The Complete Works: Short Stories, Novels, Plays, Poetry, Memoirs and more. Guy de Maupassant
of that of the main entrance. People recognized one another, beckoned to one another, and gathered in groups. The men of letters, less respectful than the men in society, chatted in low tones and looked at the ladies.
Norbert de Varenne, who was looking out for an acquaintance, perceived Jacques Rival near the center of the rows of chair, and joined him. “Well,” said he, “the race is for the cunning.”
The other, who was not envious, replied: “So much the better for him. His career is safe.” And they began to point out the people they recognized.
“Do you know what became of his wife?” asked Rival.
The poet smiled. “Yes, and no. She is living in a very retired style, I am told, in the Montmartre district. But — there is a but — I have noticed for some time past in the Plume some political articles terribly like those of Forestier and Du Roy. They are by Jean Le Dal, a handsome, intelligent young fellow, of the same breed as our friend George, and who has made the acquaintance of his late wife. From whence I conclude that she had, and always will have, a fancy for beginners. She is, besides, rich. Vaudrec and Laroche-Mathieu were not assiduous visitors at the house for nothing.”
Rival observed: “She is not bad looking, Madeleine. Very clever and very sharp. She must be charming on terms of intimacy. But, tell me, how is it that Du Roy comes to be married in church after a divorce?”
Norbert replied: “He is married in church because, in the eyes of the Church, he was not married before.”
“How so?”
“Our friend, Pretty-boy, from indifference or economy, thought the registrar sufficient when marrying Madeleine Forestier. He therefore dispensed with the ecclesiastical benediction, which constituted in the eyes of Holy Mother Church a simple state of concubinage. Consequently he comes before her to-day as a bachelor, and she lends him all her pomp and ceremony, which will cost Daddy Walter a pretty penny.”
The murmur of the augmented throng swelled beneath the vaulted room. Voices could be heard speaking almost out loud. People pointed out to one another celebrities who attitudinized, pleased to be seen, and carefully maintained the bearing adopted by them towards the public accustomed to exhibit themselves thus at all such gatherings, of which they were, it seemed to them, the indispensable ornaments.
Rival resumed: “Tell me, my dear fellow, you who go so often to the governor’s, is it true that Du Roy and Madame Walter no longer speak to one another?”
“Never. She did not want to give him the girl. But he had a hold, it seems, on the father through skeletons in the house — skeletons connected with the Morocco business. He threatened the old man with frightful revelations. Walter recollected the example he made of Laroche-Mathieu, and gave in at once. But the mother, obstinate like all women, swore that she would never again speak a word to her son-in-law. She looks like a statue, a statue of Vengeance, and he is very uneasy at it, although he puts a good face on the matter, for he knows how to control himself, that fellow does.”
Fellow-journalists came up and shook hands with them. Bits of political conversation could be caught. Vague as the sound of a distant sea, the noise of the crowd massed in front of the church entered the doorway with the sunlight, and rose up beneath the roof, above the more discreet murmur of the choicer public gathered within it.
All at once the beadle struck the pavement thrice with the butt of his halberd. Every one turned round with a prolonged rustling of skirts and a moving of chairs. The bride appeared on her father’s arm in the bright light of the doorway.
She had still the air of a doll, a charming white doll crowned with orange flowers. She stood for a few moments on the threshold, then, when she made her first step up the aisle, the organ gave forth a powerful note, announcing the entrance of the bride in loud metallic tones. She advanced with bent head, but not timidly; vaguely moved, pretty, charming, a miniature bride. The women smiled and murmured as they watched her pass. The men muttered: “Exquisite! Adorable!” Monsieur Walter walked with exaggerated dignity, somewhat pale, and with his spectacles straight on his nose. Behind them four bridesmaids, all four dressed in pink, and all four pretty, formed the court of this gem of a queen. The groomsmen, carefully chosen to match, stepped as though trained by a ballet master. Madame Walter followed them, giving her arm to the father of her other son-in-law, the Marquis de Latour-Yvelin, aged seventy-two. She did not walk, she dragged herself along, ready to faint at each forward movement. It could be felt that her feet stuck to the flagstones, that her legs refused to advance, and that her heart was beating within her breast like an animal bounding to escape. She had grown thin. Her white hair made her face appear still more blanched and her cheeks hollower. She looked straight before her in order not to see any one — in order not to recall, perhaps, that which was torturing her.
Then George Du Roy appeared with an old lady unknown. He, too, kept his head up without turning aside his eyes, fixed and stern under his slightly bent brows. His moustache seemed to bristle on his lip. He was set down as a very good-looking fellow. He had a proud bearing, a good figure, and a straight leg. He wore his clothes well, the little red ribbon of the Legion of Honor showing like a drop of blood on his dress coat.
Then came the relations, Rose with the Senator Rissolin. She had been married six weeks. The Count de Latour-Yvelin accompanied by the Viscountess de Percemur. Finally, there was a strange procession of the friends and allies of Du Roy, whom he introduced to his new family; people known in the Parisian world, who became at once the intimates, and, if need be, the distant cousins of rich parvenus; gentlemen ruined, blemished; married, in some cases, which is worse. There were Monsieur de Belvigne, the Marquis de Banjolin, the Count and Countess de Ravenel, Prince Kravalow, the Chevalier, Valréali; then some guests of Walter’s, the Prince de Guerche, the Duke and the Duchess de Ferraciné, the beautiful Marchioness des Dunes. Some of Madame Walter’s relatives preserved a well-to-do, countrified appearance amidst the throng.
The organ was still playing, pouring forth through the immense building the sonorous and rhythmic accents of its glittering throats, which cry aloud unto heaven the joy or grief of mankind. The great doors were closed, and all at once it became as gloomy as if the sun had just been turned out.
Now, George was kneeling beside his wife in the choir, before the lit-up altar. The new Bishop of Tangiers, crozier in hand and miter on head, made his appearance from the vestry to join them together in the Eternal name. He put the customary questions, exchanged the rings, uttered the words that bind like chains, and addressed the newly-wedded couple a Christian allocution. He was a tall, stout man, one of those handsome prelates to whom a rounded belly lends dignity.
The sound of sobs caused several people to look round. Madame Walter was weeping, with her face buried in her hands. She had to give way. What could she have done else? But since the day when she had driven from her room her daughter on her return home, refusing to embrace her; since the day when she had said, in a low voice, to Du Roy, who had greeted her ceremoniously on again making his appearance: “You are the vilest creature I know of; never speak to me again, for I shall not answer you,” she had been suffering intolerable and unappeasable tortures. She hated Susan with a keen hatred, made up of exasperated passion and heartrending jealousy, the strange jealousy of a mother and mistress — unacknowledgable, ferocious, burning like a new wound. And now a bishop was marrying them — her lover and her daughter — in a church, in presence of two thousand people, and before her. And she could say nothing. She could not hinder it. She could not cry out: “But that man belongs to me; he is my lover. This union you are blessing is infamous!”
Some ladies, touched at the sight, murmured: “How deeply the poor mother feels it!”
The bishop was declaiming: “You are among the fortunate ones of this world, among the wealthiest and most respected. You, sir, whom your talent raises above others; you who write, who teach, who advise, who guide the people, you who have a noble mission to fulfill, a noble example to set.”
Du Roy listened, intoxicated with pride. A prelate of the Roman Catholic Church was speaking thus to him. And he felt behind him a crowd, an illustrious crowd, gathered on his account. It seemed to him that some power impelled and lifted