Тринадцать гостей / Thirteen Guests. Джозеф Джефферсон Фарджон
wouldn’t,” answered Mr. Chater quietly.
Two seconds later, Mr. Chater was entering the car.
About to follow, Bultin changed his mind and strolled casually up to the man.
“You might as well,” he remarked, taking out his lighter. “You’re supposed to burn one end, you know.”
The man switched round violently. Ten years previously Bultin would have dreamt of the expression in the man’s eyes. Now he merely found it undoubtedly interesting.
“I am Lionel Bultin,” he said. “I am spending the week-end at Bragley Court. I shall be there till Monday morning. I pay for material—provided, of course, that I use it.”
For the second time that evening, the man escaped a brainstorm by the breadth of a hair. The first time it had nearly been caused by a penn’orth of mechanical music.
“Bragley Court,” he repeated, suddenly calm. “You’re going there, too, eh?” He bent forward and accepted the light. As he withdrew his head he added, “You’ll get something to write about.”
Chapter VI. Spottings of a Leopard
The drive to Bragley Court was stiff and uncomfortable. Bultin never did anything to put people at their ease, and Zena Wilding’s forced vivacity was as unhelpful as Bultin’s silence. The one subject that most vitally interested the majority of the party was studiously avoided.
“Don’t you think there’s always a sort of a thrill, going to a new country house?” exclaimed Zena, trying nervously to be brilliant. “Something like the curtain going up on a play?”
“Yes,” answered Mrs. Chater dutifully.
It was not encouraging, but Zena prattled on:
“And then the guests—they’re like the characters—and you wonder what’s going to happen. Of course, nothing particular ever really does happen. Just as well! Suppose it did—a fire, or a burglary, or a murder! No, thank you, we’ll leave that to the dramatists!”
She glanced at Bultin. She was speaking partly for his benefit, though partly also to drive her mind from the disturbing moment just before she had entered the car. If she made her conversation scintillating, Bultin might report it.
But Bultin was gazing out of the window, inventing headlines, although his ear did not miss a word Zena said, and it was Mr. Chater this time who broke the silence with a murmured:
“What? Yes, quite.”
Mr. Chater was able to talk fluently on occasions, but this was not one of the occasions. He, also, was recalling the moment just before he had entered the car. Unlike Zena, however, he was not trying to forget it. He was dwelling on it, probing its meaning.
The actress made one more effort.
“I suppose I can’t help seeing drama in everything,” she said, forgetting that her drama rarely rose above the level of musical comedy. “Even when I was on the Riviera—do you know the Riviera?—it was there I met Lord Aveling—yes, even on my holiday I was always inventing plots about everything and everybody. Your mind just goes on working, you know, without your knowing it.” She glanced again at Bultin. He was still staring out of the window. It was very disappointing. Well, she must give him some definite news—perhaps that would wake him up. “Yes, but one wants to get back to work. Of course, I enjoyed my holiday immensely—after my illness—but it was far too long. Do you know, it seems years and years since I put on any make-up.” Bultin did make a mental note of that phrase. “But—well, I don’t believe it will be very long now. As a matter of fact—in strict confidence—I’ve got the play in my case at this moment!… Only perhaps you’d better not mention it just yet, Mr. Bultin?”
“I promise I won’t,” he answered.
The man was just a beast! She hoped earnestly that he would break his promise.
After that she gave up, and the journey continued in silence.
They reached their destination as Lord Aveling was greeting another guest who had just preceded them, and who had made the trip from London by car. “Earnshaw,” Bultin identified. He also noticed that Lord Aveling was welcoming him effusively.
“Delighted you were able to get away, Sir James,” said Aveling. “You’re staying till Monday, of course?”
“Unless I’m called back,” replied the Liberal member, his large rich voice filling the hall. He gazed about him as he spoke, leisurely and unflurriedly. He had all the solid assurance of a well-groomed, well-fed man. “Land question, you know.”
“It’s the eternal question,” smiled Aveling. “I expect we’ll talk about it. State or private ownership. Communism or—common sense, eh? No middle course these days.”
The Liberal member looked at his host sharply. He, too, was doubting the wisdom of the middle course. Moderation was in a disconcerting minority at the moment. But it was not this reflection that had arrested him. It was “Communism or Common Sense.” He revolved the words in his mind. A slogan there, somewhere. Communism or Common Sense. Communism or Common Sensism. House of Commonism....
The Honourable Anne appeared on the stairs. Slogans vanished as he strode forward to meet her. Meanwhile Lord Aveling’s polished voice droned on:
“Ah, Miss Wilding! How are you? I hope the journey was not tiring?” He took the actress’s hand and held it for an instant. “We have something to chat about, have we not? Ah, Bultin—how is the world treating you? Or perhaps we should say, how are you treating the world? Have you brought your large note-book? Be careful of this man, Miss Wilding! He can make or ruin one in a single paragraph. We all try to keep on the right side of Mr. Bultin.”
Bultin smiled faintly. He knew that, behind his polished badinage, Lord Aveling was just a little anxious about him. This week-end was a sort of bribe. The tobacco and beads for the naughty Indian with the scalping-knife.
Then Lord Aveling turned to the last of his guests to enter through the front door. Sir James turned also with a sudden sense of responsibility. He was still leisurely and unflurried, but a little of the rich warmth left his tone as he said:
“How well we have arranged this! I arrive just in time to perform the introductions. Mr. and Mrs. Chater, Lord Aveling.”
John Foss had said he was not superstitious, but he had been watching the front door from his couch, and counting. Zena Wilding, ten. Lionel Bultin, eleven. Who would enter first of the last couple?… The man—no, he had paused on the threshold. The woman preceded him. Mrs. Chater, twelve. Mr. Chater, thirteen....
The new guests dissolved to their respective rooms. Dinner was at eight, and bags had to be unpacked and clothes changed. Lionel Bultin followed a servant up the soft stair-carpet to a room on the second floor. The artist, Leicester Pratt, wagged a hand from an easy-chair as he entered.
“Hallo, Lionel,” said Pratt. “We’re to be stable lads together. I hope you don’t mind? There’s no way out, if you do. It was my idea.”
Bultin did not mind. His invitation to Bragley Court had also been Pratt’s idea. It was Leicester Pratt who had lent Bultin fifty pounds ten years ago, at the critical moment of the journalist’s career. Pratt was then an unknown artist, doing infinitely better work than he was doing to-day. Pratt had discovered Bultin, and in return Bultin had discovered Pratt. No two men had helped each other more, or understood each other better.
“Well?” queried Bultin, after five minutes of silence.
Pratt laughed.
“You know, I’m quite a little child at heart, Lionel,” he answered. “I love to call you Lionel, and even more I love to make you say, ‘Well?’ I believe I’m the only person who can do it outside the King and Mussolini. Lionel Bultin, purveyor of world news, world gossip, world washing, authority on Eden’s size in collars and Greta Garbo’s lip-stick, asking me for information! Admit it’s a score!”
“I don’t ask even little children twice,”