and Naïda's unbelievable talent for music; and when the children came to bid good-bye to the Seagrave twins, they seized each other with frantic embraces, vowing lifelong fidelity. Alas! it is those who depart who forget first; and at the end of a year, Geraldine's and Scott's letters remained unanswered.
At the age of thirteen, after an extraordinary meeting of the directors of the Half Moon Trust Company, it was formally decided that a series of special tutors should now be engaged to carry on to the bitter end the Tappan-Seagrave system of home culture; and the road to college was definitely closed.
"I want my views understood," said Mr. Tappan, addressing the board of solemn-visaged directors assembled in session to determine upon the fate of two motherless little children. "Indiwidoolism is nurtured in excloosion; the elimination of the extraneous is necessary for the dewelopment of indiwidoolism. I regard the human indiwidool as sacred. Like a pearl"—he pronounced it "poil"—"it can grow in beauty and symmetry and purity and polish only when nourished in seclusion. Indiwidoolism is a poil without price; and the natal mansion, gentlemen—if I may be permitted the simulcritude—is its oyster.
"My old friend, Anthony Seagrave, shared with me this unalterable conwiction. I remember in the autumn of 1859——"
The directors settled themselves in their wadded arm-chairs; several yawned; some folded their hands over their ample stomachs. The June atmosphere was pleasantly conducive to the sort of after-luncheon introspection which is easily soothed by monotones of the human voice.
And while Mr. Tappan droned on and on, some of the directors watched him with one eye half open, thinking of other things, and some listened, both eyes half closed, thinking of nothing at all.
Many considered Mr. Tappan a very terrible old man, though why terrible, unless the most rigid honesty and bigoted devotion to duty terrifies, nobody seemed to know.
Long Island Dutch—with all that it implies—was the dull stock he rooted in. Born a poor farmer's son, with a savage passion for learning, he almost destroyed his eyesight in lonely study under the flicker of tallow dips. All that had ever come to him of knowledge came in these solitary vigils. Miry and sweating from the plough he mastered the classics, law, chemistry, engineering; and finally emerging heavily from the reek of Long Island fertiliser, struck with a heavy surety at Fortune and brought her to her knees amidst a shower of gold. And all alone he gathered it in.
On Coenties Slip his warehouse still bore the legend: "R. Tappan: Iron." All that he had ever done he had done alone. He knew of no other way; believed in no other way.
Plain living, plainer clothing, tireless thinking undisturbed—that had been his childhood; and it had suited him.
Never but once had he made any concession to custom and nature, and that was only when, desiring an heir, he was obliged to enter into human partnership to realise the wish.
His son was what his father had made him under the iron cult of solitary development; and now, the father, loyal in his own way to the memory of his old friend Anthony Seagrave, meant to do his full duty toward the orphaned grandchildren.
So it came to pass that tutors and specialists replaced Kathleen in the schoolroom; and these ministered to the twin "poils," who were now fretting through their thirteenth year, mad with desire for boarding-school.
Four languages besides their own were adroitly stuffed into them; nor were letters, arts, and sciences neglected, nor the mundane and social patter, accomplishments, and refinements, including poise, pose, and deportment.
Specialists continued to guide them indoors and out; they rode every morning at eight with a specialist; they drove in the Park between four and five with the most noted of four-in-hand specialists; fencing, sparring, wrestling, swimming, gymnastics, were all supervised by specialists in those several very important and scientific arts; and specialists also taught them hygiene: how to walk, sit, breathe; how to masticate; how to relax after the manner of the domestic cat.
They had memory lessons; lessons in personal physiology, and in first aid to themselves.
Specialists cared for their teeth, their eyes, their hair, their skin, their hands and feet.
Everything that was taught them, done for them, indirectly educated them in the science of self-consideration and deepened an unavoidably natural belief in their own overwhelming importance. They had not been born so.
But in the house of Seagrave everything revolved around and centred in them; everything began for them and ended for them alone. They had no chance.
True, they were also instructed in theology and religion; they became well grounded in the elements of both—laws, by-laws, theory, legends, proverbs, truisms, and even a few abstract truths. But there was no meaning in either to these little prisoners of self. Seclusion is an enemy to youth; solitude its destruction.
When the twins were fifteen they went to their first party. A week of superficial self-restraint and inward delirium was their preparation, a brief hour of passive bewilderment the realisation. Dazed by the sight and touch and clamor of the throng, they moved and spoke as in a vision. The presence of their own kind in such numbers confused them; overwhelmed, they found no voices to answer the call of happiness. Their capacity to respond was too limited.
As in a dream they were removed earlier than anybody else—taken away by a footman and a maid with decorous pomp and circumstance, carefully muffled in motor robes, and embedded in a limousine.
The daily papers, with that lofty purpose which always characterises them, recorded next morning the important fact that the famous Seagrave twins had appeared at their first party.
Between the ages of fifteen and sixteen the twins might have entered Harvard, for the entrance examinations were tried on both children, and both passed brilliantly.
For a year or two they found a substitute for happiness in pretending that they were really at college; they simulated, day by day, the life that they supposed was led there; they became devoted to their new game. Excited through tales told by tutor and friend, they developed a passionate loyalty for their college and class; they were solemnly elected to coveted societies, they witnessed Harvard victories, they strove fiercely for honours; their ideals were lofty, their courage clean and high.
So completely absorbed in the pretence did they become that their own tutors ventured to suggest to Mr. Tappan that such fiercely realistic mimicry deserved to be rewarded. Unfortunately, the children heard of this; but the Trust Officer's short answer killed their interest in playing at happiness, and their junior year began listlessly and continued without ambition. There was no heart in the pretence. Their interest had died. They studied mechanically because they were obliged to; they no longer cared.
That winter they went to a few more parties—not many. However, they were gingerly permitted to witness their first play, and later, the same year, were taken to "Lohengrin" at the opera.
During the play, which was a highly moral one, they sat watching, listening, wide-eyed as children.
At the opera Geraldine's impetuous soul soared straight up to paradise with the first heavenly strains, and remained there far above the rigid, breathless little body, bolt upright in its golden sarcophagus of the grand tier.
Her physical